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Bøker i Emerald Studies in Alternativity and Marginalization-serien

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  • - The Origins and Deeds of the New Goths
    av Karl Spracklen & Beverley Spracklen
    1 005,-

    In this book, Spracklen and Spracklen use the idea of collective memory to explore the controversies and boundary-making surrounding the genesis and progression of the modern gothic alternative culture. They suggest that the only way for goth culture to survive is if it becomes transgressive and radical again.

  • - Retromania, Neo-Burlesque, and Consumer Culture
    av Stephen Brown & Marie-Cecile Cervellon
    720,-

    Long regarded as a maudlin mental state, nostalgia is everywhere and has been reimagined as a signifier of good mental health. It is no longer the bailiwick of right-wing reactionaries but a crucible of critical thinking and revolutionary intent. This book explores the revolution in nostalgia and the nostalgia in revolution.

  • - Criminal Records
    av Eleanor Peters
    621,-

    Using a critical criminological approach, this book analyses what is deviant and transgressive about music, focusing on three main parts; the concept of 'harmful' or deviant music; the use of music as punishment and the censorship and silencing of music.

  • - Essays on Alternativity and Marginalization
     
    1 088,-

    This edited collection provides sociological and cultural research that expands our understanding of the alternative, liminal or transgressive; theorizing the status of the alternative in contemporary culture and society.

  • - Remote-Working Laptop Entrepreneurs in the Gig Economy
    av Beverly Yuen (Siena College Thompson
    1 107,-

    In this increasingly neoliberal gig economy, exponentially expanding with technological advances, the ability to work online remotely has led some western millennials to travel the world to work and play, while making a subsistence living as digital platform workers.

  • - At the Crossroads
    av Asya Draganova
    970,-

    On the crossroads between the cultural influences of perceived global models and local specificity, entangled in webs of post-communist complexity, Bulgarian popular music has evolved as a space of change and creativity on the edge of Europe. An ethnographic exploration, this book accesses insight from music figures from a spectrum of styles.

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