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An English-language study of a group of five artists closely linked with the Spanish avant-garde in the 1920s and 1930s, known as the 'Other' Generation of 27. It demonstrates how these humorists drew on the humour of Chaplin, Keaton, Lubitsch and the Marx Brothers for their stage comedy.

This book is an anthology of over a hundred of the finest sonnets of the Spanish Golden Age, each accompanied by an accurate and lively translation into an English sonnet and by a detailed critical commentary.

Capitalism and its Discontents presents a series of interpretative essays on a number of key modern and contemporary Latin American novels and films. The overarching theme in the essays is the relation between such textual materials and their regional contexts.

Graciliano Ramos and the Making of Modern Brazil provides new readings and fresh perspectives on the Brazilian writer Graciliano Ramos (1892-1953), whose socially and politically engaged work remains a key reference for our understanding of the making of modern Brazil and continues to reverberate in the country's contemporary context.

This critical anthology provides a selection and critical readings of fictions by Spanish and Latin American women writers, covering a range of fantastic tropes that attest to the richness and subversive potential of female fantastic fiction in the Spanish language.

The aim of this book is to engender Mexican folk art and locate women at its centre by studying the processes of creation, distribution, and consumption, as well as examining iconographic aspects, and elements of class and ethnicity, from the perspective of gender. The author will demonstrate that the topic provides unique insights into Mexican culture, and has enormous relevance within and without the country, given the fact that much folk art is made for the United States and Europe, either in terms of the tourists who buy it on coming to Mexico, or that which is exported.

This book explores the work of Elias Querejeta, Spain's most important and political producer, through a particular emphasis on the representation of landscape in his films. In doing so, the book examines the ways in Spanish history has been shaped by geographical change since the 1960s.

This is the first monograph on the performance and reception of sixteenth- and seventeenth- century national drama in contemporary Spain, which attempts to remedy the traditional absence of performance-based approaches in Golden Age studies. The book contextualises the socio-historical background to the modern-day performance of the country's three major Spanish baroque playwrights (Calderon de la Barca, Lope de Vega and Tirso de Molina), whilst also providing detailed aesthetic analyses of individual stage and screen adaptations.

This book examines issues of sex and society in early twentieth-century Spain, with particular emphasis on eugenics and the sex reform movement. As a central narrative thread it uses the specific case history of Hildegart Rodriquez (1914-33), a 'eugenic' child who came to be one of the central players in the Spanish chapter of the World League for Sexual Reform (WLSR) and was made tragically famous when murdered by her mother. In the last two years of her life Hildegart was in correspondence with the English sexologist Havelock Ellis. Her letters to him, reproduced in the appendix, provide a unique source for understanding the WLSR in Spain, its complexities, and its relationship to similar movements elsewhere in Europe. The letters also make it possible to glimpse in poignant and dramatic detail the personal tensions and anxieties in the life of this young woman that was brought to such a premature end.

Focuses on the subject of 'melancholy madness' in Spain. This work demonstrates that the subject of melancholy in the Spanish Golden Age is an indispensable link in a chain which may help us to understand the appearance of sadness and malcontent in Europe at the dawn of modernity.