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This book discusses LGBTI+ childhood from a critical, interdisciplinary perspective with the aim of contributing to a better understanding of the complex relationship between sexuality, gender and childhood.
"Analysing diverse media representations of men who provide primary care to their children, this book demonstrates how the practice of fatherhood - and of masculinity - is changing, and the ways media representations sensationalise and reinforce gender inequities in regards to carework"--
This collection of essays offers global perspectives on feminist utopia and dystopia in speculative literature, film, and art, working from a range of intersectional approaches to examine key works and genres in both their specific cultural context and a wider, global, epistemological, critical background.The international, diverse contributions, including a Foreword by Gregory Claeys, draw upon posthumanism, speculative realism, speculative feminism, object-oriented ontology, new materialisms, and post-Anthropocene studies to propose alternative perspectives on gender, environment, as well as alternate futures and pasts rendered in fiction. Instead of binary divisions into utopia vs dystopia, the collection explores genres transcending this dichotomy, scrutinising the oeuvre of both established and emerging writers, directors, and critics.This is a rich and unique collection suitable for scholars and students studying feminist literature, media cultural studies, and women's and gender studies.
Speaking of Rape: The Limitations of Language in Sexual Trauma analyses the effects of linguistic inadequacies in matters of sexual harm, and how the limitations of our current vocabulary reinforce injustice.
"This book analyses 20th century writers who traffic in queer, non-normative, and/or fluid gender and sexual identities and subversive practices, revealing how gender and sexually variant women create, revise, redefine, and play with language, desires, roles, the body, and identity"--
This is an interdisciplinary examination of depictions of girlhoods through a comparative study of foundational fairy tales revised in popular narrative, film and television adaptations.
This book argues that rape as we know it was invented in the eighteenth century, examining texts as diverse as medical treatises, socio-political essays, and popular novels to demonstrate how cultural assumptions of gendered sexual desire erased rape by making a women's non-consent a logical impossibility.
Representing Abortion analyses how artists, writers, performers, and activists make abortion visible, audible, and palpable within contexts dominated by anti-abortion imagery centred on the fetus and the erasure of the pregnant person. This creative work is significant as it challenges the polarisation of conversations about abortion.
This edited collection illuminates the scope with which identities and intimacies interact on a wide range of social media platforms.
Representing Abortion analyses how artists, writers, performers, and activists make abortion visible, audible, and palpable within contexts dominated by anti-abortion imagery centred on the fetus and the erasure of the pregnant person, challenging the polarisation of conversations about abortion.This book illuminates the manifold ways that abortion is depicted and narrated by artists, performers, clinicians, writers, and activists. This representational work offers nuanced and complex understandings of abortion, personally and politically. Analyses of such representations are urgently needed as access to abortion is diminished and anti-abortion representations of the fetus continue to dominate the cultural horizon for thinking about abortion. Expanding the frame of reference for understanding abortion beyond the anti-abortion use of the fetal image, contributors to this collection push beyond narrow abstractions to examine representations of the experience and procedure of abortion within grounded histories, politics, and social contexts.The collection is organized into sections around seeing (and not seeing) abortion; fetal materiality; abortion storytelling and memoir; and representations for new arguments. These themes cover a range of topics including abortion visibility, anti-abortion discourse, pro-choice engagements with the fetus, personal experience and media representations. The analyses of such representations counteract anti-abortion rhetoric, carving out space for new arguments for abortion that are more representative and inclusive and asking audiences to envision new ways to advocate for safe abortion access through reproductive justice frameworks.This is an innovative and challenging collection that will be of key interest for scholars studying reproductive rights and reproductive justice, as well as women and gender studies. Representing Abortion is organized to structure upper year undergraduate and graduate courses on reproductive rights and reproductive justice in a new and engaging way.
This collection of essays offers global perspectives on feminist utopia and dystopia in speculative literature, film and art, working from a range of intersectional approaches to examine key works and genres in both their specific cultural context and a wider, global, epistemological, critical background.
Intersectional Feminist Readings of Comics collects several theoretically informed close reading of comics and graphic literature that apply an intersectional feminist lens to the interpretation of several contemporary North American graphic narratives.
This collection of essays explores the myriad ways in which the women¿s suffrage movement in Britain in the nineteenth century and twentieth century engaged with, and was expressed through literature, art and craft, music, drama and cinema.
This edited collection of interdisciplinary essays critically analyse political strategies, civil society initiatives and modes of representation that challenge the conventional narratives that sustain the current configuration of women in contexts of violence.
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