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Andrea Palladio (1508-1580) was one of the most celebrated architects of the Renaissance, so important that the term Palladian has been applied to a particular style of architecture that adheres to classical concepts. The wide spread of Palladianism was due partly to the private and public buildings he constructed in Italy, the designs of which were copied throughout Europe. But of even greater consequence was his remarkable magnum opus, I Quattro Libri dell'Architettura; translated into every major Western European language in the two centuries following its publication in 1570, it has been one of the most influential books in the history of architecture. The Four Books of Architecture offers a compendium of Palladio's art and of the ancient Roman structures that inspired him. The First Book is devoted to building materials and techniques and the five orders of architecture: Tuscan, Doric, Ionic, Corinthian, and Composite. Palladio indicates the characteristic features of each order and supplies illustrations of various architectural details. The Second Book deals with private houses and mansions, almost all of Palladio's own design. Shown and described are many of his villas in and near Venice and Vicenza (including the famous Villa Capra, or The Rotunda, the Thiene Palace, and the Valmarana Palace). Each plate gives a front view drawing of the building and the general floor plan. The Third Book is concerned with streets, bridges, piazzas, and basilicas, most of which are of ancient Roman origin. In the Fourth Book, Palladio reproduces the designs of a number of ancient Roman temples. Plates 51 to 60 are plans and architectural sketches of the Pantheon.In all, the text is illustrated by over 200 magnificently engraved plates, showing edifices, either of Palladio's own design or reconstructed (in these drawings) by him from classical ruins and contemporary accounts. >

The art of fortification had reached a high state of development even at the dawn of history. Powerful military works, dating from the remotest periods, have been found in Asia Minor, in Greece, and in the basins of the Tigris, the Euphrates, and the Nile rivers. The medieval castle, with its strategic, crenellated ramparts and aura of legend and romance, represents perhaps the most familiar form of a long-crucial art. This concise, scholarly volume traces the history of the castle from its ancient roots in the Levant, through Roman times and the Middle Ages, to the fanciful chateaux of the sixteenth century. Profusely illustrated with nearly 200 photographs, floor-plan diagrams, and pen-and-ink renderings, Castles explores innovations in castle design, siege operations, artillery, and other weapons, living conditions within the castle, and clearly explains intriguing features of construction: moats, baileys, keeps, donjons, barbicans, double curtains, loopholes, and many others. In addition, noted historian and fortification expert Sidney Toy takes the reader on a detailed guided tour of over 120 of the most famous castles and fortresses of Europe and the Middle East. Explore Caernarvon Castle (associated with the Princes of Wales), Dover Castle, Arundel Castle, Hadrian's Wall, the Tower of London, the famed city of Troy, and dozens of others in vivid accounts focusing on the architecture, offensive and defensive modifications, and historical importance of each structure or site. Castle enthusiasts, medievalists, military buffs, travelers, and anyone interested in the evolution and development of the castle will find this meticulously researched overview an informative and absorbing account. Corrected republication of Castles: A Short History of Fortifications form 1600 B.C. to A.D. 1600 published by William Heinemann, Ltd., London/Toronto, 1939.

This groundbreaking work established Neo-Palladianism as the national style, overthrowing Baroque trends and anointing Inigo Jones as the British Vitruvius. Its 300 illustrations include facades, grounds, exteriors, and perspective views.

The metropolis of the future -- as perceived by architect Hugh Ferriss in 1929 -- was both generous and prophetic in vision. This illustrated essay on the modern city and its future features 59 illustrations.

Organic form was Frank Lloyd Wright's credo, and its most splendid embodiment is Fallingwater, designed and built for the Pittsburgh merchant Edgar Kaufmann in the 1930s. The private dwelling, which juts directly over a waterfall at Bear Run in western Pennsylvania, is the boldest and most personal architectural statement of Wright's mature years.This volume is a total revision--both in text and illustrations--of the standard document of Fallingwater. With the opening of the Frank Lloyd Wright Archives, valuable new material has come to light that has provided the basis for this completely rewritten and expanded account. The new material has enabled the author, Wright expert Donald Hoffmann, to tell a more comprehensive, vivid, and authentic story. This book is the complete record of the birth, growth, and maturity of an architectural masterpiece. It documents in special detail Fallingwater's architectural innovations: its cantilevered construction, its ingenious integration with a majestic waterfall, the cascading staircases, organic use of ornament, and the problematic but ultimately triumphant use of reinforced concrete.Preliminary drawings, sketches, and plans show the early phases of the project. Over 100 photographs depict in both panoramic and intimate detail Fallingwater's site, every phase of its construction, and its distinctive interior and exterior detailing. The superb text tells the story in full, from the earliest notions of the project, through heated confrontations over issues of aesthetics and structure, to its completion. In every aspect, this carefully researched book offers readers an extremely rare insider's view of how a landmark of American architecture came into being. Fascinating.--The New York Times.

An unabridged republication of: A collection of designs in architecture. London, 1757.

81 illustrations depict floor plans, elevations, and other details of suburban residences, capturing the elaborate, distinctive beauty of Victorian-era cornices, staircases, gables, verandas, doors, dormers, and more.