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Public diplomacy, neglected following the end of the Cold War, is once again a central tool of American foreign policy. This book, examining as it does the Marshall Plan as the form of public diplomacy of the United States in France after World War Two, offers a timely historical case study. Current debates about globalization and a possible revival of the Marshall Plan resemble the debates about Americanization that occurred in France over fifty years ago. Relations between France and the United States are often tense despite their shared history and cultural ties, reflecting the general fear and disgust and attraction of America and Americanization. The period covered in this book offers a good example: the French Government begrudgingly accepted American hegemony even though anti-Americanism was widespread among the French population, which American public diplomacy tried to overcome with various cultural and economic activities examined by the author. In many cases French society proved resistant to Americanization, and it is questionable whether public diplomacy actually accomplished what its advocates had promised. Nevertheless, by the 1950s the United States had established a strong cultural presence in France that included Hollywood, Reader's Digest, and American-style hotels.

This book offers a critical reflection of the historical genesis, transformation, and problématique of "humanity" in the transatlantic world, with a particular eye on cultural representations. "Humanity," the essays show, was consistently embedded in networks of actors and cultural practices, and its meanings have evolved in step with historical processes such as globalization, cultural imperialism, the transnationalization of activism, and the spread of racism and nationalism. Visions of Humanity applies a historical lens on objects, sounds, and actors to provide a more nuanced understanding of the historical tensions and struggles involved in constructing, invoking, and instrumentalizing the "we" of humanity.

"Transnational connections between African American and German histories in the "century of extremes" are often misunderstood or overlooked. Intimate Histories uncovers important links and sites of struggle in the history of race, the Nazi period, and the fight for civil rights in both East and West Germany. Historical investigations take their points of departure from anti-miscegenation laws, forced sterilizations, or casual sexual, cross-racial encounters to frame the shared pasts of African Americans against broader developments surrounding German Fascism, the Cold War, and global struggles for Black liberation"--