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In giving landscape the name 'mountain(s)-water(s)', the Chinese language provides a powerful alternative to Western biases. Francois Jullien invites the reader to explore reason's unthought choices, and to take a fresh look at our more basic involvement in the world.

The question of what and how artworks mean things is conventionally satisfied by appealing to literature from either philosophy of art or philosophy of language. This book offers an alternative by positioning art as a type of meaning-making tool whose function can only be understood through the application of the philosophy of technology.

With contributions by leading scholars in the field, this book is the first collection in the English language devoted to Baumgarten's aesthetics.

Art as Capital addresses the role of art and creative practices in contemporary society.

Bringing together Bataille with Lacan and Nietzsche, Tim Themi examines the role of aesthetics and how this can invoke the erotic process.

This pioneering volume, for the first time, explores the extraordinary Portuguese poet Fernando Pessoa and his relationship to philosophy.

With contributions by leading scholars in the field, this book is the first collection in the English language devoted to Baumgarten's aesthetics.

Combining the methodologies of art history, aesthetics and cultural history, this book opens up new ways of looking at the phenomenon of ruins.

Arne de Boever offers an accessible introduction to Francois Jullien's work, highlighting Jullien's work at the intersection of Chinese and Western thought and drawing out the 'unthought-of' in both traditions of thinking. In the process he emphatically challenges some of the core assumptions of Western reasoning.

This book provides a systematic, philosophical account of the main issues that pertain to the aesthetics of modified environments, as well as new insights concerning the generation and appreciation of landscapes and environments that fall between (non-human) nature and (human) culture, including gardens and ecologically restored landscapes.

Early Modern Aesthetics is a concise and accessible guide to the history of aesthetics in the early modern period. J. Colin McQuillan shows how philosophers concerned with art and beauty positioned themselves with respect to the ancients and the moderns, how they thought the arts were to be distinguished and classified, the principles they proposed for art and literary criticism, and how they made aesthetics a part of philosophy in the eighteenth century. The book explores the controversies that arose among philosophers with different views on these issues, their relation to the philosophy, science, and art, and their legacy for contemporary aesthetics.

This volume brings together architects, urban designers and planners and asks them to reflect and report on the (built) place and the city to come, in the wake of Deleuze and Guattari.

This book provides a systematic, philosophical account of the main issues that pertain to the aesthetics of modified environments, as well as new insights concerning the generation and appreciation of landscapes and environments that fall between (non-human) nature and (human) culture, including gardens and ecologically restored landscapes.

This volume brings together architects, urban designers and planners and asks them to reflect and report on the (built) place and the city to come, in the wake of Deleuze and Guattari.

A collection of new essays addressing Foucault's thought and its impact on thinking about the visual arts, literature and aesthetic discourse in the 21st century.

A collection of new essays addressing Foucault's thought and its impact on thinking about the visual arts, literature and aesthetic discourse in the 21st century.