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A spirited Southern woman upends the insular world of her small Kentucky town in this acclaimed debut novel by "e;a storyteller of distinction"e; (Publishers Weekly).Kentucky, 1944. Though she hails from a Fundamentalist Baptist family, there is nothing conventional about Martha Bragg Pickett Miracle. In her youth, she smoked cigarettes, rode motorcycles, and snuck across the Knob Fork River to buy beer from Catholics-and fall in love with one. Twenty years later, Martha has settled into marriage. But deep down, she's just as rebellious as she ever was.The arrival of a smooth-talking Yankee contractor leads Martha to turn her life upside down-unaware that her son will follow suit. Both heartfelt and shrewdly humorous, this widely acclaimed first novel from author Fenton Johnson is an affecting look at one woman's reawakening and her son's coming of age in the American heartland.

"e;A collection of poems that are bold, inviting, charming, different, humorous, and irreverent. Often, they slip the bonds of common expectation."e; -Northern Kentucky TribuneWhen Kathleen Driskell tells her husband that she's gone to visit the neighbors, she means something different than most. The noted poet-whose last book, Seed Across Snow, was twice listed as a national bestseller by the Poetry Foundation-lives in an old country church just outside Louisville, Kentucky. Next door is an old graveyard that she was told had fallen out of use. In this marvelous new collection, this turns out not to be the case as the poet's fascination with the "e;neighbors"e; brings the burial ground back to life.Driskell frequently strolls the cemetery grounds, imagining the lives and loves of those buried beside her property. These "e;neighbors,"e; with burial dates as early as 1848, inspire poems that weave stories, real and imagined, from the epitaphs and unmarked graves. Shifting between perspectives, she embraces and inhabits the voices of those laid to rest while also describing the grounds, the man who mows around the markers, and even the flocks of black birds that hover above before settling amongst the gravestones.Next Door to the Dead transcends time and place, linking the often disconnected worlds of the living and the deceased. Just as examining the tombstones forces the author to look more closely at her own life, Driskell's poems and their muses compel us to examine our own mortality, as well as how we impact the finite lives of those around us."e;Driskell has written her path to the Kentuckian sublime."e; -Shane McCrae, author of Sometimes I Never Suffered

"e;Soon or a little too lateeverything you never knewyou always wanted turns uphereat The Breakers"e; -- from the bookIn her new novel At The Breakers, Mary Ann Taylor-Hall, author of the widely praised and beloved Come and Go, Molly Snow, presents Jo Sinclair, a longtime single mother of four children. Fleeing an abusive relationship after a shocking attack, Jo finds herself in Sea Cove, New Jersey, in front of The Breakers, a salty old hotel in the process of renovation. Impulsively, she negotiates a job painting the guest rooms and settles in with her youngest child, thirteen-year-old Nick. As each room is transformed under brush and roller, Jo finds a way to renovate herself, reclaiming a promising life derailed by pregnancy and a forced marriage at age fourteen.Jo's new life at the hotel features a memorable mix of locals and guests, among them Iris Zephyr, the hotel's ninety-two-year-old permanent boarder; Charlie, a noble mixed-breed dog; Marco, owner of a nearby gas station/liquor store, who may become Jo's next mistake; and enigmatic Wendy, her streetwise eighteen-year-old daughter, who signs on as housekeeper. Irrepressible Victor Mangold, Jo's former professor and a well-known poet some twenty years her senior, invites himself to Thanksgiving dinner and into her life, his passion awakening Jo's yearning for art and love. At The Breakers is a deeply felt and beautifully written novel about forgiveness and reconciliation. In Jo's words, she is "e;trying to find the right way to live"e; as a long-suffering woman who is put through the fire and emerges with a chance at a full, rich life for herself and her children, if only she has the faith to take it.

Told from the perspectives of Raphael, his family, and their lifelong neighbor, Fenton Johnson's landmark novel reveals the blood struggles and binding loves of a broken family made whole.

