Bøker i Handheld Classics-serien

All Rose Macaulay's anti-war writing, collected together in one fascinating and thought-provoking volume. Her novel Non-Combatants and Others (1916), her journalism for The Spectator, Time & Tide, The Listener and other magazines from the mid-1930s to the end of the Second World War, and her only wartime short story, `Miss Anstruther's Letters'.

Topsy¿s extensive social life, her adventures in and out of the House of Commons (and her audacious attempts to legislate for the Enjoyment of the People), and her wartime activity as the mother of twins, were recorded faithfully by the great comic writer A P Herbert.

This new selection of Algernon Blackwood’s essays and short stories is a unique combination of supernatural writing and the author’s own reflections on the art of fiction, and the themes and impulses that created these remarkable stories.

John Buchan's 1932 novel The Gap in the Curtain was his last full-length work devoted to exploring a supernatural theme: if you were able to see one year into the future, what would you do with that foreknowledge? And what would it do to you?

This remarkable novel about wartime life and work is a companion to Blitz Writing (2019), Handheld Press's edition of Inez Holden's novella Night Shift (1941) and her wartime diaries It Was Different At The Time (1943). This edition includes three pieces of Holden's long-form journalism, detailing wartime life.

The Caravaners (1909) is a devastating comedy about an Edwardian caravan holiday in Kent, narrated by the pompous and self-important Baron, a Prussian Major in the German army. It reveals the lost world of European crusted assumptions that disappeared forever with the First World War, and is one of the funniest feminist novels ever written.

British Weird is a new anthology of classic Weird short fiction by British writers, first published between the 1890s and the 1930s.

Civil war is brewing in this Edwardian speculative political thriller, between the Conservative resistance and a Labour government inflicting a socialist nightmare on British society. Ernest Bramah's What Might Have Been (1907), better known as The Secret of the League, is now republished with 7000 words restored and a critical introduction.

Women's Weird 2 will contain thirteen remarkably chilling stories originally published from 1891 to 1937, by women authors from the USA, Canada, the UK, India and Australia.

Melissa Edmundson has curated this selection of the best of Elinor Mordaunt's supernatural short fiction, which blend the technologies and social attitudes of modernity with the classic supernatural tropes of the ghost, the haunted house, possession, conjuration from the dead and witchcraft.

Where Stands A Winged Sentry, taken from the author's war diaries, conveys the tension, frustration and bewilderment of the progression of the Second World War, and the terror of knowing that the worst is to come, but not yet knowing what the worst will be.

Potterism is about the Potter newspaper empire, and the ways in which journalists struggled to balance the truth and what would sell, during the First World War and into the 1920s. When Jane and Johnny Potter are at Oxford they learn to despise their father's popular newspapers, though they still end up working for the family business.

The Runagates Club is John Buchan's last collection of short stories, and is a classic of British interwar short fiction. These twelve stories were written from 1913 to 1927, when he was at the peak of his powers, reprinted here with a critical introduction by Kate Macdonald.

Personal Pleasures is a 1935 anthology of 80 short essays (some of them very short) about the things Rose Macaulay enjoyed most in life.

Gothic scholar Melissa Edmundson has brought together a compelling collection of the best Weird short stories by women from the late nineteenth and early twentieth centuries.

Endorsed by Neil Gaiman, this new edition of Sylvia Townsend Warner's final collection of short stories brings her fantasy writing to a new readership. These sixteen sly and enchanting stories of Elfindom show Warner's mastery of realist fantasy that recalls the success of her first novel, the witchcraft classic Lolly Willowes (1926).

The 23 stories in Of Cats and Elfins encompass scholarship, black humour, the Gothic, and the anthropomorphic cats of The Cat's Cradle Book (1940), which enact Warner's preoccupation with the dark forces at large in Europe in the later 1930s. This is a major fantasy collection for a new generation of fantasy enthusiasts and Warner fans.

The Exile Waiting was the first novel by the Hugo and Nebula award-winning novelist Vonda N McIntyre, published in 1975. It introduces the world that McIntyre later made famous with Dreamsnake. Includes bonus short story.

Emerging out of the 1940-1941 London Blitz, the drama of these two short works by Inez Holden, a novel and a memoir, comes from the courage and endurance of ordinary people met in the factories, streets and lodging houses of a city under bombardment.

What Not is Rose Macaulay's speculative novel of post-First World War eugenics and newspaper manipulation that anticipated Aldous Huxley's Brave New World by 14 years. Media barons challenge the Ministry of Brains about the illegal affair of its senior staff.

Jan Jacob Slauerhoff (1898-1936) was a ship's doctor serving in south-east Asia, and is one of the most important twentieth-century Dutch-language writers. His 1934 novel Adrift in the Middle Kingdom (Het leven op aarde), is an epic sweep of narrative that takes the reader from 1920s Shanghai to a forgotten city beyond the Great Wall of China.

Business As Usual is a delightful illustrated novel in letters from Hilary Fane, an Edinburgh girl fresh out of university who is determined to support herself by her own earnings in London for a year, despite the mutterings of her surgeon fiancee.

Zelda Fitzgerald's rapidly-written only novel, Save Me The Waltz (1932) covers the period of her life that her husband F Scott Fitzgerald had been using for years while writing his Tender is the Night (1934). It is now recognised as a classic novel of woman's experience and an authentic record of the Jazz Age.