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Throws light on how nothing in the Moroccan French Protectorate (1912-1956) escaped the imprints of metropolitan ideology and how the French dominated Moroccan society by looking at how the arts were transformed in the colonial period. This book investigates how French colonial administrators employed French women to inculcate colonial ideology.

This is an original and stimulating study of cultural nationalism for those involved in research into nationalism, post-colonial theory, decolonisation and the modern history of Cyprus.