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A guide to the technical terms most commonly used in painting. It presents explanations of the technical terms most often encountered by art enthusiast, visitors to galleries, and museum goers. It also pays special attention to the processes and methods of painting conservation, and offers definitions and examples of materials and techniques.

The history of art is inseparable from the history of colour. This book takes readers across the globe and over the centuries on a tour through the history of color in art. It aims to uncover the origins and science of colour. It is illustrated in full colour throughout with 166 major works of art.

Argues that art should address a broad audience and explains the painter's responsibility to his spectators. This book explains how - even if the archbishop did not succeed in reforming the arts - Paleotti's treatise constituted one last synthesis of art as a reading of creation and salvation history, and "sacred" art as a vehicle of devotion.

A guide to the materials used in architecture during the past century, as well as tips on building repair and restoration. With more than 200 illustrations, including a full-color photographic essay, it focuses on the history and conservation of modern building materials.

A compelling exploration of the many issues surrounding the restoration and restitution of Nazi-stolen art at the end of World War II.

The remains of the ancient city of Pompei have provided archaeologists with evidence into the daily life of a city at the height of the Roman Empire. This title takes a look at how ancient Romans interacted in their public squares, how they worshipped and spent their leisure time - at the theatre, in the gyms, and in the baths and brothels.

Peter Paul Rubens was one of the most talented and successful artists working in 17th-century Europe. During his illustrious career as a court painter and diplomat, he expressed a fascination with exotic costumes and headdresses. This title presents an exploration of the mystery that surrounds of Ruben's most well-known and intriguing drawings.

The Middle East played a critical role in the development of photography as a new technology and an art form. Likewise, photography was instrumental in cultivating and maintaining Europe's distinctively Orientalist vision of the Middle East. This book explores the interplay between 19th-century photography and Europe's vision of the Middle East.

Investigates the idea of beauty over time and space. This book offers a chronological account whose conceptual and historical paradigms have been reiterated and contested into the twentieth century. It not only sketches the circumstances that shaped Winckelmann's project but also assesses this scholar's influence on European intellectual life.

Explores the curiosity and collaboration that has existed between East and West for centuries. This title reveals a largely hidden history of mutual curiosity and fruitful collaboration at a time when few people travelled far from home.

Offers fresh insights into the evolution of the forms and meanings of Roman art. The author offers a cultural history of the functions of the visual arts, the messages that these images carried, and the values that they affirmed in late Republican Rome and the Empire.

An elegantly conceived book on the revolutionary and stunning works of a nineteenth- century French master.

The renowned Argentinian conceptual artist David Lamelas (born 1946) has an expansive oeuvre, which shows his work to be evocative, restive, and exhilarating. This book, published to coincide with the first monographic exhibition of the artist's work in the United States, offers an incisive look into Lamelas's art.

A standard reference in the field of manuscript studies for over twenty years, now revised and updated with full-colour illustrations throughout.

A guide to identifying Christian saints as they are portrayed in art. From Agatha to Zeno, it presents the characteristic features of over 100 saints, with notes on their lives and martyrdom and visual references to help readers recognize them. The resource features a collection of masterpieces.

Jean-Leon Gerome (1824-1904) was an undisputed success during his life. Crowds flocked to see his vibrant compositions and thanks to mass marketing of his work through mechanical reproduction, he reached audiences on an unprecedented scale. This title includes the essays challenging critical biases against the artist.

This series offers a range of heretofore unavailable writings in English translation on the subjects of art, architecture, and aesthetics. Wagner's manifesto is a plea for an end to architectural eclecticism and for a more rational approach to design suited to contemporary life.

Jean Paul Riopelle (1923-2002) was one of the most important Canadian artists of the 20th century. This title presents an overview of Riopelle's life and situate his work within the context of 20th century art. It addresses Riopelle's materials and techniques, focusing on his oil paintings, mixed media works, and conservation issues.

Gustave Caillebotte: Painting the Paris of Naturalism, 1872-1887 is the first book to study the life and artistic development of this painter in depth and in the context of the urban life and upper-class Paris that shaped the man and his work.

An exploration of the radical artists who transformed the ways art is conceived, exhibited, and collected, through the Dada, Surrealist, and Fluxus collections of Jean and Leonard Brown.

The balance between conserving fragile ancient cultural sites and making them available to increasing numbers of visitors is one of the main themes of this book. Topics discussed include site management, the reconstruction of ancient buildings and ways of presenting sites for today's visitors.

Offers a detailed overview of the greatest archaeological sites and discoveries from ancient Greece - with contributions from both those who have excavated the sites and scholars who have spent a lifetime studying the monuments.

A study of the paintings of Willem de Kooning (1904-1997), Dutch-born American abstract expressionist painter, from the 1940s through the 1970s. Using scientific examinations of the artist's pigments, binders, and supports, it informs art historical interpretations, presenting a key to the complicated evolution of the artist's work.

Explores the ways in which the aesthetics of public art were affected by the social, political, and cultural changes of the Enlightenment. This book chronicles the transformation of public art in eighteenth-century France.

A comprehensive overview of ancient ambers, the only such book in English, is now revised.

Images in the Margins is the third in the popular Medieval Imagination series of small, affordable books drawing on manuscript illumination in the collections of the J. Paul Getty Museum and the British Library. Each volume focuses on a particular theme and provides an accessible, delightful introduction to the imagination of the medieval world.

Available in English for the first time, Julius von Schlosser's seminal work in the history of art and collecting was the first study to interpret sixteenth- and seventeenth-century cabinets of wonder as precursors to the modern museum, situating them within a history of collecting going back to Greco-Roman antiquity.

Drawing on previously unpublished primary material from archives in Paris, Berlin, Rome, and Venice, Noemie Etienne combines art history with anthropology and sociology to survey the waning decades of the Ancien Regime and early post-Revolution France.