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This analysis of the relationship between collective identities and politics in ancient Greece focuses on four key types of identity - polis identity, ethnicity (e.g., Dorian or Achaean), regional, and Greek - and places these multiple and flexible self-perceptions at the center of a new account of politics in the Greek West.

Ancient Greek migrants in Sicily produced societies and economies that paralleled and differed from their homeland. Since the nineteenth century explanations for this have been heavily debated. This book is the first to gather the historical and archaeological evidence and to deploy it to test the various historical models proposed.

The Invention of Greek Ethnography offers a fresh approach to the origins and development of ethnographic thought, Greek identity, and narrative history.

This book claims it was a network-dynamics of Small World formation that rapidly foreshortened Mediterranean spaces, thus allowing the flows of civilizational content and self-aware notions of collective identity to overlap and proliferate.

This book argues that Pindar engages in a striking, innovative style of mythmaking that represents and shapes Sicilian identities in his epinician odes for Sicilian victors in the fifth century BCE, and it contributes new insights into current debates on the relationship between myth and place in classical literature.

By setting epinician in dialogue with the colorful stories about athletes that circulated in the same period, The Poetics of Victory in the Greek West offers a new and compelling account of the Deinomenids' self-promotion and of the complex communities within and around the Deinomenid empire.

Italy's Lost Greece reveals the untold story of the modern engagement with Magna Graecia, the region of ancient Greek settlement in South Italy, and provides a unique perspective on the humanist investment in the ancient past, the evolution of modern Hellenism, and the making of the discipline of classical archaeology.

This book situates Pindar's victory odes for Hieron of Syracuse within the tumultuous context of Syracuse and Greece in the early fifth century BC. It combines exploration of the material and musical culture of Hieron's Syracuse with literary analysis to demonstrate how Pindar's poetry manipulates epinician form to effect political legitimation.