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Jorge Luis Borges (1899-1985) was an Argentine writer of serious avant-garde poetry and prose. This work studies the humour embedded in the author. The author aims to show how Borges was concerned with making the humour in his work more apparent without abandoning the essential story line.
Providing both theory and praxis, this volume explains how to write humour, comedy, satire, parody, nonsense, and both the literary and the joke monologue. It includes the history and cultural background of each major genre, followed by an array of writing exercises and examples.
Bringing together scholarly insights and research by both Japanese and non-Japanese experts, Jessica Milner Davis bridges the differences between humor in Japan and the West and examines the spectrum of Japanese humor, from ancient traditions and surviving rituals of laughter to the norms of joke-telling in conversation in Japan and America.
This is a rhetorical analysis of female stand-up comics that explores the relationships among humour, gender and power in contemporary culture. Here, Joanne R. Gilbert aims to illuminate the social, constructive and cultural implications of power and gender in popular entertainment.
At a time when overt feminist statements could ruin a woman's reputation, comedy enabled certain authors to smuggle feminism into their writing. This work explores the ways in which Frances Burney, Maria Edgeworth and Jane Austen enlisted the power of comedy in the service of feminism.
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