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Acclaimed author Matt Ridley traces the colourful life of the man who discovered the structure of DNA, the building blocks of life.

One of the first two volumes in Harper's Eminent Lives series, Korda brings his acclaimed storytelling talents to the life of Ulysses S. Grant a man who managed to end the Civil War on a note of grace, serve two terms as president, write one of the most successful military memoirs in American literature, and is today remembered as a brilliant general but a failed president. Ulysses S. Grant was the first officer since George Washington to become a fourstar general in the United States Army, and the only president between Andrew Jackson and Woodrow Wilson to serve eight consecutive years in the White House. In this succinct and vivid biography, Michael Korda considers Grant's character and reconciles the conflicting evaluations of his leadership abilities. Grant's life played out as a true Horatio Alger story. Despite his humble background as the son of a tanner in Ohio, his lack of early success in the army, and assorted failed business ventures, his unwavering determination propelled him through the ranks of military leadership and into the presidency. But while the general's tenacity and steadfastness contributed to his success on the battlefield, it both aided and crippled his effectiveness in the White House. Assessing Grant both within the context of his time and in contrast to more recent American leaders, Korda casts a benevolent eye on Grant's presidency while at the same time conceding his weaknesses. He suggests that though the general's second term ended in financial and political scandals, the fact remains that for eight years Grant exerted a calming influence on a country that had only just emerged from a horrendous civil war. Ulysses S. Grant is an evenhanded and stirring portrait of a man who guided America through a pivotal juncture in its history.

Francine Prose's life of Caravaggio evokes the genius of this great artist through a brilliant reading of his paintings. Caravaggio defied the aesthetic conventions of his time; his use of ordinary people, realistically portrayed?street boys, prostitutes, the poor, the aged?was a profound and revolutionary innovation that left its mark on generations of artists. His insistence on painting from nature, on rendering the emotional truth of experience, whether religious or secular, makes him an artist who speaks across the centuries to our own time.Born in 1571 near Milan, Michelangelo Merisi (da Caravaggio) moved to Rome when he was twenty-one years old. He became a brilliant and successful artist, protected by the influential Cardinal del Monte and other patrons. But he was also a man of the streets who couldn't seem to free himself from its brawls and vendettas. In 1606 he fled Rome, apparently after killing another man in a dispute. He spent his last years in exile, in Naples, Malta, and Sicily, at once celebrated for his art and tormented by his enemies. Through it all, he produced masterpieces of astonishing complexity and power. Eventually he received a pardon from the Pope, only to die, in mysterious circumstances, on the way back to Rome in 1610.Francine Prose presents the brief but tumultuous life of one of the greatest of all painters with passion and acute sensitivity.

Often referred to as "the father of psychoanalysis," Sigmund Freud championed the "talking cure" and charted the human unconscious. But though Freud compared himself to Copernicus and Darwin, his history as a physician is problematic. Historians have determined that Freud often misrepresented the course and outcome of his treatments?so that the facts would match his theories. Today Freud's legacy is in dispute, his commentators polarized into two camps: one of defenders; the other, fierce detractors. Peter D. Kramer, himself a practicing psychiatrist and a leading national authority on mental health, offers a new take on this controversial figure, one both critical and sympathetic. He recognizes that although much of Freud's thought is now archaic, the discipline he invented has become an inescapable part of our culture, transforming the way we see ourselves. Freud was a myth-maker, a storyteller, a writer whose books will survive among the classics of our literature. The result of Kramer's inquiry is nothing less than a new standard history of Freud by a modern master of his thought.