Bøker i French Film Directors Series-serien

The first full-length book devoted to Jacques Demy in the English language. -- .

This is the first study of the films of Francois Ozon, and places the precocious French auteur in a lucid critical framework, highlighting Ozon's importance for a thoroughly postmodern film-going generation. -- .

The first book-length study of Cantet's work in English. It explores his unique working 'method,' and discusses his very particular way of constructing films at the uneasy interface of the individual, the group and the broader social context.

The fullest study of Georges Franju to date, and the first book on him in English since 1967 -- .

This new book on internationally acclaimed film director Chantal Akerman provides an illuminating overview of her filmmaking to date and an in-depth analysis of her multi-faceted film style. -- .

Placing Robbe-Grillet's filmic oeuvre in the related contexts of both his novelistic work and the different historical and cultural periods in which his films were made, the book traces lines of influence and continuity throughout this oeuvre which is shown to exhibit a preoccupation with an identifiable body of themes, motifs and structures.

The first full-length monograph in English about one of France's most important contemporary filmmakers, locating Andre Techine within historical and cultural contexts that include the Algerian war, contemporary globialisation, and the influence of Roland Barthes, Bertolt Brecht, Ingmar Bergman, William Faulkner and the cinematic French wave.

Most comprehensive and up-to-date study of Tavernier's oeuvre. In-depth discussion of every major film through 2010. First to examine Tavernier's work through the lens of genre. -- .

First and only comprehensive overview of Pagnol's career in English, and the only book in any language to link Pagnol's early career as a playwright with his controversial theories of cinema and his work as a film director. -- .

This volume in the French Film Directors series has been long-awaited by students and academics of French and European cinema in particular and by Film Studies students in general. -- .

The first full-length monograph in English devoted to one of the most acclaimed and controversial directors in contemporary cinema -- .

An introduction to the work of Robert Bresson, a respected and acclaimed director in the history of cinema. His films are considered in chronological order, using a perspective that draws variously on spectator theory, Catholic mysticism, gender theory and Lacanian psychoanalysis.