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This edited collection of original essays explores the irreducible role of aesthetic forms of experience and activity in the philosophies of Walter Benjamin and Theodor W. Adorno.
This edited collection of original essays explores the irreducible role of aesthetic forms of experience and activity in the philosophies of Walter Benjamin and Theodor W. Adorno.
The linguistic turn in critical theory has been routinely justified with the claim that Adorno's philosophy is trapped within the limits of consciousness philosophy. Yet Adorno's own philosophy of language has not yet been fully and systematically examined in its own right. Philip Hogh argues that it was in fact the linguistic turn in critical theory that prevented a thorough analysis of Adornos philosophy of language. Here he reconstructs Adorno's philosophy of language and presents it as a coherent theory that demands to be understood as an important contribution to contemporary linguistic philosophy. By analysing all the key concepts in Adorno's thought (subjectivity, epistemology, social theory and aesthetics), and comparing them to Robert Brandom's material inferentialism, John McDowell's theory of conceptual experience and Jurgen Habermas' theory of communicative action, this book presents Adorno's theory as an important contribution to contemporary philosophy of language in its own right.
Offering a panoramic view of much of Benjamin's thought, and concentrating in particular on his early writings, this book derives from a philosophical analysis of readings and studies by Benjamin that have not heretofore been considered in detail.
This book offers a radical reappraisal of the intellectual affinities between Theodor W. Adorno and Samuel Beckett, in particular with regard to freedom and its reconceptualization by Adorno.
Walter Benjamin and the Post-Kantian Tradition engages with Benjamin as a theorist of a historical and philosophical problematic, and demonstrates how Benjamin moves from an aspiring idealist philosopher to a politically engaged Marxist critic without abandoning the theoretical project he develops early on.
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