Bøker i Europaeische Hochschulschriften / European University Studies / Publications Universitaires Europeennes-serien

Attempts to study one of these creation stories, namely the Eden Story narrated in "Genesis" 2:4-3:24. This story graphically describes the first couple's installation in the Garden of Eden and their expulsion from it. It takes up this hypothesis and examines its viability.

This book analyses T. F. Torrance¿s theology of incarnation. His theology is built upon several crucial presuppositions. This book examines these presuppositions and their role within the framework of Torrance¿s theology. It explores its unitary structure by analyzing his fundamental methods in hermeneutics, dialectics, natural theology, and natural science. In particular, the study addresses the internal incoherence, inconsistency and seemingly paradoxical nature of his writings (such as the integration of dualistic ideas into a unitary theological structure), and highlights the impact of Barthian theology on his theological formulation.

Focuses on the historical study of the third person pronouns ta and tamen in the past 100 years' history of Modern Written Chinese. In this study, the primary goal is to establish the development of the third person pronouns ta and tamen from the beginning of the 20th century up to the present.

In the field of comparative legal history, Ethiopia is still an unknown country. This book presents the ecclesiology of the Fetha Nagast and its implications and prospectives in Ethiopian Catholic Church.

This study explores a number of early modern comedias that deal with historical siege or military episodes in the history of the Iberian peoples. Cervantes's La Numancia, Lope de Vega's El asalto de Mastrique and his lesser known La nueva victoria de don Gonzalo de Cordoba, Calderon de la Barca's El sitio de Breda, and Velez de Guevara's El Hercules de Ocana are key texts examined here. Taking the distinction between history and fiction in Neo-Aristotelian literary theory as a point of departure, this book considers the intellectual and historical conditions that affect the ways in which early modern dramatists interpret historical events according to their own literary and ideological purposes. The interplay of history and fiction demonstrates uses and discontents of legitimizing fiction in the early modern period. Parallel themes of epic and siege intermingled with romance and carnivalesque humour, provide alternative perspectives to early modern representations of empire and war on the Spanish stage.