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An introduction to American drama, aimed at students, academics and serious readers, which is also concerned that the unfamiliar names and forgotten voices of those who made a major contribution to its history, have been unfairly neglected.

In this volume, Crystal L. Hall provides a spirited introduction to the methods and strategies for reading the Bible "from below"--from the back of church sanctuaries, from basements, from sidewalks. Drawing on these methods of reading the Bible, Hall brings biblical study into dialogue with real-world organizing and its struggle for economic justice. This dynamic process of reading the Bible unfolds at the intersections of the "hermeneutical triangle": of reality, the Bible, and community. This book is for anyone curious about how to use the Bible as a resource for literation: from faith leaders and community organizers to biblical scholars and students.--back page of cover.

The verses with extensive commentaries, references, and ideas for follow-up.

Jesus taught his disciples that to be in his company is the key to happiness. Then he was crucified. But his death was the beginning, not the end. This title offers insights that enable you to see life itself in a new, joyful light.

Each volume in the Insights series discusses discoveries and insights gained into biblical texts from a particular approach or perspective in current scholarship. Accessible and appealing to today's students, each Insight volume discusses:-how this method, approach, or strategy was first developed and how its application has changed over time;-what current questions arise from its use;-what enduring insights it has produced; and-what questions remain for future scholarship.In this volume, Karl Allen Kuhn provides a description of what cultural anthropology is and how the discipline has impacted biblical studies. Looking at Scripture through the lens of cultural anthropology is related to social-scientific criticism, which refers to that phase of the exegetical task that analyzes the social and cultural dimensions of the text and its environmental context through the utilization of the perspectives, theories, models, and research of the social sciences.Kuhn discusses general matters garnered from cultural-anthropology interpretation that would be relevant for the study of biblical texts. He analyzes several biblical specific texts from a cultural-anthropology perspective and provides conclusions, challenges, and considerations for the future of cultural anthropology and biblical interpretation.

In this volume in the series Reading the Bible in the Twemty-First Century: Insights, Mitzi J. Smith describes the distinctive African American experience of Scripture, from slavery to Black Liberation and beyond, and the unique angles of perception that an intentional African American interpretation brings to the text today. Smith shows how questions of race, ethnicity, and the dynamics of “othering” have resulted in new reading of particular texts, and describes challenges that scholarship raises for the future of biblical interpretation.

Gary Yamasaki explores how the visual art of filmmaking works to establish perspective and point of view to guide the viewer into a films story. Biblical story is also shaped by perspectives that frame a point of view. The insights gained from studying the art of filmmaking can help students increase their understanding of biblical narratives.

American Drama offers a comprehensive introduction for students who require detailed but clear information on the dramatists included.

Archaeological exploration of Syria-Palestine and the ancient Near East has revolutionized our understanding of the Bible. David A. Fiensy describes how key archaeological discoveries have opened up new understandings of Israels own history and religion as well as the ancient Near Eastern and later Greco-Roman environments. He discusses the impact these discoveries have had on biblical studies, theology, and the task of biblical interpretation. The challenges for the future of archaeology and biblical study will be explored. Part of the series, Reading the Bible in the 21st Century: Insights.

Part of a series which looks at contemporary criticism on neglected literary and cultural areas, this book examines the conventional academic view of lesbian/gay writing and has essays on lesbian writers as well as a section on gay men's writing. All the critical essays are by lesbians or gay men.

Tracing its origins back to Walt Whitman, the Modernist tradition in American poetry is driven by the same concern to engage with the world in revolutionary terms, inspired by the concept of democracy vital to the American dream.

There are thirteen essays covering Luigi Pirandello, Bertolt Brecht, Stanislaw Witkiewicz, Samuel Beckett, Antonin Artaud, Eugene Ionesco, Jean Anouilh, Fernando Arrabal, Jean Genet, Peter Weiss, Vaclav Havel, comtemporary German theatre, and Dario Fo and Franca Rame.

Case-studies of major writers such as Swift, Joyce, and Heaney are set alongside discussions of relatively unexplored writing such as radical pamphleteering in the age of the French Revolution and the contribution of women writers to Nationalistic journalism.

The literary canon of World War 1 - celebrated for realising the experience of an entire generation - ignores writing by women. To the sorrows that war has always brought them - the loss of husbands, lovers, brothers - the Great War added a revolutionary knowledge. And all the time they wrote - letters, poetry, novels, short stories, memoirs.

This book contains a lively and wide ranging collection of critical essays on Black women's writing from Afro-American, African, South African, British and Caribbean novelists, poets, short story writers and a dramatist.

There are indeed a number of histories and surveys of children's literature, but few works exist which discuss the contexts, ideologies and narrative structures of children's stories in a serious and detailed manner, or examine particular case-histories to see how the different forces interact.

This book contains a lively and wide ranging collection of critical essays on Black women's writing from Afro-American, African, South African, British and Caribbean novelists, poets, short story writers and a dramatist.

The nine essays in this volume make significant contributions to the development of contemporary literary theory and demonstrate how a range of new approaches can be applied to modern British drama.

This volume examines the dynamics and control of organized and corporate crime in their national and international contexts. These articles challenge the simplistic assumption that crime is caused by bad individuals, acting alone or conspiring together, and that crime can be adequately dealt with by increasing conventional police activity.

The literary canon of World War 1 - celebrated for realising the experience of an entire generation - ignores writing by women. To the sorrows that war has always brought them - the loss of husbands, lovers, brothers - the Great War added a revolutionary knowledge. And all the time they wrote - letters, poetry, novels, short stories, memoirs.

'Parables' are stories Jesus told using characters and events familiar to his audience. But parables are a special kind of story and Jesus used them for his special purposes. William Barclay unlocks these stories, revealing the hidden depth and meaning.

People know the words of the Lord's Prayer by heart. With the words repeated so often, the freshness and meaning begins to disappear. Barclay gets right into the very heart of the meaning and helps you to rediscover the real meaning. This book contains original Biblical texts.

This collection offers a reinterpretation of the history of British criticism by exploring the work of neglected as well as celebrated critics. The issue of value is also addressed as is the question of the future direction of criticism making this volume an important contribution to contemporary critical debate.