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A new edition of The Granta Book of Reportage featuring distinguished writers and reporters - John Simpson, James Fenton, Martha Gellhorn, Germaine Greer, Ryszard Kapuscinski - this book covers some of the signal events of our time.

The Man Booker prize-winning author's critically acclaimed selection of the best Irish short stories of the last sixty years, following Richard Ford's best-selling Granta Book of the American Short Story.

29 short stories by the best new African writers, selected by one of Africa's most eminent contemporary novelists, Helon Habila.

The Granta Book of India brings together, for the first time, classic pieces from previous editions of Granta magazine on the experiences of Indian life, culture and politics.

New edition of the Granta Book of the American Short Story, expanding Richard Ford's original choice to include stories that he regretted overlooking first time around as well as many by a generation of writers, among them Sherman Alexie, Junot Diaz, Deborah Eisenberg, Nell Freudenberg, Matt Klam, Jhumpa Lahiri and Z. Z. Packer.

'Liz Jobey has carefully balanced fiction and non-fiction, the comic with the tragic. There is first-rate writing from - among others - Hilary Mantel, John McGahern, Raymond Carver, Hanif Kureishi and Graham Swift' Independent

A collection of travel writing by some of the genre's finest authors, from Paul Theroux to Sara Wheeler, voyaging from Mississippi to Malawi and Thailand. The New Granta Book of Travel Writing represents a sea change in writers' approaches to the craft. The 1980s were the culmination of a golden age, when writers including Bruce Chatwin, James Hamilton-Paterson and James Fenton set out to document life in largely unfamiliar territory, bringing back tales of the beautiful, the extraordinary and the unexpected. By the mid 1990s, travel writing seemed to change, as a younger generation of writers appeared in the magazine, making journeys for more complex and often personal reasons. Decca Aitkenhead reported on sex tourism in Thailand, and Wendell Steavenson moved to Iraq as a foreign correspondent. What all these pieces have in common is a sense of engagement with the places they describe, and a belief that whether we are in Birmingham or Belarus, there is always something new to be discovered.</