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The first study devoted to classical art's vital creative impact on the work of the Flemish master Peter Paul Rubens.

A completely revised edition providing a practical, straightforward guide to the theory and practice of discipline-based art education, explaining how DBAE draws content from the disciplines of art-making, art criticism, art history and aesthetics.

Features the golden age of French printmaking. This catalogue features more than one hundred prints from the Getty Research Institute and the Bibliotheque nationale de France in Paris, whose print collection Louis XIV established in 1667. It studies how prints were collected and considers their reception in the ensuing centuries.

A reference on all known aspects of Greek, Etruscan, and Roman cults and rituals encompassing the period from 1000 BC to AD 400. It features illustrated articles that address topics such as processions, sacrifices, libation, purification, consecration/foundation rites, heroization and apotheosis, dance, music, divination, prayer, and magic.

An exploration of Greek theatre as seen through its many depictions in classical art. It addresses the vibrant imprint that ancient Greek tragedy and comedy left on the visual arts of classical Greece.

Brings together a collection of works relating to the biodeterioration and conservation of art, architecture, and archaeological sites around the world. This book includes such topics as mechanism of biodeterioration, and correlation between biodeterioration and environment. It discusses solutions for the prevention and control of deterioration.

The Mogao Grottoes, a World Heritage Site in northwestern China, are located along the ancient caravan routes, collectively known as the Silk Road, that once linked China with the West. This book gives an account of a ground-breaking conservation project to conserve the cave paintings of the Mogao Grottoes in China.

Offers a visual history of the depiction of illness and healing in Western culture, ranging from Egyptian wall carvings to 20th century artists.

Beginning in the seventeenth century, many of Europe's greatest writers and artists became embroiled in a debate that centered on the priority of paintings or sculpture, touch or sight, colour or design, ancient or modern. This title lets us eavesdrop on a contentious topic that preoccupied European intellectuals for three hundred years.

Edward Henry Weston (1886-1958) first started taking photographs at the age of sixteen with a camera given to him by his father. Over the next five decades, he would come to be regarded by his peers as one of the greatest photographers of the twentieth century. This volume is a collection of his photographic studies of the nude form.

Parisian photographer Eugene Atget (1857-1927) set out to capture those commonplace features that were gradually disappearing from the city he loved. This volume contains 50 Atget works with comprehensive captions and an edited colloquium on his life and work by seven scholars.

A multivolume reference on all known aspects of Greek, Etruscan, and Roman cults and rituals. It includes illustrated scholarly articles in English, French, Italian, and German that treat such topics as processions, sacrifices, libations, dedications, purification, initiation, divination, prayer, asylum, maledictions, banquets, music, and dance.

The seventeenth century was the beginning of a new era of commercialism, in which artists increasingly catered to affluent collectors. This title highlights the most important artists, works, concepts, and theories of the period, accompanied by 400 full-colour illustrations.

"A sumptuously illustrated compact volume which uses full colour images and the accented gold of illuminated manuscripts to full advantage. . . . [This book] tantalises the reader through the well written text and accompanying illustrations."-European Review of History

An assessment of the important place of Gustave Le Gray in the history of photography. A young painter in Rome, then a fashionable portrait photographer in Paris, Le Gray received commissions from Napoleon III, and fled to Palermo and then Egypt when faced with bankruptcy.

Repairing works of art and writing about them-the practices that became art conservation and art history-share a common ancestry. This handsomely illustrated volume charts the intersections between the two fields in the treatment of Italian Renaissance paintings in nineteenth-century Europe and proposes a model for a new conservation history.

A collection of critically important readings on the concepts and practices of textile conservation. It intends to promote critical thinking about the concepts and practices of textile conservation and to encourage engagement with issues.

Delivered three times between 1898 and 1902 and subsequently revised with an eye towards publication, Alois Riegl's lectures on the origins of Baroque art in Rome broke new ground in its field. This English translation brings Riegl's compelling vision of the Baroque to life and amply illustrates his celebrated magnetism as a lecturer.

A beautifully illustrated, accessible volume about one of the Getty Center's best-loved sites.

This publication presents fascinating new findings on ancient Romano-Egyptian funerary portraits preserved in internationalcollections.

What is a cabochon? What are the various types of gilding? What is vermeil? This accessible book - the first of its kind - offers concise explanations of key jewellery terms.

The next title in the respected Artist's Materials series offers groundbreaking analysis of Sam Francis's working methods and materials.

This stunning volume illuminates the current moment of artists' engagement with books, presenting artists' books as an essential medium in contemporary art.

Kinetic art not only includes movement but often depends on it to produce an intended effect and therefore fully realize its nature as art. It can take a multiplicity of forms and include a wide range of motion, from motorized and electrically driven movement to motion as the result of wind, light, or other sources of energy. Kinetic art emerged throughout the twentieth century and had its major developments in the 1950s and 1960s. Professionals responsible for conserving contemporary art are in the midst of rethinking the concept of authenticity and solving the dichotomy often felt between original materials and functionality of the work of art. The contrast is especially acute with kinetic art when a compromise between the two often seems impossible. Also to be considered are issues of technological obsolescence and the fact that an artist's chosen technology often carries with it strong sociological and historical information and meanings. The free online edition of this open-access book is available at www.getty.edu/publications/keepitmoving/ and includes zoomable figures and videos. Also available are free PDF, EPUB, and Kindle/MOBI downloads of the book.

Drawing from Getty Research Institute's Harald Szeemann Archive and Library, this heavily illustrated volume examines the groundbreaking career of the Swiss Curator Harald Szeemann (1933-2005), widely regarded as one of the most influential curators of the twentieth century.

This volume explores the conservation and presentation of dress in museums and beyond as a complex, collaborative process.

Polychrome sculpture has come to be widely regarded as a watershed text on the making and meaning of European medieval and Baroque painted wood sculpture. The author played a pioneering role in combining the rigorous scientific analysis of materials with a fuller understanding of form and function.

Offers an illustrated review of the work of photographer Jo Ann Callis. This volume attests to Callis' singular vision of the delicate boundary between the world within and the world without.

What is a pyxis? Who was the Amasis Painter? How did Greek vases get their distinctive black and orange colours? This volume offers definitions and descriptions of these and many other Greek vase shapes, painters and techniques encountered in museum exhibitions and publications.

An illustrated look at the evolution of the photographic work of Ed Ruscha - the quintessential Los Angeles artist. It features 38 Ruscha plates and an essay that traces the evolution of the artist's thinking about his photographs initially as the means to end, and eventually as works of art in and of themselves.