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The unique amalgam of prayer and play at the Sensoji temple in Edo is often cited as proof of the "degenerate Buddhism" of the Tokugawa period. This investigation of the economy and cultural politics of Sensoji, however, shows that its culture of prayer and play reflected changes taking place in Tokugawa Japan, particularly in the city of Edo.

This book explores the Daoist encounter with modernity through the activities of Chen Yingning (1880-1969), a famous lay Daoist master, and his group in early twentieth-century Shanghai. In contrast to the usual narrative of Daoist decay, this study tells a story of Daoist resilience, reinvigoration, and revival.

Focusing on its adaptation in the Chinese context, Catherine Vance Yeh traces the rise of the political novel to international renown between the 1830s and the 1910s. Yeh explores in detail the tensions characteristic of transcultural processes, among them the dynamics through which a particular, and seemingly local, literary genre goes global.

In Defensive Positions, Noell Wilson shows how control of coastal defense by regional domains exacerbated the shogunate's inability to respond to major military and political challenges as Japan transitioned from an early modern system of parcelized, local maritime defense to one of centralized, national security in the nineteenth century.

Miri Nakamura examines bodily metaphors such as doppelgangers and robots that were ubiquitous in the literature of imperial Japan. Reading them against the historical rise of the Japanese empire, she argues they must be understood in relation to the most "monstrous" body of all in modern Japan: the carefully constructed image of the empire itself.

The Chinese Communist welfare state was established with the goal of eradicating income inequality. Paradoxically, it widened that gap, undermining a primary objective of Mao Zedong's revolution. Nara Dillon traces the origins of the Chinese welfare state from the 1940s to the 1960s to uncover the reasons why the state failed to achieve this goal.

Joseph R. Dennis demonstrates the significance of imperial Chinese local gazetteers in both local societies and national discourses. Whereas previous studies argued that publishing, and thus cultural and intellectual power, were concentrated in the southeast, Dennis shows that publishing and book ownership were widely dispersed throughout China.

In this richly illustrated book, Shih-shan Susan Huang investigates the visual culture of Daoism, China's primary indigenous religion, from the tenth through thirteenth centuries with references to earlier and later times. Huang shows how Daoist image-making goes beyond the usual dichotomy of text and image to incorporate writings in image design.

Satoru Saito examines the similarities between detective fiction and the novel in prewar Japan. Arguing that interactions between the genres were critical moments of literary engagement, Saito demonstrates how detective fiction provided a framework through which to examine and critique Japan's literary formations and its modernizing society.

Kim explores the dynamic relationship between Korean and Japanese Buddhists in the years leading up to the Japanese annexation of Korea. Conventional narratives portray Korean Buddhists as complicit in the religious annexation of the peninsula, but this view fails to account for the diverse visions, interests, and strategies that drove both sides.

Jung-Sun N. Han examines the role of liberal intellectuals in reshaping transnational ideas and internationalist aspirations into national values and imperial ambitions in early twentieth-century Japan. Han's focus is on the ideas and activities of Yoshino Sakuzo (1878-1933), who was a champion of prewar Japanese liberalism and Taisho democracy.

This study investigates the Japanese experiment with financial imperialism-or "yen diplomacy"-at several key moments between the acquisition of Taiwan in 1895 and the outbreak of the Sino-Japanese War in 1937, and how these practices impacted the development of receiving nations and defined their geopolitical position in the postcolonial world.

Sonia Ryang casts new light on the study of North Korean culture and society by reading literary texts as sources of ethnographic data. Ryang focuses critical attention on three central themes-love, war, and self-that reflect the nearly complete overlap of the personal, social, and political realms in North Korean society.

Maclachlan analyzes the institutions, interest groups, and leaders involved in the evolution of Japan's postal system from the early Meiji period until 2010. At the crux of her analysis is Prime Minister Koizumi Jun'ichiro's crusade to privatize Japan's postal services, one of the most astonishing political achievements in postwar Japanese history.

