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In 1505, Michelangelo began planning the magnificent tomb for Pope Julius II, which would dominate the next forty years of his career. This definitive book thoroughly documents the art of the tomb and each stage of its complicated evolution.

Sixty terracottas are investigated here by noted scholar Maria Lucia Ferruzza, comprising a selection of significant types from the Getty's larger collection-life-size sculptures, statuettes, heads and busts, altars, and decorative appliques.

This volume explores the conservation and presentation of dress in museums and beyond as a complex, collaborative process.

"This volume publishes Yukio Lippit's lecture of the same title, held at the Getty Center on 23 September 2014."

Annan's history serves as the organizing principle for this book, which considers both the breadth of his body of work as well as the multiple formats in which his photographs appeared and circulated. Featured here are seven examplesincluding private albums and commercial booksthat focus on subjects as varied as the city's streets and closes.

Lavishly illustrated and exhaustively researched, this volume provides the first-ever comprehensive study-in any language-of this type of view painting. In examining these paintings alongside the historical events depicted in them, Peter Bjorn Kerber carefully reconstructs the meaning and context these paintings possessed for the artists.

Combining art historical and scientific analysis, experts from the Getty Conservation Institute and Getty Research Institute are collaborating with the Coleccio n Patricia Phelps de Cisneros, to research the formal strategies and material decisions of these artists working in the concrete and neo-concrete vein.

Jose Clemente Orozco's 1930 mural, Prometheus, created for the Pomona College campus, is a dramatic and gripping examination of heroism. This thoughtful exhibition catalogue examines the multiple ways Orozco's vision resonates with four artists working in Mexico today: Isa Carrillo, Adela Goldbard, Rita Ponce de Leo n, and Naomi Rinco n-Gallardo.

Featuring rare photographs and negatives alongside iconic images from the formative years of photography in the United States, "Paper Promises: Early American Photography" is the companion volume to the first exhibition exclusively focused on the display and study of early American photography on paper.

These essays consider iconic photographs, archival collections, new and forgotten technologies, and conceptual challenges in photographing three-dimensional forms that have directed changing historical and stylistic attitudes about how we see, write about, and narrate histories of sculpture.

The Academie Royale de Peinture et de Sculpture (French Academy of Painting and Sculpture)-perhaps the single most influential art institution in history-governed the arts in France for more than 150 years. Christian Michel's sweeping study presents an authoritative in-depth analysis of the Academie's history and legacy.

"The forty-seven papers in this volume derive from the proceedings of the nineteenth International Bronze Congress, held at the Getty Center and Villa in October 2015 in connection with the exhibition Power and Pathos: Bronze Sculpture of the Hellenistic World"--Provided by publisher.

These texts cover a diverse terrain such as the lessons of modern art, Irwin's philosophy of teaching, and his understanding of art as a form of pure inquiry, presenting the reader with an overview of his unique perspective within the broad discourse of postwar American art.

An influential force in the world of art and museum studies, Paul J. Sachs is widely credited with creating a course that trained a generation of art and museum professionals in the United States, putting most American museums in the hands of homegrown talent, by the mid-twentieth century.

Eleven renowned contemporary artists -Paul Chan, Rachel Harrison, Huang Yong Ping, Mike Kelley, Jeff Koons, Joseph Kosuth, Paul McCarthy, Whitney McVeigh, Raymond Pettibon, Adrian Piper, and Michelangelo Pistoletto-engage with, and respond to, the ideas of Plato.

The first title in a new series aimed at sharing best practices in the conservation of modern heritage.

A compelling exploration of the many issues surrounding the restoration and restitution of Nazi-stolen art at the end of World War II.

The next title in the respected Artist's Materials series offers groundbreaking analysis of Sam Francis's working methods and materials.

The first truly comprehensive look at all aspects of the Villa dei Papiri at Herculaneum, from its original Roman context to the most recent archaeological investigations.

This important and overdue book examines illuminated manuscripts and other book arts of the Global Middle Ages.

This stunning examination of the last years of E douard Manet's life and career is the first book to explore the transformation of his style and subject matter in the 1870s and early 1880s.

A thought-provoking discussion on the concept of beauty in works by Manet, Gauguin, and Cezanne.

This collection explores Kollwitz's most creative years, examining her sequences of images, with a focus on the tension betweenmaking and meaning.

This volume translates and examines a rare conspectus of architectural and decorative taste published at the very end of the eighteenth century.

"Inside the Getty takes readers on a tour like no other: from J. Paul Getty's original museum in his home near Malibu to the re-creation of an ancient Roman villa on the property; from the seemingly endless corridors that run beneath the Getty Center in Los Angeles to the stunning landscaping that surrounds the structures; from the galleries and storerooms of the J. Paul Getty Museum to the library and special collections of the Getty Research Institute: from the scientific laboratories of the Getty Conservation Institute to the worldwide philanthropy of the Getty Foundation; and from the public places and programs of the J. Paul Getty Trust to the secret spaces and stories of this landmark organization."--Page 4 of cover.

A richly illustrated, comprehensive introduction to the visionary artist William Blake.

For the first time, a critical selection of the Academie Royale de Peinture et de Sculpture's highly influential conferences isavailable in English.

An exploration of the radical artists who transformed the ways art is conceived, exhibited, and collected, through the Dada, Surrealist, and Fluxus collections of Jean and Leonard Brown.

A unique seventeenth-century account of painting as it was practiced, taught, and discussed during a period of extraordinary artistic and intellectual ferment in the Netherlands.

An exploration of how an official French visual culture normalized France's colonial project and exposed citizens and subjects to racialized ideas of life in the empire.