Bøker i Expanding Philosophy of Religi-serien

In this open access book, Andrea Rota makes the case for philosophical, theoretical, and empirical approaches to the study of religion, drawing on ongoing debates and challenging individualist perspectives. Rota begins with a survey of the work of Michael Bratman, John Searle, Raimo Tuomela, and Margaret Gilbert exploring the relevance of their insights for the study of religion. He sets out a theoretical framework to operationalize their philosophical ideas in an empirical research setting. Applying this framework in Part Two, Rota analyses the collective agency of Jehovah's Witnesses, focusing on the roles that print and electronic media play in structuring communicative processes that conduce to collective intentions and commitments. He presents extensive fieldwork carried out in Switzerland and Germany, examining both qualitative and quantitative data. By demonstrating the fruitfulness of philosophical perspectives on collective intentionality and social ontology, Rota's study makes a timely contribution to our understanding of the beliefs, emotions, and aesthetic experiences of religious groups. The eBook editions of this book are available open access under a CC BY-NC-ND 4.0 licence on bloomsburycollections.com. Open access was funded by the Swiss National Science Foundation.

Bringing together thinkers from philosophy of religion, religious studies, music, art, and film, while drawing on a wealth of phenomenological resources and methods, a team of renowned scholars provide new vantages on the question of how art is an expression of the human desire for God. In three interrelated parts, chapters employ phenomenological tools to propose new ways for speaking of the desire for God. Scholars first draw upon music, sculpture, film, and painting to develop ways of expressing diverse philosophical and religious aspects characteristic of aesthetic experience. The discussion then opens up to examine the mystical and wounded aspects of embodied interface with God. The final part investigates embodied aesthetic praxis in philosophy of religion and religious studies. With several contributions engaging with the embodied, aesthetic experience of underrepresented voices, Art, Desire, and God offers constructive phenomenological bridges across divides of disciplines, aesthetic experiences, and embodied actions.