Profiling every ruler of a recognized country in the twentieth century -- over 1,900 people in all -- Ludwig establishes how rulers came to power, how they lost power, the dangers they faced, and the odds of their being assassinated, committing suicide, or dying a natural death.

The Birds of Opulence centers on several generations of women in a bucolic southern black township as they live with and sometimes surrender to madness.

Stuart's first book of short stories remains haunting, powerful, and humorous.

An unprecedented inquiry into American politics, Deforming American Political Thought will surely serve to reinvigorate discussions about the essence of American political thought.

Having taken great risks -- to immigrate to America, to take monastic vows -- Bengali physician Meena Chatterjee and Brother Flavian are each seeking safety and security when they encounter Johnny Faye, a Vietnam vet, free spirit, and expert marijuana farmer. Amid the fields and forests of a Trappist monastery, Johnny Faye patiently cultivates Meena's and Flavian's capacity for faith, transforming all they thought they knew about duty and desire. In turn they offer him an experience of civilization other than war and chaos.But Johnny Faye's law-breaking sets him against a district attorney for whom the law is a tool for ambition rather than justice. Their confrontation leads to a harrowing reckoning that ensnares Dr. Chatterjee and Brother Flavian, who must make a life-or-death choice between an act of justice that may precipitate their ruin or a betrayal that offers salvation.Inspired by the real-life state police kidnapping and murder of a legendary storyteller and petty criminal, The Man Who Loved Birds engages pressing contemporary issues through a timeless narrative of ill-fated romance. Celebrated author Fenton Johnson has woven a seamless, haunting fable exploring the eternal conflicts between free will and destiny, politics and nature, the power of law and the power of love.

Appalachia is no stranger to loss. The region suffers regular ecological devastation wrought by strip mining, fracking, and deforestation as well as personal tragedy brought on by enduring poverty and drug addiction. In Driving with the Dead, Appalachian poet, teacher, and artist Jane Hicks weaves an earnest and impassioned elegy for an imperiled yet doggedly optimistic people and place. Exploring the roles that war, environment, culture, and violence play in Appalachian society, the hard-hitting collection is visceral and unflinchingly honest, mourning a land and people devastated by economic hardship, farm foreclosures, and mountaintop removal.With empathy and a voice of experience, Hicks offers readers a poignant collection of poems that addresses themes of grief and death while also illustrating the beauty, grace, and resilience of the Appalachian people. Invoking personal memories, she explores how the loss of physical landscape has also devastated the region's psychological landscape.Graphic, bold, and heartfelt, Driving with the Dead is an honest and compelling call to arms. Hicks laments the irreplaceable treasures that we have lost but also offers wisdom for healing and reconciliation.

Weaving together universal themes of family, geography, and death with images of America's frontier landscape, former Kentucky Poet Laureate Joe Survant has been lauded for his ability to capture the spirit of the land and its people. Kliatt magazine has praised his work, stating, "e;Survant's words sing.... This is storytelling at its best."e;Exploring the pre-Columbian and frontier history of the commonwealth, The Land We Dreamed is the final installment in the poet's trilogy on rural Kentucky. The poems in the book feature several well-known figures and their stories, reimagining Dr. Thomas Walker's naming of the Cumberland Plateau, Mary Draper Ingles's treacherous journey from Big Bone Lick to western Virginia following her abduction by Native Americans, and Daniel Boone's ruminations on the fall season of 1770. Survant also explores the Bluegrass from the perspectives of the chiefs of the Shawnee and Seneca tribes.Drawing on primary documents such as the seventeenth-century reports of French Jesuit missionaries, excerpts from the Draper manuscripts, and the journals of pioneers George Croghan and Christopher Gist, this collection surveys a broad and under-recorded history. Poem by poem, Survant takes readers on an imaginative expedition -- through unspoiled Shawnee cornfields, down the wild Ohio River, and into the depths of the region's ancient coal seams.

