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An exact date for the invention of photography is evasive. Scientists and amateurs alike were working on a variety of photographic processes for much of the early nineteenth century. Thus most historians refer to the year 1839 as the "first" year of photography, not because the sensational new medium was invented then, but because that is the year it was introduced to the world. After more than 175 years, and for the first time in English, First Exposures: Writings from the Beginning of Photography brings together more than 130 primary sources from that very year--1839--subdivided into ten chapters and accompanied by fifty-three images of significant visual and historical importance. This is an astonishing work of discovery, selection, and--thanks to Steffen Siegel's introductory texts, notes, and afterword--elucidation. The range of material is impressive: not only all the chemical and technological details of the various processes but also contracts, speeches, correspondence of every kind, arguments, parodies, satires, eulogies, denunciations, journals, and even some poems. Revealing through firsthand accounts the competition, the rivalries, and the parallels among the various practitioners and theorists, this book provides an unprecedented way to understand how the early discourse around photographic techniques and processes transcended national boundaries and interconnected across Europe and the United States.

The newest addition to the Artist's Materials series offers the first technical study of one of Australia's greatest modern painters.

This lavishly illustrated coffee-table book features more than one hundred paintings from the J. Paul Getty Museum's extraordinary collection.

Offers a discussion of the materials and processes used in eight artistic media - painting, drawing, printmaking, sculpture, mosaics, ceramics, glass, and metalwork. This title contains 400 full-colour illustrations, and provides insight into the creation of many of the world's greatest works of art.

In the summer of 1874, Edouard Manet (1832-1883) and Claude Monet (1840-1926), two outstanding painters of the nascent Impressionist movement, spent their holidays together in Argenteuil on the Seine River. Their growing friendship is expressed in their artwork. This book offers a look at one of the defining images of the Impressionist movement.

A practical manual for the microscopic analysis of paint, coatings, fibres and adhesives - materials found in works of art.

This volume brings together contributions from specialists in a wide range of fields who examine issues of sustainability as they relate to heritage conservation. The topics range in scale from individual buildings and sites to cities, landscapes and other historic environments.

American art museums share a mission and format that differ from those of their European counterparts, which often have origins in aristocratic collections.

This volume provides a striking account of the life, destruction, rediscovery, and cultural significance of the Roman town ofHerculaneum and its grandest residence-the House of the Bicentenary.

This volume analyzes the extraordinary patronage of modern architecture that the Tremaine family sustained for nearly fourdecades in the mid-twentieth century.

This volume examines the unprecedented growth of several cities in Latin America from 1830 to 1930, observing how sociopolitical changes and upheavals created the conditions for the birth of the metropolis.

This groundbreaking book provides the first detailed account of the materials and techniques of perhaps the most radical-and, until now, least studied-major American Abstract Expressionist.

Repairing works of art and writing about them-the practices that became art conservation and art history-share a common ancestry. This handsomely illustrated volume charts the intersections between the two fields in the treatment of Italian Renaissance paintings in nineteenth-century Europe and proposes a model for a new conservation history.

In almost thirty interviews, Donatien Grau probes some of the world's most prominent thinkers and preeminent arts leaders on the past, present, and future of the encyclopedic museum.

Presents a history of Christian Church as portrayed throughout Western art. This book examines artistic representations of liturgical objects - including altars, crosses, and censers. It offers an analysis of the lives and portraits of notable leaders, from Peter and Paul to Thomas More and Pope Paul VI.

A milestone publication on the occasion of a major international exhibition that examines cross-cultural contact between Greece, Rome and Egypt.

From the 1920s to the time of his death in 1975, photographer Walker Evans was obsessed with the signage he found in modern America--from billboards to gas station pumps to street graffiti to handmade announcements of a Saturday-night dance. This book features 50 of his photographs of signs from the Getty Museum's collection, plus 50 additional il

A new look at the work of Mario Giacomelli, one of Italy's foremost photographers of the twentieth century.

This set brings together three photographers who have strong European ties - Kertesz and Moholy-Nagy were born and grew to maturity there, and Man Ray spent almost 40 years there. Each was also active in America. The social and artistic ferment of two continents is reflected in their work.

Jean-Baptiste Greuze created "The Laundress" in 1761. This work traces the history of the painting, compares it to other Greuze paintings of laundresses and places the artist in the social and cultural mores of the period.

Part of the Medieval Imagination series, this title explores portraiture in the medieval and Renaissance periods.

Explores the issues surrounding the study and conservation of earthen architecture. This title addresses such themes as earthen architecture in Mali, conservation of living sites, local knowledge systems and intangible aspects, seismic and other natural forces, and the management of archaeological sites.

Examines the making of the first modern catalogue - La galerie electorale de Dusseldorff. This book showcases this one of the most important European painting collections of the eighteenth century, reflecting a pivotal moment in the history of art as well as the history of the art museum.

This collection of unique works by 150 Los Angeles graffiti and tattoo artists represents an unprecedented collaboration across the city's diverse artistic landscape.

Edgar Degas was one of the great pioneers of modern art, and the J. Paul Getty and Norton Simon museums are fortunate to own jointly one of his finest pastels, Waiting (L'Attente), which he made sometime between 1880 and 1882, about midway in his career. In this fascinating monograph, author Richard Thomson explores this brilliant work in detail, revealing both the intricacies of its composition and the source of the emotional pull it immediately exerts upon the viewer. For Waiting is, indeed, an extraordinary object both in its craftsmanship and color and, perhaps most especially, in its aura of ambiguity and even mystery.

Tells the story of the yearly return of the swallows to the Mission San Juan Capistrano through the eyes of a small child, Julian, the bell ringer of the Mission. This book includes the music and lyrics for "La Golondrina", a song about the swallows that the author composed himself.

Examines the painting in relation to the artist's life and works, explores his stylistic development, and considers as well, his often complex relationship with other artists. This work also looks at the subject matter of the piece within the broader historical context of 17th-century Dutch concepts of domesticity and parenthood.

It is Paris in the 1400s. A young girl named Marguerite delights in assisting her father, Jacques, in his craft: illuminating manuscripts for the nobility of France. His current commission is a splendid book of hours for his patron, Lady Isabelle, but will he be able to finish it in time for Lady Isabelle's name day?

Attentive observation of art provides an excellent opportunity for better thinking, for the cultivation of the "art of intelligence." The arts are important in an educational setting, therefore, because they can cultivate important thinking strategies in children and adults alike. Withcarefully chosen illustrations, Perkins demonstrates how the reflective approach to art can develop broader, more adventurous, and clearer avenues of thought.