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In 1938 gymnastics instructor Carola Spitz escaped from Nazi Germany. In New York she turned into Carola Speads, revered teacher of mindfulness. She breathed with clients in her Central Park West studio until she was 97 years old. Now Christoph Ribbat combines her gripping biography with the histories of modern bodywork and breathing experiments. He illuminates the tension between self-help fads and 20th century catastrophes. Accessible and quirky, Breathing in Manhattan speaks to experts and non-experts alike: to readers of Jewish history, students of New York City, and to anyone attracted by - or skeptical of - the promises of mindfulness.

What is a libidinal economy? How are we psychically hooked into the circuits of the capitalist economy? The contributors to this book question the relevance of a concept that began reappearing in critiques and analyses of capitalist societies since the financial crisis of August 2007. The chapters stretch back to the term's introduction with Freud via Lyotard through to the ways online platforms put our psyches to work. »Libidinal Economies of Crisis Times« is a collection of essays by leading scholars about the connections between economies, pleasure, and desires.

The sustained expansion of the life span and the attendant demographic changes in the West have fuelled the production of cultural texts that explore alternative representations of aging and old age. The contributors to this volume show how artists in science-fiction, fantasy and the avant-garde develop visions of late life transformation, improvisation and adaptation to new circumstances. The studies particularly focus on perspectives on aging that challenge the predominant narratives of decline as well as fantasies of eternal youth, as defined by neoliberal notions of health, able-bodiedness, agency, self-improvement, progress, plasticity and productivity.

The ubiquitous »cultural turn« of the 1990s did not spare the thinkers of economics - however, at the same time, economic topics have gained a new importance in cultural studies. This volume focuses on cultures of economy in regions of former Yugoslavia as part of South-Eastern Europe, supported by theoretical perspectives. It examines narratives and poetics of economy in literature, film, and art, as well as in public discourse. The contributors spotlight different historical periods: the late 19th and the early 20th centuries, Socialist Yugoslavia and the transitional and neoliberal period since the 1990s.

This first in-depth study of Miranda July's work reveals some of its major motives and consequently provides fascinating insights into the lifestyle of the contemporary white Californian middle class. Through an analysis of July's award-winning intermedial work, the author lays open how July takes individualism and self-help as constitutive for the creative class. Although a member of the creative class herself, July's voice oscillates between irony and approval. July thus paints a fascinating portrait of neurotic hipsterism, which triggers self-reflection in the general reader and critical thinking in the cultural analyst.

Media depictions of Arabs and Muslims continue to be framed by images of camels, belly dancers, and dagger-wearing terrorists. But do only Hollywood movies and TV news have the power to frame public discourse? This interdisciplinary study transfers media framing theory to literary studies to show how life writing (re-)frames Orientalist stereotypes. The innovative analysis of the post-9/11 autobiographies West of Kabul, East of New York Letters from Cairo and Howling in Mesopotamia makes a powerful claim to approach literature based on a theory of production and reception, thus enhancing the multi-disciplinary potential of framing theory.

This book explores the productive effects of bodily 'failure' in the sphere of visuality. The aim is to reflect on the human body's constant exposure to visual constraints and distortions, which are incorporated so strongly in everyday images of our bodies that they become invisible, while yet representative of cultural norms. By analyzing artistic literary and visual representations of imperfect, disabled, aging, queer, and monstrous bodies, this project exposes the handicaps of normative vision and opens up new ways of recognizing a multitude of corporeal existences and practices outside the norm.

The omnipresence and popularity of American consumer products in Japan have triggered an avalanche of writing shedding light on different aspects of this cross-cultural relationship. Cultural interactions are often accompanied by the term cultural imperialism, a concept that on close scrutiny turns out to be a hasty oversimplification given the contemporary cultural interaction between the U.S. and Japan. Embracing Differences shows that this assumption of a one-sided transfer is no longer valid. Closely investigating Disney theme parks, sushi, as well as movies, Iris-Aya Laemmerhirt reveals a dialogical exchange between these two nations that has changed the image of Japan in the United States.