Bøker i Graphic Medicine-serien

A comics anthology that illustrates the complicated and multiple experiences of human reproduction and explores comics within the growing field of graphic medicine.

Explores how superhero comics, with their creative fusions of fantasy and realism, provide a flexible visual form for engaging issues of disability and intersectional identity (race, class, gender, sexuality) as well as for imagining and valuing different physical and cognitive ways of being in the world.

A graphic memoir of the author's experiences of her mother's battle with dementia. Illustrates the two-way nature of storytelling as a process that heals both the giver and the receiver of story.

Through drawings, paintings, and poetic, prayerful affirmations grounded firmly in the Jewish experience, the author offers a creative response to her mother's final illness and death.

A graphic novel depicting the stories of women who fought with the National Liberation Front in the Algerian War of Independence.

Combining scholarly essays with visual narratives and a conclusion in comics form, establishes graphic medicine as a new area of scholarship. Demonstrates that graphic medicine narratives offer patients, family members, and medical caregivers new ways to negotiate the challenges of the medical experience. Discusses comics as visual rhetoric.

"First published by Myriad Editions"--Title page verso.

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In Show Me Where It Hurts, Monica Chiu argues that graphic pathography-long-form comics by and about subjects who suffer from disease or are impaired-re-vitalizes and re-visions various negatively affected corporeal states through hand-drawn images. By the body and for the body, the medium is subversive and reparative, and it stands in contradistinction to clinical accounts of illness that tend to disembody or objectify the subject.Employing affect theory, spatial theory, vital materialism, and approaches from race and ethnic studies, women and gender studies, disability studies, and comics studies, Chiu provides readings of recently published graphic pathography. Chiu argues that these kinds of subjective graphic stories, by virtue of their narrative and descriptive strengths, provide a form of resistance to the authoritative voice of biomedicine and serve as a tool to foster important change in the face of social and economic inequities when it comes to questions of health and healthcare. Show Me Where It Hurts reads what already has been manifested on the comics page and invites more of what demands expression.Pathbreaking and provocative, this book will appeal to scholars and students of the medical humanities, comics studies, race and ethnic studies, disability studies, and women and gender studies.