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First published in 1996. Routledge is an imprint of Taylor & Francis, an informa company.

This anthology focuses on European languages, but also includes Arabic and Hebrew poetry of medieval Spain, arranged chronologically and accompanied by commentary about the poets' lives and work.

The Saracens were the Black Devils of Medieval epics, however the daughters were usually beautiful white maidens. Sheba's Daughters explores how the depiction of otherness became problematic in the aesthetics of the romance epics

First published in 1996. There has been no more important relationship between folk artist and folklorist than that between Zsuzsanna Palkó and Linda Dégh. Dégh’s painstaking collection of Mrs. Palkó’s tales attracted the admiration of the Hungarian-speaking world. In 1954 Mrs. Palkó was named Master of Folklore by the Hungarian government and summoned to Budapest to receive ceremonial recognition. The unlettered 74-year-old woman from Kakasd had become “Aunt Zsuzsi” to Linda Dégh—and was about to become one of the world’s best known storytellers, through Dégh’s work.

It is a generally accepted fact that in the first half of the nineteenth century, Catherine Gore became the most prolific, if not most popular writer of fashionable novels in England. It is less well known that Mrs. Gore''s 200-volume output included eleven extremely popular, if not always critically successful, plays, performed at all three of the Theatres Royal in London: Drury Lane, Covent Garden, and the Haymarket. While several of the plays held the stage in England and the United States well into the second half of the nineteenth century, modern critical appraisals of the works have been hampered by the lack of available texts. Gore on Stage, for the first time provides performance texts of all of Mrs. Gore''s work for the stage, including original cast lists, criticial responses, illustrations, and glossaries of foreign words and nineteenth-century jargon. Students of drama and nineteenth-century literature will delight in the intricacies of plot and theatrical effects in this collection of historical melodramas, comedies of manners, and farces; and they will marvel at the contemporary nature of the plays'' themes, trading on a balance of power between male and female characters.

First published in 1998. Routledge is an imprint of Taylor & Francis, an informa company.