Bøker i Hellenic Studies Series-serien

Amidst conflicting information and personal experiences, how can someone distinguish between truth and falsehood? Criteria of Truth: Representations of Truth and Falsehood in Hellenistic Poetry tackles this fundamental question through a study of five Hellenistic poems by Aratus, Nicander, Callimachus, Apollonius of Rhodes, and Lycophron.

The Iliad reveals a traditional oral poetic style, but many believe that the poem cannot be treated as solely a product of oral tradition. In The Iliad and the Oral Epic Tradition, Karol Zieli¿ski argues that neither Homer¿s unique artistry nor references to events known from other songs necessarily indicate the use of writing in its composition.

A Monument More Lasting than Bronze analyzes the motives for establishing a Department of Classics at the University of Malawi and the political goals it served, and examines it in the context of Classics worldwide. A balanced team of authors, some Malawian, some foreign with Malawian connections, brings varied perspectives to this reflection.

Smaro Nikolaidou-Arampatzi analyzes the direct and indirect evidence of Euripides' fragmentary play, the Ino, and reexamines matters of reconstruction and interpretation. This work is a full-scale commentary on Euripides' Ino, with a new arrangement of the fragments, an English translation in prose, and an extensive bibliography.

An examination of the changes in the language used by the media in Greece since the fall of the dictatorship, Greek Media Discourse demonstrates the way language provokes critical debate, questions the forces that shape a discourse, and leaves unanswered: How pedagogical can a public discourse be when it loses its democracy as a social good?

TA-U-RO-QO-RO takes up problems of script and language representation and textual interpretation, ranging from the use of punctuation marks and numbers in the Linear B to personal names and place names reflecting the ethnic composition of Mycenaean society and the dialects spoken during the proto-Homeric period of the late Bronze Age.

During the Aegean Bronze Age, the spread of woolen textiles triggered an increased demand for color. In The Purpled World, Silver reveals how Minoan and Mycenaean textile producers embedded commercial motivation into traditional rituals, and considers collapse of the Mycenaean Palaces as a manifestation of disintegration in the textile industry.

Love in the Age of War explores soldier characters that were at the center of many of Menander's plays. While later traditions turned these characters into clowns, Wilfred Major details how Menander portrayed the soldiers as challenging and complex men who struggle to find a place in society, and whose stories may resonate more powerfully today.

Greek Language, Italian Landscape traces the transformation of language ideologies and practices of Griko, a variety of Modern Greek used in the Italian province of Lecce, and proposes the concept of "the cultural temporality of language" to describe how locals are converting what was once considered a "backward language" into a symbolic resource.

From 2010 to 2014, the Classics Department at the University of Heidelberg set out to trace over two millennia of research on Greek particles within and beyond ancient Greek. Particles in Ancient Greek Discourse builds on this scholarship and analyzes particle use across five genres: epic, lyric, tragedy, comedy, and historiography.

John Curtis Franklin seeks to harmonize Kinyras as a mythological symbol of pre-Greek Cyprus with what is known of ritual music and deified instruments in the Bronze Age Near East, using evidence going back to early Mesopotamia. This paperback edition contains minor corrections, while retaining the maps of the original hardback edition as spreads.

This volume integrates philosophical and religious perspectives on the relation between body and soul. Focusing on the transformative period of the first six centuries CE, one hears echoes of Plato and Aristotle. The polyphonic-but not dissonant-dialogue is created by an international group of scholars in ancient philosophy, theology, and religion.

Audible Punctuation focuses on the pause in Homer's Iliad and Odyssey, both as a compositional feature and as a performative aspect of delivery. Ronald Blankenborg's analysis of metrical, rhythmical, syntactical, and phonological phrasing shows that the text of the Homeric epic allows for different options for performative pause.

Oedipus's major handicap in life is not knowing who he is. Unlike the majority of modern and postmodern readings of Oedipus Tyrannus, Efimia Karakantza's text focuses on the question of identity. The quest to piece together Oedipus's identity is the long, painful, and intricate procedure of recasting his life into a new narrative.

