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This Element offers a new approach to ancient Egyptian images informed by interdisciplinary work in archaeology, anthropology, and art history. Sidestepping traditional perspectives on Egyptian art, the Element focuses squarely on the ontological status of the image in ancient thought and experience.

This Element deals with ancient Egyptian concept of collective identity, various groups which inhabited the Egyptian Nile Valley and different approaches to ethnic identity in the last two hundred years of Egyptology. The aim is to present the dynamic processes of ethnogenesis of the inhabitants of the land of the pharaohs.

Egypt and the Desert presents the complex relationship between the civilizations of the ancient Nile Valley and the desert territories that surround them. Themes include the invention of hieroglyphs, the desert as living entity, and how the Egyptian administered the vast barren terrain.

This discussion will be centered on the wooden container for the human corpse. We will focus on the entire 'lifespan' of the coffin - how they were created, who bought them, how they were used in funerary rituals, where they were placed in a given tomb, and how they might have been used again for another dead person.

The Nile is one example of a large river interacting with a civilisation. A number of other rivers in China, in Mesopotamia and elsewhere share similarities with the Nile. Students of these other rivers may be interested in this Element.

This Element provides a new evaluation of burial customs in New Kingdom Egypt, from about 1550 to 1077 BC, with an emphasis on burials of the wider population.

This Element is aimed at discussing the relations between Egypt and its African neighbours. In the first section, the history of studies, the different kind of sources available on the issue, and a short outline of the environmental setting is provided. In the second section the relations between Egypt and its African neighbours from the late Prehistory to Late Antique times are summarized. In the third section the different kinds of interactions are described, as well as their effects on the lives of individuals and groups, and the related cultural dynamics, such as selection, adoption, entanglement and identity building. Finally, the possible future perspective of research on the issue is outlined, both in terms of methods, strategies, themes and specific topics, and of regions and sites whose exploration promises to provide a crucial contribution to the study of the relations between Egypt and Africa.

The aim of the Element is to provide a comprehensive comparison of the basic organization of power in Mesoamerica and Egypt. How power emerged and was exercised, how it reproduced itself, how social units (from households to cities) became integrated into political formation and how these articulations of power expanded and collapsed over time.

This Element demonstrates how ceramics, a dataset that is more typically identified with chronology than social analysis, can forward the study of Egyptian society writ large. This Element argues that the sheer mass of ceramic material indicates the importance of pottery to Egyptian life. Ceramics form a crucial dataset with which Egyptology must critically engage, and which necessitate working with the Egyptian past using a more fluid theoretical toolkit. This Element will demonstrate how ceramics may be employed in social analyses through a focus on four broad areas of inquiry: regionalism; ties between province and state, elite and non-elite; domestic life; and the relationship of political change to social change. While the case studies largely come from the Old through Middle Kingdoms, the methods and questions may be applied to any period of Egyptian history.

This Element addresses the cultural production of ancient Egypt in the museum as a mixture of multiple pasts and presents that cohere around collections; their artefacts, documentation, storage, research, and display. Its four sections examine how ideas about the past are formed by museum assemblages: how their histories of acquisition and documentation shape interpretation, the range of materials that comprise them, the influence of their geographical framing, and the moments of remaking that might be possible. Throughout, the importance of critical approaches to interpretation is underscored, reasserting the museum as a site of active research and experiment, rather than only exhibitionary product or communicative media. It argues for a multi-directional approach to museum work that seeks to reveal the inter-relations of collection histories and which has implications not just for museum representation and documentation, but also for archaeological practice more broadly.

The inherent paradox of Egyptology is that the objective of its study -- people living in Egypt in Pharaonic times -- are never the direct object of its studies. Egyptology, as well as archaeology in general, approaches ancient lives through material (and sometimes immaterial) remains. This Element explores how, through the interplay of things and people -- of non-human actants and human actors -- Pharaonic material culture is shaped. In turn, it asks how, through this interplay, Pharaonic culture as an epistemic entity is created: an epistemic entity which conserves and transmits even the lives and deaths of ancient people. Drawing upon aspects of Actor-Network Theory, this Element introduces an approach to see technique as the interaction of people and things, and technology as the reflection of these networks of entanglement--back cover.

"Introduces the workings and uses of Egyptian hieroglyphs, the various degrees of cultural knowledge of their makers and - most importantly - the influence hieroglyphs had on other scripts and notations in antiquity"--