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Born in Brussels and trained by his grandmother, Jan Brueghel the Elder (1568-1625) was called "Velvet Brueghel" for his skill at painting rich and delicate textures. The story of Noah's ark provided a subject well suited to Brueghel's abilities. In his painting, a few curious villagers standbeside a stream, which foreshadows the coming deluge, and watch as Noah herds ostriches, goats, camels, and other exotic animals toward the ark. Next to a prancing white stallion, a lion and lioness chase each other's tails, while a pair of leopards frolic under the watchful eye of a bull. Brueghelhas created a delightful scene celebrating the beauty and variety of creation. This monograph takes an interdisciplinary approach to the study of Brueghel's fascinating paradise landscape, exploring Renaissance zoology, religious views on nature, and the culture of collecting and cataloguing animals and natural specimens. The volume is brilliantly illustrated with paintingsof landscapes and animals by artists such as Albrecht Dürer, Peter Paul Rubens, and Lucas Cranach the Elder as well as by Brueghel himself. It presents an overview of the tradition of this type of painting and discusses both the cultural context and the artist's background, crucial to understandingBrueghel's approach to nature.

A reference on all known aspects of Greek, Etruscan, and Roman cults and rituals. It delivers both a sweeping overview and an in-depth investigation from Homeric times (1000 BCE) to late Roman times (AD 400). It also includes illustrated scholarly articles that treat such topics as processions, sacrifices, libations, dedications, music, and dance.

During the reign of the Roman Empire, many of the town houses and rural estates in North Africa were decorated with beautiful mosaics. These works were especially widespread in Tunisia. This volume is structured around 4 themes - Nature, Theatre and Spectacle, Gods and Myths, and Technique - and features 27 mosaics from Tunisia's museums.

Chronically associates artistic maturity either with transcendence, degeneration, or irrelevance. This volume looks to the non-representational arts of music, abstract painting and sculpture, and architecture for fresh insight into the juncture of aesthetics and mortality.

This book is designed for conservators, scientists, and preservation architects in the field of stone conservation and will also serve as an indispensable introduction to the subject for students of art conservation and historic preservation.

It is often assumed that reading about the lives of artists enhances our understanding of their work. This book contains a collection of essays, by a number of respected art historians that attempt to address this relationship by looking at the life and works of such artists as Andy Warhol, Bob Dylan, Van Gogh, Cezanne, and Leonardo da Vinci.

Seeks to familiarize American audiences with Nicolas Lancret(1690-1743), a master of the genre of fete galante, who was a revered painter in his own time, rivalling his contemporaries Antoine Watteau and Francois Boucher, and a favourite of crowned heads across Europe.

Aimed at the lovers of architecture, photography and ancient art, this souvenir book aimes to capture the architecture and grounds of the renovated Getty Villa. Illustrated with more than seventy colour photographs, it guides the readers through the site - beginning with the cobblestone 'Roman road' through the refurbished Museum building.

For millennia, people of all cultures have decorated the surfaces of their domestic, religious, and public buildings. Earthen architecture, in particular, has been a common ground for surface decoration, such as paintings, sculpted bas-relief, and ornamental plasterwork. This volume explores the issues associated with preserving these surfaces.

Louis de Carmontelle was an 18th-century French draftsman, painter, and garden designer. In 1783, he began painting a series of panoramas on translucent paper that, when cranked through a backlit viewing box gave viewers the experience of journeying through beautiful landscapes. This title offers glimpse into the beginnings of the moving image.

The Fon, who are the largest ethnic group in the Republic of Benin in West Africa, established the powerful kingdom of Dahomey in the early seventeenth century. In their capital city of Abomey, they built a remarkable complex of palaces, featuring walls decorated with colorful low-relief sculptures, or bas-reliefs, which recount legends and battles and glorify the history of their royal dynasty's reign. Over the centuries, these visual stories have represented and perpetuated the history and myths of the Fon people. Palace Sculptures of Abomey combines lavish color photographs of the bas-reliefs with a lively history of the Dahomey kingdom, complemented by period drawings, rare historical photographs, and colorful textile art. The book provides a vivid portrait of these exceptional narrative sculptures and the equally remarkable people who crafted them. Also included is a discussion of the continuing popularity of bas-reliefs in contemporary West African art, a reading of the stories on the walls, and details of the four-year collaboration between the Benin Ministry of Culture and Communications and the Getty Conservation Institute to conserve the bas-reliefs of Abomey.

