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Poe's poems have been memorized and recited by millions. Among his best-loved works are "The Raven" with its hypnotic chant of "nevermore, " and the sensuous and lyrical "Annabel Lee." This collection includes all of Poe's most popular rhymes.

The appreciation of Zen philosophy and art has become universal, and Zen poetry, with its simple expression of direct, intuitive insight and sudden enlightenment, appeals to lovers of poetry, spirituality, and beauty everywhere. This collection of translations of the classical Zen poets of China, Japan, and Korea includes the work of Zen practitioners and monks as well as scholars, artists, travelers, and recluses, ranging from Wang Wei, Hanshan, and Yang Wanli, to Shinkei, Basho, and Ryokan.

Russian poets have always been admired for the lyric and emotional intensity with which they forge private and public experience into verse, and this volume gathers together some of the best-loved, and most powerful and immediate poems from the greatest Russian poets of the nineteenth and twentieth centuries. Here is the work of Alexander Pushkin, Mikhail Lermontov, Alexander Blok, Andrei Bely, Vladimir Mayakovsky, Ivan Bunin, Osip Mandelstam, Anna Akhmatova, Marina Tsvetaeva, Boris Pasternak, and Joseph Brodsky, among many others.Arranged by theme—love, mortality, art, and the enduring mystery of Mother Russia herself—and presented in the best available translations, these poems will serve as both an introduction to the mastery of Russian poetry and a wide-ranging selection to be returned to again and again.

An anthology that explores the power and beauty of rivers through poems from around the world and through the ages. AN EVERYMAN'S LIBRARY POCKET POET.Rivers were the arteries of our first civilizations—the Tigris and Euphrates of Mesopotamia, India’s Ganges, Egypt’s Nile, the Yellow River of China—and have nourished modern cities from London to New York, so it’s natural that poets have for centuries drawn essential meanings and metaphors from their endless currents.In this collection, British poets from Shakespeare and Wordsworth to Ted Hughes and Alice Oswald mingle with American voices ranging from verses by the indigenous Klallam people and the African-American spirituals “Deep River” and “Roll, Jordan, Roll” to such recent poets as Gary Snyder, Mary Oliver, and Natasha Tretheway. Walt Whitman’s iconic “Crossing Brooklyn Ferry" and Emily Dickinson’s tersely erotic “My River Runs to Thee" stream alongside poems from ancient Babylon and Egypt. Contributions from India, Nepal, Japan, China, Thailand, France, Germany, Russia, Serbia, Chile, Mexico, the Congo, and Nigeria round out this celebration of the rivers of the world.Includes:• “My River Runs to Thee" by Emily Dickinson• “The Negro Speaks of Rivers” by Langston Hughes• “Ol’ Man River” by Oscar Hammerstein II• “The Golden Boat” by Rabindranath Tagore• “The River God” by Stevie Smith• “The River Bends but the Water Does Not” by Buddhādasa Bhikkhu  • “The Niagara River” by Kay Ryan• “Amazon” by Pablo Neruda  Everyman's Library pursues the highest production standards, printing on acid-free cream-colored paper, with full-cloth cases with two-color foil stamping, decorative endpapers, silk ribbon markers, European-style half-round spines, and a full-color illustrated jacket.

Before Willa Cather went on to write the novels that would make her famous, she was known as a poet, the most popular of her poems reprinted many times in national magazines and anthologies. Her first book of poetry, April Twilights, was published in 1903, but Cather significantly revised and expanded it in a 1923 edition entitled April Twilights and Other Poems. This Everyman's Library edition reproduces for the first time all the poems from both versions of April Twilights, along with a number of uncollected and previously unpublished poems by Cather, as well as an illuminating selection of her newly released letters. In such lyrical poems as "The Hawthorn Tree," "Winter at Delphi," "Prairie Spring," "Poor Marty," and "Going Home," Cather exhibits both a finely tuned sensitivity to the beauties of the physical world and a richly symbolic use of the landscapes of myth. The themes that were to animate her later masterpieces found their first expression in these haunting, elegiac ballads and sonnets.