Bøker i Film-serien

Charles Derry's study of the suspense thriller genre explains why human beings enjoy being scared in a vicarious sense. He shows how suspense is intimately connected with the psychological concept of the thrill.

Made in close collaboration with George Lucas and Lucasfilm, this second volume covers the making of the prequel trilogy: Episode I The Phantom Menace, Episode II Attack of the Clones, and Episode III Revenge of the Sith. The XXL tome continues our visual trip through the Star Wars galaxy with an exclusive interview with Lucas, script pages,...

This book provides the production history and a contextual interpretation of The Beatles' movies (A Hard Day's Night, Help!, Yellow Submarine, Let It Be) and describes their ability to project the group's image at different stages in their career. It also includes a discussion of all of The Beatles' promotional films and videos, as well as their television cartoon series and the self-produced television special Magical Mystery Tour. Along with The Beatles' feature movies and promos, this analysis also contains documentaries, such as The Compleat Beatles and Anthology, as well as dramatizations of the band's history, such as Backbeat, The Hours and Times, and Two of Us.

The Heimat film genre, assumed to be outdated by so many, is very much alive. Who would have thought that this genre - which has been almost unanimously denounced within academic circles, but which seems to resonate so deeply with the general public - would experience a renaissance in the 21st century? The genre's recent resurgence is perhaps due less to an obsession with generic storylines and stereotyped figures than to a basic human need for grounding that has resulted in a passionate debate about issues of past and present. This book traces the history of the Heimat film genre from the early mountain films to Fatih Akin's contemporary interpretations of Heimat.

Postnaturalism offers an original account of human-technological co-evolution and argues that film and media theory, in particular, needs to be re-evaluated from the perspective of our material interfaces with a constantly changing environment. Extrapolating from Frankenstein films and the resonances they establish between a hybrid monster and the spectator hooked into the machinery of the cinema, Shane Denson engages debates in science studies and philosophy of technology to rethink histories of cinema, media, technology, and ultimately of the affective channels of our own embodiment.With a foreword by media theorist Mark B. N. Hansen.

Realism as Protest draws on the realistic method developed by Alexander Kluge to counter the limited image of reality generated by the mainstream media. Focusing on innovative productions produced by Kluge, Schlingensief and Haneke, this groundbreaking study explores how the experimental form of their work in film, television and theatre facilitates thinking, discussion and debate about the possibilities for cultural and political change.