"Nature and Its Symbols is the fifth volume in the series A Guide to Imagery, reference guides whose goal is to explain the symbols used in art. This volume includes chapters on plants, flowers, fruits, and animals of the earth, air, and water, as well as fantastical creatures such as centaurs, griffons, and dragons. The vivid illustrations, which include paintings and tapestries from some of the world's premier museums, are accompanied by texts that offer careful analyses of the artists' depictions of the natural world. Each entry discusses the symbolic significance of the particular plant, fruit, or animal portrayed, its mythic or literary origins, and the episodes or individuals associated with it. These salient points are also called out in summary form within each entry, making the information easily accessible. The reader discovers, for example, that the iris can represent Jesus or the purity of the Virgin Mary as well as the kings of France or the city of Florence. The monkey, which can be symbolic of the devil, heresy, or bad temper, is also associated with the three wise men who traveled to Bethlehem to pay homage to the infant Jesus. By bringing to life the natural world as portrayed in art, this book will surely be an indispensable resource for museum visitors, art lovers, and students.

In 2005, the Institut National du Patrimoine of Tunisia played host to the ninth Triennial meeting of the International Committee for the Conservation of Mosaics (ICCM). The meeting focused on assessing past practices of mosaic conservation, both in situ and in museums. This volume provides readers with a record of the conference proceedings.

The effects of war and famine in Europe, in the 14th century, lead to a widespread mystical religiosity, which emphasised both joy and suffering. This in turn inspired the creation of some of the most magnificent religious art of the period. This illustrated work highlights the most important artists, works, concepts and theories of the period.

Provides an illustrated analysis of the symbolic imagery found in gardens throughout history. This work discusses the constituent elements of gardens - both real and imagined - that uncovers their often-hidden symbolic meanings. It uses over 380 paintings to provide a continuous visual record of the myriad and ephemeral form of the garden.

Brings together a collection of works relating to the biodeterioration and conservation of art, architecture, and archaeological sites around the world. This book includes such topics as mechanism of biodeterioration, and correlation between biodeterioration and environment. It discusses solutions for the prevention and control of deterioration.

Between 1699-1701, Maria Sibylla Merian travelled to the Dutch colony of Suriname in South America to study the area's unique flora and fauna. Many of the drawings and painting she produced on this trip were published in her "Metamorphosis of the Insects of Suriname" (1705). This volume reproduces details of sixteen plates from that volume.

Collects essays that explore the idea of cultural identity in the ancient Mediterranean, examine the subject from a variety of angles, and encompass a range of cultures: Greek, Persian, Jewish, Phoenician, Egyptian, Roman, Gallic, and German - and an array of topics.

Friedrich Gilly was an important figure in Berlin's architectural tradition. In addition to presenting five of Gilly's most influential essays, this volume contains archival records that clarify the intellectual context in which Gilly developed his thoughts on architecture.

Filmmaker, musicologist, painter, ethnographer, graphic designer, mystic, and collector of string figures and other patterns, Harry Smith (1923-1991) was among the most original creative forces to emerge in post-war American art and culture. This title presents an examination of the life and works of Harry Smith.

This series offers a range of heretofore unavailable writings in English translation on the subjects of art, architecture, and aesthetics. Wagner's manifesto is a plea for an end to architectural eclecticism and for a more rational approach to design suited to contemporary life.

In an era of intense religious conflict in Europe, the "Ceremonies et costumes religieuses de tous les peoples du monde" (1723-37), written by Jean Frederic Bernard, set a new agenda for thinking about faith and provided a lasting visual template for representing the world's religions. The authors approach this work from a variety of angles.

An exploration of the Pisa Altarpiece, Masaccio's multi-panelled painting of which the Saint Andrew panel is thought to have once formed a part. It discusses Masaccio's short life and illustrious career; the commission of the altarpiece; its patron and programme; its original location; and more.

Through a series of texts and images, this work explores how extreme sensations such as wonder, misery, ecstasy and rage have been portrayed at different times in Western culture. It covers multiple fields of creative endeavour and intellectual inquiry - from Descartes's writings to the Internet.

A beautifully illustrated, accessible volume about one of the Getty Center's best-loved sites.

Focusing on the centuries in which the phenomenon of collecting came powerfully into its own, this title analyzes the radical recontextualization of celebrated paintings by Raphael, Caravaggio, and Rubens; brings to light a lost holy tower from fifteenth-century Bavaria; and offers new insights into the meaning of 'sacred' and 'profane'.

The balance between conserving fragile ancient cultural sites and making them available to increasing numbers of visitors is one of the main themes of this book. Topics discussed include site management, the reconstruction of ancient buildings and ways of presenting sites for today's visitors.

A discussion of the style, iconography and craftsmanship of 17 spectacular pieces of gold jewellery from Ptolemaic Egypt, dating from the late-3rd century BC. The pieces include earrings, bracelets, beads and a hairnet.