Born in the small, eastern Kentucky coal-mining town of Harlan, George Ella Lyon began her career with Mountain, a chapbook of poems. She has since published many more books in multiple genres and for readers of all ages, but poetry remains at the heart of her work. Many-Storied House is her fifth collection.While teaching aspiring writers, Lyon asked her students to write a poem based on memories rooted in a house where they had lived. Working on the assignment herself, Lyon began a personal journey, writing many poems for each room. In this intimate book, she strives to answer lingering questions about herself and her family: "e;Here I stand, at the beginning,"e; she writes in the opening lines of the volume, "e;with more questions than / answers."e;Collectively, the poems tell the sixty-eight-year-long story of the house, beginning with its construction by Lyon's grandfather and culminating with the poet's memories of bidding farewell to it after her mother's death. Moving, provocative, and heartfelt, Lyon's poetic excavations evoke more than just stock and stone; they explore the nature of memory and relationships, as well as the innermost architecture of love, family, and community. A poignant memoir in poems, Many-Storied House is a personal and revealing addition to George Ella Lyon's body of work.

In 1995, Chris Holbrook burst onto the southern literary scene with Hell and Ohio: Stories of Southern Appalachia, stories that Robert Morgan described as "e;elegies for land and lives disappearing under mudslides from strip mines and new trailer parks and highways."e; Now, with the publication of Upheaval, Holbrook more than answers the promise of that auspicious debut. In eight interrelated stories set in Eastern Kentucky, Holbrook again captures a region and its people as they struggle in the face of poverty, isolation, change, and the devastation of land and resources at the hands of the coal and timber industries. In the title story, Haskell sees signs of disaster all around him, from the dangers inherent in the strip-mining machinery he and his coworkers operate to the accident waiting to happen when his son plays with a socket wrench. Holbrook employs a native's ear for dialect and turns of phrase to reveal his characters' complex interior lives. In "e;The Timber Deal,"e; two brothers -- Russell, a recovering addict recently released from prison, and Dwight, who hasn't worked since being injured in a coal truck accident -- try to convince their upwardly mobile sister, Helen, to agree to lease out timber rights to the family land. Dwight is unable to communicate his feelings, even as he seethes with rage: "e;Helen can't see past herself, is what it is. If John James had fractured his back in two places, it'd be a different story. If he'd broke his neck, it'd be a different story told."e; Written with a gritty, unflinching realism reminiscent of the work of Larry Brown and Cormac McCarthy, the stories in Upheaval prove that Holbrook is not only a faithful chronicler and champion of Appalachia's working poor but also one of the most gifted writers of his generation.

Jim Tomlinson's previous book of short stories, Things Kept, Things Left Behind, won the prestigious Iowa Short Fiction Award and received enthusiastic reviews. The New York Times compared the strong sense of place in Tomlinson's writing to that found in the works of Flannery O'Connor and Alice Munro. The stories in his new collection, Nothing Like An Ocean, also reflect Tomlinson's awareness of place, revisiting the fictional town of Spivey, a community in rural Appalachia where the characters confront difficult circumstances and, with quiet dignity, try to do what is right. In the title story, Tomlinson explores themes of forgiveness and acceptance in the lives of two characters, Alton Wood, a high school math teacher isolated by grief, and his sister Fran, who is emotionally paralyzed by her part in a tragic death. The two take halting steps back into the world after Alton receives an anonymous invitation to a church singles dance. These themes also underlie "e;Angel, His Rabbit, and Kyle McKell,"e; which tells of Dempsie's evening with two men -- her volatile boyfriend and the recently returned Iraq War amputee whose secret she has been keeping. Loss and the inevitability of change recur in Tomlinson's stories. In "e;Overburden,"e; Ben, a man simultaneously contemplating AARP membership and impending fatherhood, travels with his wife, Sarah, back to eastern Kentucky to visit the oak tree that was essential to their courtship, only to find the site as barren and featureless as the moon, a casualty of mountaintop removal mining. "e;So Exotic"e; draws us into the worn environs of Rita's Huddle In Cafe, where the owner becomes the confidant of Quilla, a mousy bank teller who blossoms as the muse of an eccentric artist from Belarus. The eleven stories in Nothing Like An Ocean evoke a strong sense of small-town Kentucky life, finding humor in the residents' foibles while never diminishing their inner lives. Tomlinson's masterful fiction captures light and dark moments, moments that are foreign yet deeply familiar, as his characters seek redemption and sometimes find unexpected grace..

