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Some travel is vital to the traveller. Sometimes you need to get home or get away. Sometimes this is far from easy. This issue of Granta contains compelling stories about journeys which need to be made. You might call it necessary travel writing.

Featuring John Fowles on the making of The French Lieutenant's Woman and DM Thomas on the not making of The White Hotel, Thomas Keneally on finding Schindler's list, Roger Lewis on Peter Sellers, Gaby Wood on Lana Turner, Pakaj Mishra in Bombay, Ian Jack on the Roxy, the Rialto, the Ritz and the Regal, and much much more.

The fourth instalment of Granta's always compelling, prescient and star-making Best of Young British Novelists list.

This issue takes a wayward look at the lives of beasts. A dog prepares for the death of his master; a movie-going tarantula has a crush on Nicole Kidman; and a raven learns to speak Spanish. Photography of China's new young women and the streets of New York also features.

Granta 29: New World is a collection of articles discussing exile, train travel, South Africa, Beirut, and Colombia, all accompanied by photographs.

This edition of Granta includes articles by James Fenton, Milan Kundera, Richard Ford, Raymond Carver, Nadine Gordimer, Russell Hoban, Adam Mars Jones, Redmond O'Hanlon, Salman Rushdie and others.

The third in the Best of Young British Novelists series, which revealed the emerging literary landscape of a new millenium.

"Recommended for anyone with even a passing interest in humanity." -- British Journal of General Practice. This issue of Granta is dedicated to love, or more often the lack of it, the loss of it, and the search for it. It includes stories about sibling rivalry, about rediscovering parental love, and about the end of marriage and enduring friendship.

How do you cope with the great, if you yourself are not so great? Do you speak, do you listen, in the face of every difficulty do you try to please? The sensible thing to do is keep a diary. Irish poet Richard Murphy remembers his experiences with Auden, J.R. Ackerley and Theodore Roethke.

In this issue of Granta Magazine, the theme is the sea and our relationship with it. It includes pieces by: James Hamilton-Paterson, on a lonely death in the Pacific; Julia Blackburn, on the lure of the mermaid; Neal Ascherson, on the death of the Black Sea; and Haruki Murakami.

In this issue, writers from across the world describe how America has affected them - culturally, politically, economically, as citizens, as writers, as children and as adults, for better or worse.

This issue of "Granta" celebrates Australian writing and examines a country which is forging a strong new identity. The contributors include Peter Carey, Thomas Keneally, Les Murray and Tim Winton. There are picture essays by Polly Borland and David Moore, and a novella by Ben Rice.

Britain invented the factory - Manchester was the world's first factory city. Where are they now? The anser, mainly, is China. An issue devoted to how and where we made and make things, from strawberries in the fields of Herefordshire to the car plants of Korea.

In this issue of Granta Magazine, a distinguished writer makes an anonynous confession and defends a habit: his son supplies him with ecstasy. Other contributions include Nicholas Shakespeare on discovering the evil of his ancestors, and works from Amanda Hopkinson and Andrew Brown.

Britain's most prestigious literary magazine brings you prize-winning fiction, memoir, reportage, poetry and photography from around the world.From Nobel laureates to debut novelists, international translations to investigative journalism, each issue of Granta turns the attention of the world's best writers on to one aspect of the way we live now.

Published in book form four times a year, Granta is respected around the world for its mix of outstanding new fiction, poetry, reportage, memoir, photography and art.Granta 149: New Europe includes essays by Elif Shafak, UKON, Andrew Miller, Will Atkins, Lara Feigel, Katherine Angel, Michael Hofmann, Joseph Koerner, Tom McCarthy and many more. It harks back to the 1989 issue of the same name, themed around the response to the fall of the Berlin wall. Through the lenses of exile and migration, we ask ourselves what it means to be European now. Featuring a photoessay by Bruno Fert who steps inside the temporary homes of refugees in camps in Greece and France.