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  • av Marcia Reed
    629,-

    This stunning volume illuminates the current moment of artists' engagement with books, presenting artists' books as an essential medium in contemporary art.

  • av Rachel Rivenc
    777,-

    Kinetic art not only includes movement but often depends on it to produce an intended effect and therefore fully realize its nature as art. It can take a multiplicity of forms and include a wide range of motion, from motorized and electrically driven movement to motion as the result of wind, light, or other sources of energy. Kinetic art emerged throughout the twentieth century and had its major developments in the 1950s and 1960s. Professionals responsible for conserving contemporary art are in the midst of rethinking the concept of authenticity and solving the dichotomy often felt between original materials and functionality of the work of art. The contrast is especially acute with kinetic art when a compromise between the two often seems impossible. Also to be considered are issues of technological obsolescence and the fact that an artist's chosen technology often carries with it strong sociological and historical information and meanings. The free online edition of this open-access book is available at www.getty.edu/publications/keepitmoving/ and includes zoomable figures and videos. Also available are free PDF, EPUB, and Kindle/MOBI downloads of the book.

  • av Glenn Phillips
    861,-

    Drawing from Getty Research Institute's Harald Szeemann Archive and Library, this heavily illustrated volume examines the groundbreaking career of the Swiss Curator Harald Szeemann (1933-2005), widely regarded as one of the most influential curators of the twentieth century.

  • av Mary Brooks
    777,-

    This volume explores the conservation and presentation of dress in museums and beyond as a complex, collaborative process.

  • av Johannes Taubert
    734

    Polychrome sculpture has come to be widely regarded as a watershed text on the making and meaning of European medieval and Baroque painted wood sculpture. The author played a pioneering role in combining the rigorous scientific analysis of materials with a fuller understanding of form and function.

  • av . Keller
    382,-

    Offers an illustrated review of the work of photographer Jo Ann Callis. This volume attests to Callis' singular vision of the delicate boundary between the world within and the world without.

  • av . Clark
    246

    What is a pyxis? Who was the Amasis Painter? How did Greek vases get their distinctive black and orange colours? This volume offers definitions and descriptions of these and many other Greek vase shapes, painters and techniques encountered in museum exhibitions and publications.

  • av . Heckert
    310

    An illustrated look at the evolution of the photographic work of Ed Ruscha - the quintessential Los Angeles artist. It features 38 Ruscha plates and an essay that traces the evolution of the artist's thinking about his photographs initially as the means to end, and eventually as works of art in and of themselves.

  • av . Martineau
    741,-

    Herb Ritts (1952-2002) was a Los Angeles-based photographer who established an international reputation for distinctive images of fashion models, nudes, and celebrity portraits. This book traces the life and career of the iconic photographer through a selection of photographs and two insightful essays.

  • av Mazie M. Harris
    647,-

    Featuring rare photographs and negatives alongside iconic images from the formative years of photography in the United States, "Paper Promises: Early American Photography" is the companion volume to the first exhibition exclusively focused on the display and study of early American photography on paper.

  • av . Broudy
    258,-

    This series supports scholarship in the field of art education and disseminates ideas about the theory and practice of discipline-based art education.

  • av . Thomson
    258,-

    Edgar Degas was one of the great pioneers of modern art, and the J. Paul Getty and Norton Simon museums are fortunate to own jointly one of his finest pastels, Waiting (L'Attente), which he made sometime between 1880 and 1882, about midway in his career. In this fascinating monograph, author Richard Thomson explores this brilliant work in detail, revealing both the intricacies of its composition and the source of the emotional pull it immediately exerts upon the viewer. For Waiting is, indeed, an extraordinary object both in its craftsmanship and color and, perhaps most especially, in its aura of ambiguity and even mystery.

  • av . Getty
    158

    Offers a personal account of the author's consuming passion for art collection. This title also offers a portrait of an idiosyncratic and personal passion for art - and how his first serious forays into art collecting in the 1930s would turn into a love that ends with the foundation of one of the world's finest museums.

