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A groundbreaking study of Latinization in the urban US landscape, a demographic and cultural revolution with extraordinary implications

In this collection of essays, the author combines a series of assessments of "classic" and "lost" texts in the US Marxist literary tradition, and analyzes developments in Marxist scholarship by Robin Kelley, Michael Lowy, James Murphy, Paula Rabinowitz and Alexander Saxton.

An indictment of the decision to close fire companies in New York City in the 1970s, and a frightening study of the way misguided and malevolent social policy can spark a chain reaction of enormous and unforeseen urban collapse.

Looking at culture as something people do rather than buy, this book challenges the prevailing wisdom in cultural studies today. It insists that popular resistance to domination by the culture industry must intervene at the point of production rather than consumption.

Stunned by the news of Sputnik in 1957, the American public were to be treated over the next dozen years to the spectacle of an all-out national crusade: the race to beat the Russians to the moon. What few understood at the time - and what has largely been obscured in popular representations of this episode in movies and bestsellers - was the key economic and technical role played by manned space exploration in post-war US capitalist expansion. From Potsdam to Cape Canaveral, the yellow brick road twisted and turned, but its ultimate goal remained clear: the Oz of global American economic and political domination.Taking off from that masterpiece of American fiction, Thomas Pynchon's Gravity's Rainbow, Dale Carter tells the lurid tale of the postwar boom, through the history of the manned space program. Salvaged from the ashes of Nazi Germany (Pynchon's 'Oven State'), as US officials rounded up the Third Reich's leading V-2 scientists, the American Rocket State embarked on an upward path that would culminate in the epochal voyage of Apollo XI in 1969. Following this path, Carter gives an innovative, brilliant account of American culture and society during the Cold War. He charts the ideological and political significance of a range of phenomena, from films like High Society, Destination Moon and When Worlds Collide to John F. Kennedy's rise to power, from the emergence of a new high-tech economy fueled by the NASA-led transformation of the aerospace industry to the last flight of the space shuttle Challenger. His highly original account of the star-spangled space age sets a new standard for the study of American culture.

This text brings together black activists and scholars, including two former mayors of American cities, to analyze the theoretical and practical problems currently facing the black community in the United States

Through his work as a fiction writer, critic and activist, Fred Pfeil has sought to extend the progressive possibilities within contemporary American culture. Idiosyncratic and provocative, Another Tale to Tell moves from evaluations of politically engaged texts and practices—such as Hans Haacke’s deconstructive artwork, Chester Himes’ Harlem police thrillers, ‘cyberpunk’ and the feminist science fiction of Octavia Butler—to considerations of the history, dynamics and potential of postmodern culture.Pfeil’s work on postmodernity is distinct from the spate of their works on the subject in its insistence on the social base of postmodern practices within today’s professional managerial class, and in his endeavour both to use and to criticize Marxist, feminist, psychoanalytic and poststructuralist thought in order to illuminate our present political impasses and openings.From his audacious reading of the film River’s Edge as the terminus of the vexed history of bourgeois narrative, and his analysis of Reaganite oedipality in Back to the Future, to his unsettling meditation on the ‘poststructuralist paradise’ embodied in contemporary SF, Pfeil sorts through a welter of contemporary cultural texts and practices for the glimmerings of a postmodern narrative and politics that may truly be ‘another tale to tell’.

This work studies television reporting of the US at war since World War II, including detailed coverage of television's role in the Gulf. Cumings offers insights into the everyday operations of the media and assesses the possibilities of mobilizing them for political purposes.

Explores the political conflicts on American campuses, chronicling political battles over radical history, feminism and the new issues in minority legal scholarship. Wiener also examines the politics of pop, including pieces on Bob Marley, John Lennon and Frank Sinatra.

On the current battlefield of cultural criticism and production, no term has been more vigorously contested than 'postmodernism'. Defying clear definition, yet persisting as an indispensable category, it has become one of the central topics in the theory and practice of contemporary culture.Postmodernism and Its Discontents collects some of the major theoretical statements in this debate, including the key intervention of Fredric Jameson, and pits them against original contributions by a range of younger writers who explore the terrain of postmodernism in a variety of cultural practices. Essays on poetry and punk culture, recent American fiction, rock videos, Hollywood and foreign film, and sports and soap operas complement more directly theoretical pieces which tackle, to repeat the title of one essay, 'what is at stake in the debate on postmodernism.'Above all, this collection is distinguished by its steadfast refusal to elide the determinate political issues posed by postmodernism. Each of the essays insists upon the materiality of cultural production, locating various post-modernist practices in the social conditions of contemporary life, including the overarching structures of gender and class.

This work surveys the 200-year history of company towns in the United States - a crucial chapter in the increasingly important area of urban studies. Crawford analyzes the development of the towns in a complex framework involving economic, social and ideological influences.

A historiography of basketball.

This history of the Weatherman Underground covers the origins, development and ultimate demise of the organization. Drawing on an array of documents, interviews with participants, and a knowledge of the history of the New Left, Jacobs gives an objective assessment of US 1960s radicalism.

This text examines documentary in print, photography and film from the 1930s to the 1990s, using the lens of feminist film theory as well as scholarship on race, class and gender. Rabinowitz discusses the ways in which the media have shaped the truth over the decades.

This is an examination of Atlanta, the city of the 1996 Olympics, looking at its uneven development. Focusing on the historic core of the city, it shows how it provides a fertile ground for the investigation of culture and power within the city.

Both a study of penal labour in the Southern United States and a revisionist analysis of the political economy of the South after the Civil War, this book reveals that the economic modernization of the South was largely promoted through the use of forced black labour - penal slavery.

“The implied narrative of this collection is the journalist’s background, the imperial myths that helped to shape him, the impulse to exile and his encounter with the Reagan era. The background, the myths and the impulse to exile form the first three sections of this book, whose overall architecture will, I hope, give some sense of the terms in which I have viewed my trade.”—Alexander Cockburn, from the introduction

This second of two volumes explores how the degradation of African bond-labourers into slaves produced, for the first time in Anglo-America, racism based on colour differences. It traces the historical roots of the white supremacism that led European-American workers to oppose Abolitionism.

This text provides an explanation of the political correctness argument: how it emerged and how right-wing pundits have used it to undermine contemporary criticism. In a series of essays, Berube examines such issues as the current state of cultural studies and the significance of postmodernism.

Taking a multi-disciplinary approach, this prize-winning author offers reflections on how the history of white racism continues to have impact on political and social life today. His previous book, "The Wages of Whiteness" won the Merle Curti Prize for Social History in 1991.

A study of American popular fiction and working-class culture, combining Marxist literary theory with American labour history. The text explores what happened when, in the 19th century, working people began to read cheap novels and the "fiction question" became a class question.

This study on economic development and ideological formation in the Americas shows how the much-vaunted achievement of US democracy has been secured by the political stunting of Latin America, and how US historians have systematically ignored the intertwining of Latin America and US history.

Our Own Time retells the story of American labor by focusing on the politics of time and the movements for a shorter working day. It argues that the length of the working day has been the central issue for the American labor movement during its most vigorous periods of activity, uniting workers along lines of craft, gender and ethnicity. The authors hold that the workweek is likely again to take on increased significance as workers face the choice between a society based on free time and one based on alienated work and unemployment.