Bøker i Edinburgh Companions to the Gothic-serien

[headline]Explores a full spectrum of Gothic works broadly understood as queer, from the eighteenth century to today Queer Gothic: An Edinburgh Companion features sixteen essays that interrogate queer theory's intersections with the Gothic. By re-visiting the usefulness of the term 'queer' and pushing queer theoretical frameworks into new territory, this volume explores the ways that Gothic and queer work alongside each other: one as a marginalised genre and the other as a marginalised identity. Considering both major and lesser-known Gothic works, and ranging from the canonical (poetry and fiction) to the popular (film, video games, music, and visual and performance art), it offers queer and trans perspectives on a wide selection of Gothic modes, genres and texts from fiction such as Hugh Walpole's The Castle of Otranto to Jeanette Winterson's The Daylight Gate, films from Nosferatu to The Cured and TV shows including In the Flesh and Pose. [bio]Ardel Haefele-Thomas is the Chair of LGBT Studies at City College of San Francisco. They are the author of Introduction to Transgender Studies (Columbia University Press, 2019) and Queer Others in Victorian Gothic: Transgressing Monstrosity (University of Wales Press, 2012), and have published numerous essays on queer and trans Gothic themes.

Offers fresh perspectives on Irish Gothic and its pervasiveness in Irish culture from the eighteenth century to today. Irish Gothic: An Edinburgh Companion provides a comprehensive account of the extent to which Gothic can be traced in Irish cultural life from the eighteenth century to the contemporary moment, across both elite and popular genres and through a range of different media, including literature, cinema and folklore. It responds, in particular, to the understanding that Gothic is ubiquitous in Irish literature and culture. Rather than focus exclusively on the oft-studied Irish Gothic foursome - Charles Maturin, Sheridan Le Fanu, Oscar Wilde and Bram Stoker - this companion turns attention to overlooked 'minor' figures such as Regina Maria Roche, Mrs F. C. Patrick, James Clarence Mangan and Eimear McBride. At the same time, it considers the multi-generic nature of Irish Gothic, thinking beyond fiction and, in particular, the novel, as the Gothic genre par excellence. The volume also takes account of Irish language Gothic, illuminating the ways in which the Gothic in Ireland has found and continues to find expression in different cultural and linguistic communities. Jarlath Killeen is Lecturer in Victorian Literature in the School of English, Trinity College Dublin. His publications include Imagining the Irish Child: Discourses of Childhood in Irish Anglican Writing of the Seventeenth and Eighteenth Centuries (2023) and The Emergence of Irish Gothic Fiction (2013). Christina Morin is Senior Lecturer in English and Assistant Dean of Research in the Faculty of Arts, Humanities and Social Sciences at the University of Limerick. Her publications include The Gothic Novel in Ireland, c. 1760-1829 (2018) and Charles Robert Maturin and the Haunting of Irish Romantic Fiction (2011).

The first critical study that theorises the Italian Gothic and examines its main forms and manifestations across arts, media, and disciplines

The most extensive and up-to-date volume of essays on the Gothic mode in twentieth century culture.

This book provides an introduction not only to the works of Sun'Allah Ibrahim, but also, more generally, to the modern literature of Egypt (and elsewhere in the Arab world) over a 40-year period, in its social, historical and political setting.

Combining approaches from cultural, globalisation and film studies, Igor Krsti? outlines a transnational history of films that either document or fictionalise the favelas, shantytowns, barrios populares or chawls of our `planet of slums'.

The first transnational and transmedia companion to the post-millennial Gothic This resource in contemporary Gothic literature, film and television takes a thematic approach, providing insights into the many forms the Gothic has taken in the twenty-first century. The 20 newly commissioned chapters cover emerging and expanding research areas, such as digital technologies, queer identity, the New Weird and postfeminism. They also discuss contemporary Gothic monsters - including zombies, vampires and werewolves - and highlight Ethnogothic forms such as Asian and Black Diasporic Gothic. Maisha Wester is Associate Professor in American Studies at Indiana University, Bloomington. Xavier Aldana Reyes is Senior Lecturer in English Literature and Film at Manchester Metropolitan University.

The first transnational and transmedia companion to the post-millennial GothicThis resource in contemporary Gothic literature, film and television takes a thematic approach, providing insights into the many forms the Gothic has taken in the twenty-first century. The 20 newly commissioned chapters cover emerging and expanding research areas, such as digital technologies, queer identity, the New Weird and postfeminism. They also discuss contemporary Gothic monsters - including zombies, vampires and werewolves - and highlight Ethnogothic forms such as Asian and Black Diasporic Gothic.Maisha Wester is Associate Professor in American Studies at Indiana University, Bloomington.Xavier Aldana Reyes is Senior Lecturer in English Literature and Film at Manchester Metropolitan University.

Written from various critical standpoints by internationally renowned scholars, 'Scottish Gothic: An Edinburgh Companion' interrogates the ways in which the concepts of the Gothic and Scotland have intersected and been manipulated from the mid-eighteenth century to the present day.

The Vampire An Edinburgh Companion' comprehensively surveys the recurrent figure of the vampire from its folkloric origins, through eighteenth- and nineteenth-century Gothic literature to twentieth-century developments in fiction, cinema and the graphic novel.

This collection provides a thorough representation of the early and ongoing conversation between Gothic and theory philosophical, aesthetic, psychological and cultural.

This collection provides a thorough representation of the early and ongoing conversation between Gothic and theory philosophical, aesthetic, psychological and cultural.

Suitable for students and scholars working on the Gothic, Victorian literature and culture and critical theory, this title offers insight into the complex and various Gothic forms of the 19th century. Each chapter is written by an acknowledged expert in their field on a specific topic within the Victorian writing, including science, and gender.

The Edinburgh Companion to the Victorian Gothic is an essential resource for students and scholars working on the Gothic, Victorian literature and culture, and critical theory.