The 16 chapters in this volume treat men as well as women, theories of sexuality as well as gender prescriptions, and same-sex as well as heterosexual relations in the period from 1868 to the present. Separately, each chapter examines how Japanese have (en)gendered their ideas, institutions, and society.

Murakami Haruki is perhaps the best-known and most widely translated Japanese author of his time. Bringing a comparative perspective to the study of Murakami's fiction, Suter complicates our understanding of the author's oeuvre and highlights his contributions not only as a popular writer but also as a cultural critic on both sides of the Pacific.

Kitasono Katue was a leading avant-garde literary figure, first in Japan and then throughout the world, from the 1920s to the 1970s. He was instrumental in creating Japanese-language work influenced by futurism, dadaism, and surrealism. This critical biography examines the life, poetry, and poetics of this controversial and flamboyant figure.

Relations between the Choson and Qing states are often cited as the prime example of the operation of the "traditional" Chinese "tribute system." In contrast, this work contends that the motivations, tactics, and successes (and failures) of the late Qing Empire in Choson Korea mirrored those of other nineteenth-century imperialists.

Drawing on varied archaeological and archival sources, David B. Lurie highlights the diverse modes and uses of writing that coexisted in Japan between the first and eighth centuries. This book illuminates not only the textual practices of early Japanese civilization but also the comparative history of writing and literacy in the ancient world.

For the writers and poets of early-20th-century Japan, literary modernism was a crisis of perception before it was a crisis of representation. When Our Eyes No Longer See portrays an extraordinary moment in the history of this perceptual crisis and in Japanese literature during the 1920s and 1930s.

Under the Ancestors' Eyes elucidates the role of Neo-Confucianism as an ideological and political device by which the elite in Korea regained and maintained dominance during the Choson period. Using historical and social anthropological methodology, Martina Deuchler highlights Korea's distinctive elevation of the social over the political.

In the years of rapid economic growth following the protest movements of the 1960s, artists and intellectuals in Japan searched for a means of direct impact on the whirlwind of historical and cultural transformations of their time. This book explores the theoretical and cultural implications of experimental arts in a range of media.

Mark Jones examines the making of a new child's world in Japan, 1890-1930, and focuses on the institutions, groups, and individuals that reshaped both the idea of childhood and the daily life of children. He also places the story of modern childhood within a broader social context-the emergence of a middle class in early twentieth century Japan.

A study that investigates the poetics and thematics of the Silla sequence, uncovering what is known about the actual historical event and the assumptions and concerns that guided its re-creation as a literary artifact and then helped shape its reception among contemporary readers.

For centuries, readers of Tao Qian have felt directly addressed by his poetic voice. This book revisits Tao's approach to his readers by attempting to situate it within the particular poetics of address that characterized the Six Dynasties classicist tradition.

Offering the first systematic examination of five modern Japanese fictional narratives, all of them available in English translations, Atsuko Sakaki explores Natsume Soseki's Kokoro and The Three-Cornered World; Ibuse Masuji's Black Rain; Mori Ogai's Wild Geese; and Tanizaki Jun'ichiro's Quicksand.

Mountains have always been integral components of China's religious landscape. Early in Chinese history five mountains were co-opted into the imperial cult and declared sacred peaks-yue-demarcating and protecting the imperium's boundaries. Here, Robson demonstrates the value of local and Buddho-Daoist studies in research on Chinese religion.

Owen analyzes the redirection of poetry following the deaths of the major poets of the High and Mid-Tang and the rejection of their poetic styles. In the Late Tang, the poetic past was beginning to assume the form it would have for the next millennium-a repertoire of styles, genres, and the voices of past poets.

This book describes the ritual world of a group of rural settlements in Shanxi province in pre-1949 North China. The great festivals were their supreme collective achievements, carried out virtually without aid from local officials or educated elites. Newly discovered manuscripts allow Johnson to reconstruct the festivals in unprecedented detail.

The narrative is framed around the terms identity, community, and masculinity. As the author shows, the Uyghurs of Yining, a city in the Xinjiang region of China, express a set of individual and collective identities organized around place, gender, family relations, friendships, occupation, and religious practice.