Trachsel's work represents the first treatment dedicated to Demetrios of Scepsis in over a century. She offers a thorough analysis of the ancient and modern reactions to Demetrios's research into the Iliad and the Trojan landscape and provides new evidence about the impressively wide range of other topics Demetrios's work may have contained.

This book examines moments in the Iliad and Odyssey where Theban characters and themes come to the fore. By using evidence from Hesiod and fragmentary sources attributed to Theban tradition, Barker and Christensen explore Homer's appropriation of Theban motifs of strife and distribution to promote his tale of the sack of Troy and the returns home.

Examining Aelia Eudocia's writings as a unified whole and in context, Brian P. Sowers reveals an exceptional author representing three late-antique communities: poets interested in transforming classical literature; Christians positioned outside traditional power structures; and women who challenged social, religious, and literary boundaries.

Casey Due, coeditor of the Homer Multitext, explores both the traditionality and multiformity of the Iliad. Due argues this multiform nature gives us glimpses of the very long history of the text, access to even earlier Iliads, and a greater awareness of the mechanisms by which such a remarkable epic poem could be composed in performance.

William Brockliss, responding to George Lakoff's and Mark Johnson's analysis of metaphor, explores the Homeric poets' use of concrete concepts drawn from the Greek natural environment to aid their audiences' understanding of abstract concepts. In particular, he considers Homeric images associating flowers with deception, disorder, and death.

Writing to a friend, Horace describes him as fascinated by "the discordant harmony of the cosmos, its purpose and power." Scholtz takes this notion of "discordant harmony" and argues for it as an aesthetic principle where classical Athenian literature addresses politics in the idiom of sexual desire.

Andrew Porter explores characterization in Homer, from an oral-traditional point of view, through the resonance of words, themes, and "back stories" from the past and future. He analyzes Agamemnon's character traits in the Iliad, including his qualities as a leader, against events such as his tragic homecoming in the Odyssey.

Gregory Nagy analyzes metonymy as a mental process that complements metaphor. If metaphor is a substitution of something unfamilar for something familiar, metonymy connects something familiar with something else already familiar. Nagy offers close readings of over one hundred examples of metonymy in the arts of Greek and other cultures.

The once influential theory Neoanalysis held that motifs and episodes in the Iliad derive from the Aethiopis. Given its vast potential implications for the Iliad's origins, the recent revival of Neoanalysis in subtler form inspires this critical reappraisal by Malcolm Davies of that theory's more sophisticated reincarnation.

Katherine Kretler plumbs the virtues of the Homeric poems as scripts for solo performance. What is lost in the journey from the stage to the page? The book focuses on the performer not as transparent mediator, but as one haunted by multiple stories, bringing suppressed voices to the surface.

First published in 1960, The Singer of Tales remains the fundamental study of the distinctive techniques and aesthetics of oral epic poetry-from South Slavic epic songs to the Iliad, Odyssey, Beowulf, and beyond. This edition offers a corrected text and is supplemented by an open-access website with audio recordings.

This study by Helene Monsacre shows how Western ideals of inexpressive manhood run contrary to the poetic vision of Achilles and his warrior companions presented in the Homeric epics. Pursuing the paradox of the tearful fighter, Monsacre examines the interactions between men and women in the Homeric poems.

The Art of Reading is the first-long overdue-collection of essays by the French classical philologist and humanist Jean Bollack to be published in English. As the scope of the collection shows, Bollack felt equally at home thinking in depth about both the classics of Greek poetry and philosophy and modern, including contemporary, poetry.

Inscribed after 264 BCE, the Parian Marble gives a chronological list of events, emphasizing literary matters. It has not been the subject of a comprehensive study for almost a century. Andrea Rotstein offers new analysis and updated information about the inscription, including a revision of Felix Jacoby's Greek text and a complete translation.

Scholars of the literary aspect of Plato try to reconcile his dialogue form with the expository imperative of philosophical argument. Classicists and philosophers explain this form in terms of rhetorical devices serving didactic goals. David Schur brings literary and classical studies into debate, questioning modern views of Plato's dialogue form.