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This gorgeously illustrated book examines the practice and materials of a prominent Abstract Expressionist The career of the German-American painter and educator Hans Hofmann (1880-1966) describes the arc of artistic modernism from pre-World War I Munich and Paris to mid-twentieth-century Greenwich Village.

"A narrative survey of the draftsmanship of the eighteenth-century French artist Edme Bouchardon"--Provided by publisher.

Gustave Caillebotte: Painting the Paris of Naturalism, 1872-1887 is the first book to study the life and artistic development of this painter in depth and in the context of the urban life and upper-class Paris that shaped the man and his work.

Drawing on previously unpublished primary material from archives in Paris, Berlin, Rome, and Venice, Noemie Etienne combines art history with anthropology and sociology to survey the waning decades of the Ancien Regime and early post-Revolution France.

Featuring over one hundred illuminations depicting medieval women from England to Ethiopia, this book provides a lively and accessible introduction to the lives of women in the medieval world.

Essential - and engaging - reading for anyone interested in the issues that concerned artists and patrons in the sixteenth century.

This groundbreaking book explores why and how to encourage physical and sensory engagement with works of art.

An exciting new approach to understanding the trade of antiquities in early modern Rome traces the journey of objects from discovery to display.

Showcasing diverse methodologies, this volume illuminates London's central role in the development of a European art market at the turn of the nineteenth century.

The first anthology to assemble the writings of the groundbreaking art historian, critic, and curator Marcia Tucker.

An engaging look at early twentieth-century American printmaking, which frequently focused on the crowded, chaotic, and "gritty" modern city.

A comprehensive overview of ancient ambers, the only such book in English, is now revised.

An assessment of the important place of Gustave Le Gray in the history of photography. A young painter in Rome, then a fashionable portrait photographer in Paris, Le Gray received commissions from Napoleon III, and fled to Palermo and then Egypt when faced with bankruptcy.

Qing Encounters: Artistic Exchanges between China and the West examines how the encounters between China and Europe in the eighteenth and early nineteenth centuries transformed the arts on both sides. By considering this reciprocity from both Eastern and Western perspectives, this book offers a new and nuanced understanding of this critical period.

During the First World War, the bombardment of the cathedral in Reims, France, by German troops, was one of the most controversial events on the Western front. This fascinating publication examines the implications for the intellectual, cultural, and political relations between the two nations.

The first analytical history of Sarnath, the place where the Buddha preached his first sermon and established the Buddhistmonastic order.

A standard reference in the field of manuscript studies for over twenty years, now revised and updated with full-colour illustrations throughout.

In the margin, for quick access by the reader, is a summary of the essential characteristics of the symbol in question, the derivation of its name, and the religious tradition from which it springs.

Providing profiles of Tunisia's major mosaic sites, this title contains more than 130 full-colour photographs. It offers an introduction this region's mosaic art; also looking at the historical background of Roman Africa. It discusses the development of art in and around the Mediterranean.

An insightful survey of the field of photograph conservation. It chronicles the emergence and systematic development of photograph conservation as a profession. In 72 essential texts since the 19th century, it collects key writings that have influenced both the philosophical and the practical aspects of conserving photographs.

This delightful book is a colourful reminder of the many things that visual art can be, become, and do.

Jean-Leon Gerome (1824-1904) was an undisputed success during his life. Crowds flocked to see his vibrant compositions and thanks to mass marketing of his work through mechanical reproduction, he reached audiences on an unprecedented scale. This title includes the essays challenging critical biases against the artist.

What is a pyxis? Who was the Amasis Painter? How did Greek vases get their distinctive black and orange colours? This volume offers definitions and descriptions of these and many other Greek vase shapes, painters and techniques encountered in museum exhibitions and publications.

A translation of the 1802 introduction to studio practices for sculpture students by Francesco Carradori, a sculptor, restorer and instructor of sculpture at the Academia in Florence from 1786 to 1821. Carradori covers the various tools and techniques used by ancient sculptors to execute work.

Celebrated photographer Robert Mapplethorpe challenged the limits of censorship and conformity, combining technical and formal mastery with unexpected, often provocative content that secured his place in history.

The first graphic biography of renowned Mexican photographer Graciela Iturbide, written by award-winning YA author Isabel Quintero and illustrated by artist Zeke Pena

Bringing together leading conservation scholars and professionals from around the world, this volume offers a timely look at values-based approaches to heritage management.

Offers a visual history of the depiction of illness and healing in Western culture, ranging from Egyptian wall carvings to 20th century artists.