Bøker i Essais-serien

Where will humanity stand at the dawn of the 22nd century? The answer depends on our determination to control the powerful transformations that accompany the beginning of the 21st: unprecedented demographic growth, ageing of populations, irrepressible migratory flows, dramatic reduction of some natural resources, disruption of millennial climatic cycles, rapid spread of new pathologies... A number of these transformations are part of the generally complex, often inevitable evolution of our planet, not only geo-ecologically, but also in economics, politics, society... However, many of them present a challenge to development, that unique ability of human societies to improve their condition To cope with these evolutions and threats, the resources offered by science have never seemed so crucial, even if science alone cannot provide the answer. Nothing less than a scientific revolution is needed, a revolution that will give us more durable control of our destiny, leading to a world of greater solidarity and respect of our environment. All, or almost all, scientific disciplines are concerned. But the life sciences are more than any other, already engaged as they are today in a process of profound change in their concepts, exploratory techniques and applications.

Monsters, Martyrs, and Marionettes is a revelatory collection of personal essays that subverts the stereotypes and transcends the platitudes of family life to examine motherhood with blistering insight.Documenting the birth and early life of her three daughters, Adrienne Gruber shares what it really means to use one's body to bring another life into the world and the lasting ramifications of that act on both parent and child. Each piece peers into the seemingly mundane to show us the mortal and emotional consequences of maternal bonds, placing experiences of "being a mom" within broader contexts--historical, literary, biological, and psychological--to speak to the ugly realities of parenthood often omitted from mainstream conversations.Ultimately, these deeply moving, graceful essays force us to consider how close we are to death, even in the most average of moments, and how beauty is a necessary celebration amidst the chaos of being alive.