Bøker i Issues in Southwest Archaeology-serien

Roth synthesizes wide-ranging CRM and academic data to explore the factors that led to plant cultivation in the American Southwest-and how the adoption of agriculture in turn affected the ancient peoples of the region.

Archaeologists seldom study ancient art, even though art is fundamental to the human experience. The Archaeology of Art in the American Southwest argues that archaeologists should study ancient artifacts as artwork, as applying the term ''art'' to the past raises new questions about artists, audiences, and the works of art themselves. Munson proposes that studies of ancient artwork be based on standard archaeological approaches to material culture, framed by theoretical insights of disciplines such as art history, visual studies, and psychology. Using examples drawn from the American Southwest, The Archaeology of Art in the American Southwest discusses artistic practice in ancestral Pueblo and Mimbres ceramics and the implications of context and accessibility for the audiences of painted murals and rock art. Studies of Hohokam figurines and rock art illustrate methods for studying ancient images, while the aesthetics of ancient art are suggested by work on ceramics and kivas from Chaco Canyon. This book will be of interest to archaeologists working in the Southwest who want to broaden their perspective on the past. It will also appeal to archaeologists in other parts of the world and to anthropologists, art historians, and those who are intrigued by the material world, aesthetics, and the visual.

Roth synthesizes wide-ranging CRM and academic data to explore the factors that led to plant cultivation in the American Southwest-and how the adoption of agriculture in turn affected the ancient peoples of the region.

From Huhugam to Hohokam: Heritage and Archaeology in the American Southwest is an historical comparison of archaeologists' views of the ancient Hohokam with Native O'odham concepts about themselves and their relationships with their neighbors and ancestors.

In Correlative Archaeology, Fumi Arakawa applies correlative thinking practices, which are derived from an East Asian view of the world that stresses connectivity, to archaeological interpretations. Arakawa, a Japanese scholar who was trained in Western archaeology, argues that a correlative paradigm can help archaeologists, as well as scholars and researchers from other disciplines, consider competing paradigms and integrate Native American voices and narratives into interpretations of prehistoric art and landscapes.

In Art in the Pre-Hispanic Southwest: An Archaeology of Native American Cultures, Radoslaw Palonka reconstructs the development of pre-Hispanic Native American cultures and tribes in the American Southwest and Mexican Northwest. Palonka also examines the wider context through the lenses of settlement studies and social transformation, while paying close attention to the material manifestations of pre-Hispanic beliefs, including intricately decorated ceramics and rock art iconography in paintings and petroglyphs.