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Provides a comprehensive introduction to Old Irish grammar and metrics. Suitable for use as a course text and as a guide for the independent learner, this handbook is also a useful reference work for students of Indo-European philology and historical linguistics. It is filled with translation exercises based on selections from Old Irish texts.

Bisi Adigun and Roddy Doyle's centenary adaption of J. M. Synge's classic The Playboy of the Western World had a sold-out run when it was produced at Dublin's Abbey Theater in 2007 and was brought back by popular demand in 2009. The new version is set in a contemporary Dublin pub and features the character of a Nigerian asylum-seeker in the lead role. Under the coauthorship of Bisi Adigun, artistic director of Arambe Productions-Ireland's first African theater company-and best-selling, Booker Prize-winning novelist Roddy Doyle, the play engages with issues of race and immigration in modern Ireland and aims to be a model for intercultural collaboration.This critical edition features the full text of the play, published for the first time, along with a collection of essays exploring the play's themes, cultural significance, critical reception, and the legal case that cut short its successful production run. Though the play was first produced over a decade ago, the topic of migration has only increased in its global importance over that time, and this adaptation of Playboy remains a popular touchstone among scholars of Irish theater and immigration.

A collection of essays that seeks to present Ireland's relationship to visual culture as a whole. It examines the politics of visual representation from both historical and contemporary perspectives.

Explores the history of Irish theater in America, from Harrigan and Hart to the productions of senior Irish playwrights such as Brian Friel and younger writers such as Martin McDonagh and Conor McPherson. This volume includes examinations of company dynamics, tours of companies and actors, and the production history of individual works.

Like many of their characters, Joyce and Beckett were superb musicians, creators of performance, and they sought both to evoke and exhaust the resources and rhythms of language and performance. This work explores the rich historical and literary backgrounds of this distinctly Irish phenomenon. It discusses the major works of both authors.

Tracing the history of the Catholic-authored novel in nineteenth-century Ireland, this work offers a tour of Ireland's literary landscape from its early origins during the Catholic political resurgence of the 1820s to the transformative zenith brought on by James Joyce's Ulysses in 1922.

Aims to usher readers of Beckett to a higher understanding and appreciation of what is unique about Beckett's representations of the human experience. This work maintains that diligent reading of the Beckett corpus reveals that Beckett was intensely concerned with representing certain ""constitutive principles"" of the human condition.

Maureen ORourke Murphy and James MacKillop survey 13 centuries of Irish literature, including old Irish epic and lyric poetry, Irish folksongs and a selection of 19th-century prose and poetry. For each author there is a biographical sketch, discussion of how his or her selections relate to a larger body of work, and a selected bibliography.

Centuries before W B Yeats wove Indian, Japanese, and Irish forms together in his poetry and plays, Irish writers found kinship in Asian and West Asian cultures. This book maps the discourse of Irish Orientalism within Ireland's complex colonial heritage.

Drawing on archive material, DeGiacomo assesses T.C. Murray's contribution to the Irish dramatic movement. Largely a work of theatre history, this text spans Murray's life and career from 1878 to 1959, and highlights Murray's plays on Abbey tours of America from 1911 to 1935.

This anthology - a companion volume to ""New Plays From the Abbey Theatre, 1993-1995"" - takes up where the first volume left off, with the best new plays from Ireland's Abbey Theatre.

This text considers William Butler Yeats' aesthetic of artistic power, demonstrating the centrality in his work - from his earliest essay to the great poems and plays of his last years - of the concept that art shapes life. The book adds a Jungian perspective to criticism of Yeats' work.

This title seeks to shed new light on to the history of the Abbey Theatre and also examine the diverse groups, political, religious, gender, and class oriented, that consciously used performance to promote ideas about nationalism and culture in Ireland of the 1900s.

In this anaysis of Roddy Doyle's first five novels, Caramine White argues that while Doyle is undoubtedly one of the most popular contemporary novelists, he also needs to be seen as a serious and gifted writer.

This is a critical survey of the fiction and non-fiction written in Ireland during the key years between 1880 and 1920, or what has become known as the Irish Literary Renaissance. The book considers both the prose and the social and cultural forces working through it.

Aims to show how a discrete tradition of writing about Lough Derg helped contemporary Irish poets rescue, metaphysical inquiry from the grip of nationalism. Surveying literary treatments of Lough Derg, this work addresses the role of spirituality in an increasingly cosmopolitan, postmodern, post-Catholic Ireland.

In this study of Joyce's ""A Portrait of the Artist as a Young Man"", the author considers the important psychological and cultural issues arising in the novel. He argues that although ""Portrait"" may be a classic text of literary modernism, it is a fundamentally antimodernist work.

This reference guide to Yeats' work, uses Yeats' non-poetic writing, the principle Yeats criticism and the writings of his friends and critics to reveal the depth of his meanings. It identifies geographical, historical and literary references from classical antiquity to Irish culture.

Ireland's status as an island nation with a history of emigration has meant the development of a body of diasporic cultural memory. This book opens new pathways into the body of Irish cultural memory, demonstrating time and again the ways in which memory is supported by the negotiations of individuals within wider cultural contexts.

This work brings together in one volume the diverse and articulate voices of 17 Irish women writers from a variety of backgrounds and geographic locations. It examines the complicated maps of experience that these women's public, private, and literary lives represent.

This work is a portrait of the life of the elder Yeats and his family, showing that J.B. Yeats was as worthy of his sons as they were of their father.

This text provides an introduction to students and others interested in William Kennedy's work. It provides an analysis of Kennedy's best-known works, a firm base for interpretation, and a better understanding of the cultural world that shapes the characters and plots.

The author documents his thesis that American urban history begins with the arrival of large numbers of Irish Catholic immigrants in the 1820s. He argues that Irish Americans' material success, which took them as a group from the ghetto to middle-class, has caused a fading of Irish identity.

In this collection, Joyce experts from around the world have collaborated with one another to produce a set of essays that stage or result from dialogue between different points of view. The result is a sequence of lively discussions about Joyce's most accessible and widely read set of vignettes about Dublin life at the turn of the century.

Breaking with tradition, this text argues that many of Beckett's texts are deeply involved in Irish issues and situations. It provides an understanding of Beckett's work in its representation of Ireland, of Irish history, and of Irish literary traditions.

Presents a thorough the introduction to recent history of one of the greatest dramatic and theatrical traditions in Western culture. Originally published in 1988, this updated edition provides extensive new material, charting the path of modern and contemporary Irish drama from its roots in the Celtic Revival to its flowering in world theatre.

Challenges the traditional view of filmmaking, contesting the existence of an Irish national cinema. Given the social, economic, and cultural complexity of contemporary Irish identity, this book argues that filmmakers cannot present Irishness as a monolithic entity.

This work elaborates on how Yeats's experience in the balance of power between men and women led him to expand the formal possibilities of love poetry. The author shows how Yeats's obsession with a ""new woman"" and his unstable gender identity led to constant remaking of traditional lyric forms.