  • av . Zuffi
    326

    Takes readers on a romp through the portrayal of love and sexuality in Western art - ranging from chaste tenderness to overwhelming frenzies of the senses, and from Classical allusion to sexual fantasy.

  • av . Battistini
    326

    Presents analysis of occult iconography in many of the masterpieces of Western art - from the astrological symbols that decorated churches and illuminated manuscripts, through the work of a range of Renaissance artists, including Bosch, Brueghel, Durer and Caravaggio, to the visionary works of nineteenth-century artists, such as Fuseli and Blake.

  • Spar 10%
    av Zanna Gilbert
    831,-

    Originally coined by the Dutch artist Theo van Doesburg in 1930, the term concrete denotes abstract painting with no reference to external reality. Presenting new scholarship, this publication is the first comprehensive study of the Concrete art movement in Argentina, Brazil, and Uruguay from the 1940s to the 1960s.

  • av Aaron M. Hyman
    841,-

    Peter Paul Rubens (1577-1640) never crossed the Atlantic himself, but his impact in colonial Latin America was profound. This volume excavates his unequaled reception in the New World in the form of prints made after his works, arguing that colonial artists forged new frameworks for artistic creativity by conforming to European printed designs

  • av Idurre Alonso
    786,-

    This volume examines the unprecedented growth of several cities in Latin America from 1830 to 1930, observing how sociopolitical changes and upheavals created the conditions for the birth of the metropolis.

  • av Edina Adam
    426

    A richly illustrated, comprehensive introduction to the visionary artist William Blake.

  • av . Brooks
    841,-

    A collection of critically important readings on the concepts and practices of textile conservation. It intends to promote critical thinking about the concepts and practices of textile conservation and to encourage engagement with issues.

  • av Frances Terpak
    712,-

    Celebrated photographer Robert Mapplethorpe challenged the limits of censorship and conformity, combining technical and formal mastery with unexpected, often provocative content that secured his place in history.

  • av Peter Furhing
    1 038,-

    Features the golden age of French printmaking. This catalogue features more than one hundred prints from the Getty Research Institute and the Bibliotheque nationale de France in Paris, whose print collection Louis XIV established in 1667. It studies how prints were collected and considers their reception in the ensuing centuries.

  • av J.paul Getty Museum
    1 507,-

    A reference on all known aspects of Greek, Etruscan, and Roman cults and rituals encompassing the period from 1000 BC to AD 400. It features illustrated articles that address topics such as processions, sacrifices, libation, purification, consecration/foundation rites, heroization and apotheosis, dance, music, divination, prayer, and magic.

  • av . Hart
    647,-

    An exploration of Greek theatre as seen through its many depictions in classical art. It addresses the vibrant imprint that ancient Greek tragedy and comedy left on the visual arts of classical Greece.

  • av . Caneva
    841,-

    Brings together a collection of works relating to the biodeterioration and conservation of art, architecture, and archaeological sites around the world. This book includes such topics as mechanism of biodeterioration, and correlation between biodeterioration and environment. It discusses solutions for the prevention and control of deterioration.

  • av . Piranesi
    453,-

    Published in 1765, Giovanni Battista Piranesi's "Osservazioni" is an impassioned defence of the superiority of Roman architectural "invention" over the "beautiful and noble simplicity" of Ancient Greece. This is an English translation of Piranesi's three-part polemical work.

  • av . Robertson
    258,-

    It is Paris in the 1400s. A young girl named Marguerite delights in assisting her father, Jacques, in his craft: illuminating manuscripts for the nobility of France. His current commission is a splendid book of hours for his patron, Lady Isabelle, but will he be able to finish it in time for Lady Isabelle's name day?

  • av . Wong
    712,-

    The Mogao Grottoes, a World Heritage Site in northwestern China, are located along the ancient caravan routes, collectively known as the Silk Road, that once linked China with the West. This book gives an account of a ground-breaking conservation project to conserve the cave paintings of the Mogao Grottoes in China.

  • av . Bordin
    349,-

    Offers a visual history of the depiction of illness and healing in Western culture, ranging from Egyptian wall carvings to 20th century artists.

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