Bøker i Irish Studies-serien

Brings together scholars of Irish modernism to challenge the stereotype that Irish literature has been unconcerned with scientific and technological change. By focusing on writers' often-ignored interest in science and technology, this book uncovers shared concerns that challenge us to rethink how we categorize and periodize Irish literature.

Irish crime fiction, long present on international bestseller lists, has been knocking on the door of the academy for a decade. With a wide range of scholars addressing some of the most essential Irish detective writing, Guilt Rules All confirms that this genre has arrived.

Frank McGuinness's Dramaturgy of Difference and the Irish Theatre

Suitable for courses in Irish theatre, women in theatre, gender and performance, dramaturgy, and Irish drama in the twentieth century, this book examines the plays of five women, placing their work for theatre in co-relation to suggest a parallel tradition that reframes the development of Irish theatre into the present day.

Genesis of the Rising 1912-1916

With its wide-ranging introduction, detailed notes, and eye-catching maps, this book retrieves the remarkable travel accounts of Kathleen M. Murphy from obscurity and presents them to a new generation of readers interested in travel and adventure.

Since the publication of their first controversial novels in the 1950s and 1960s, Philip Roth and Edna O'Brien have always argued against the isolation of mind from body, autobiography from fiction, life from art, and self from nation. In this book Dan O'Brien investigates these shared concerns of the two authors.

These short stories invite the reader to see Ireland afresh. Included are works by well-known authors such as Mary Lavin, Edna O'Brien, and Julia O'Faolain; the collection also showcases new writers such as Clare Boylan, Rita Kelly, and Una Woods. Repeatedly, the stories bring us up against the inherent contradiction of provincial Ireland and Ireland as a modern European state, and the complexities of women's lives in both. Helen Lucy>Ita Daly movingly portrays the problems of an educated, sensitive schoolteacher, resigned to her life in a country town. Anne Devlin handles yet another familiar theme: the Irelander in England, an England edgy about IRA bombings. A few stories deal with the "troubles" in Northern Ireland, while others address the troubles of the country as a whole: too many children, too much hypocrisy, too little communication, especially between women and men. The editors have provided an introduction that examines the role of women writers in Irish literature. T-hey have also supplied detailed biographical notes for each contributing author.

This is the only full-length study of Finnegans Wake to outline and catalog the immense amount of naturalistic detail from which Joyce built the book.The opening chapters describe the physical setting, time, and main characters out of which the book is constructed. John Gordon argues that behind this detail is an essentially autobiographical story involving Joyce's history and, in particular, his feelings toward his father, wife, daughter and the older brother who died in infancy.Many of the author's findings are new and likely to be controversial because recent criticism has tended to the belief that what he attempts to do cannot be done.This new study of Finnegans Wake represents a radically conservative approach and is intended to function both as a guide to the newcomer seeking a chapter-by-chapter plot summary and as an original contribution to Joyce criticism.