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  • - Understanding Line, Notan and Color
    av Arthur Wesley Dow
    282,-

    Focusing on harmonic relations between lines, color, and dark and light patterns, this manual influenced generations of artists. Practical and well-illustrated, it conveys its insights in a convenient workbook format.

  • av John W Robichaux
    99,-

    A teacher for over 60 years, painter Hensche placed great emphasis in his classes on Monet's Impressionist tradition of seeing and painting color under the influence of light. Hensche taught students to "see the light, not the object," says Robichaux, who in this book reveals the basic painting philosophy and methodology of a great teacher.

  • av Cliff Young
    167,-

    Expert guidance on how to draw shirts, pants, skirts, gloves, hats, and coats on the human figure, including folds in relation to the body, pull and crush, action folds, creases, more. Over 200 drawings.

  • av Len A. Doust
    87,-

    As Doust enthusiastically states, if a drawing "is not alive, it is a failure." With this practical, encouraging guide, even the most novice sketchers can learn how to capture the vitality and character of their models. Clear instructions and 23 step-by-step illustrations highlight all students need to know.

  • av Jane Evans
    274,-

  • av Len A. Doust
    87,-

  • av John Pike
    376,-

    From one of America's favorite artists comes one of the most popular watercolor books ever written. Drawing upon a lifetime of perfecting the craft he loves, Pike provides artists at all levels of expertise with information on everything from choosing a brush to producing a variety of washes. Abundantly illustrated with 166 paintings.

  • av Frank Lohan
    195,-

  • - A Complete Course
    av E. Koller
    162,-

  • av George L. Stout
    135,-

  • av Leonard Richmond
    112,-

  • - The Anatomy of Picture Making
    av Douglas Meadows
    86,99

  • av Arthur L. Guptill
    339,-

  • av Carl Cheek
    102,-

  • av Frank M. Rines
    127,-

    Illustrating the dominant features of many common species -- elm, maple, willow, apple, more -- this manual includes two portraits of each variety, in pencil and other media. 34 drawings.

  • av W. Sparkes
    102,-

    A guide to shadow, light, and gradation in drawings. Advice includes deepening volume, evoking sunlight, creating mood, plus shading techniques for pyramids, cones, spheres, and vases. Features 87 expert illustrations.

  • av Victor Perard
    116,-

  • av Eric Sloane
    102,-

    Sloane's "talk on clouds" describes different types of "cloudscapes" and offers homespun techniques that help add texture and realism to cloud illustrations. 110 black-and-white illustrations.

  • - Creative Perspective for Artists and Illustrators
    av Ernest W. Watson
    257,-

    In this thought-provoking practical guide, a noted artist and educator demonstrates that learning to violate the rules of perspective (profitably) is as important for the practicing artist as learning the principles of perspective themselves. Only in this way can students free themselves from the constraints of tradition and find their own imaginative paths. However, it is vital that students first have a solid grasp of classical perspective before they can think about adapting it creatively.In presenting the principles of perspective drawing, Mr. Watson devotes a chapter each to step-by-step discussions of such topics as the picture plane, foreshortening and convergence, the circle, the cone, three-point perspective, universal perspective, figures in perspective, and much more. To illustrate his points he offers expert analysis of the works of such leading illustrators as John Atherton, V. Bobri, R. M. Chapin, Jr., Albert Dorne, Robert Fawcett, Constantin Guys, W. N. Hudson, Carl Roberts, Ben Stahl, and Aldren A. Watson, as well as drawings by Pieter de Hooch and Paul Cézanne. The result is a ground-breaking study that artists, illustrators, and draftsmen will find invaluable in learning to create works with convincing perspective.Ernest W. Watson taught at Pratt Institute for over 20 years, co-founded and served as editor-in-chief of the magazine American Artist, and co-founded the prestigious art publishing house of Watson-Guptill.Dover (1992) republication of How to Use Creative Perspective, originally published by Reinhold Publishing Corporation, New York, 1955.

  • av Jack Coggins
    182,-

  • av Dora Miriam Norton
    149,-

  • av Edgar A. Whitney
    347,-

    Comprehensive, popular guide by renowned artist and teacher presents a full course of watercolor painting, from basics to creating landscapes; painting portraits and figures; drawing; following design principles; and matting, framing, and selling completed works. Two full-color sections show how to create 7 of the author's watercolors. 37 color illustrations, over 100 black-and-white illustrations.

  • av Arthur Zaidenberg
    182,-

  • av John Ruskin
    175,-

  • av Harry R. Ballinger
    135,-

    Artists who love the sea will treasure this illustrated guide with advice on technique, color, and composition. Ballinger shows how to paint seaworthy vessels, calm and stormy waters, sea birds, the sky, and more. 8-page color insert.

  • - The Fundamentals of Figure Drawing
    av Charles Oliver
    182,-

  • av Frank M. Rines
    142,-

    Concise and beautifully illustrated, this guide provides invaluable instruction on the art of pencil drawing. It covers the basics of holding the pencil, applying different strokes, shading, perspective, and the rendering of different materials, as well as the finer points of pictorial composition and drawing from nature. 36 evocative sketches.

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