October 11, 1864. The Civil War rages on in Kentucky, where Union and Confederate loyalties have turned neighbors into enemies and once-proud soldiers into drifters, thieves, and outlaws. Stephen Gano Burbridge, radical Republican and military commander of the district of Kentucky, has declared his own war on this new class of marauding guerrillas, and his weekly executions at Louisville's public commons draw both crowds and widespread criticism. In this time of fear and division, a Kentucky journalist created a legend: Sue Mundy, female guerrilla, a "e;she-devil"e; and "e;tigress"e; who was leading her band of outlaws across the state in an orgy of greed and bloodshed. Though the "e;Sue Mundy"e; of the papers was created as an affront to embarrass Union authorities, the man behind the woman -- twenty-year-old Marcellus Jerome Clarke -- was later brought to account for "e;her"e; crimes. Historians have pieced together clues about this orphan from southern Kentucky whose idealism and later disillusionment led him to his fate, but Richard Taylor's work of imagination makes this history flesh -- an exciting story of the Civil War told from the perspective of one of its most enigmatic figures. Sue Mundy opens in 1861, when fifteen-year-old Jerome Clark, called "e;Jarom,"e; leaves everyone he loves -- his aunt, his adopted family, his sweetheart -- to follow his older cousin into the Confederate infantry. There, confronted by the hardships of what he slowly understands is a losing fight, Jarom's romanticized notions of adventure and heroism are crushed under the burdens of hunger, sleepless nights, and mindless atrocities. Captured by Union forces and imprisoned in Camp Morton, Jarom makes a daring escape, crossing the Ohio River under cover of darkness and finding refuge and refreshed patriotic zeal first in Adam R. Johnson's Tenth Kentucky Calvary, then among General John Hunt Morgan's infamous brigade. Morgan's shocking death in 1864 proves a bad omen for the Confederate cause, as members of his group of raiders scatter -- some to rejoin organized forces, others, like Jarom, to opt for another, less civilized sort of warfare. Displaced and desperate for revenge, Jarom and his band of Confederate deserters wreak havoc in Kentucky: a rampage of senseless murder and thievery in an uncertain quest to inflict punishment on Union sympathizers. Long-locked and clean-shaven, Jarom is mistakenly labeled female by the media -- but Sue Mundy is about more than the transformation of a man into a woman, and then a legend. Ironically, Sue Mundy becomes the persona by which Jarom's darkest self is revealed, and perhaps redeemed.

Author, activist, feminist, teacher, and artist bell hooks is celebrated as one of the nation's leading intellectuals. Born in Hopkinsville, Kentucky, hooks drew her unique pseudonym from the name of her grandmother, an intelligent and strong-willed African American woman who inspired her to stand up against a dominating and repressive society. Her poetry, novels, memoirs, and children's books reflect her Appalachian upbringing and feature her struggles with racially integrated schools and unwelcome authority figures. One of Utne Reader's "e;100 Visionaries Who Can Change Your Life,"e; hooks has won wide acclaim from critics and readers alike. In Appalachian Elegy, bell hooks continues her work as an imagist of life's harsh realities in a collection of poems inspired by her childhood in the isolated hills and hidden hollows of Kentucky. At once meditative, confessional, and political, this poignant volume draws the reader deep into the experience of living in Appalachia. Touching on such topics as the marginalization of its people and the environmental degradation it has suffered over the years, hooks's poetry quietly elegizes the slow loss of an identity while also celebrating that which is constant, firmly rooted in a place that is no longer whole.

"e;Our only sin was not having what they thought was enough. And being forced to take what they called help."e;Pain and anger resonate deeply in the voice of New Covenant Bound's central narrator. Forced from her homeland on the Tennessee River in the 1930s, she recounts the memory of upheaval and destruction caused by the Tennessee Valley Authority.The Western Kentucky area that now boasts beautiful, expansive bodies of water was once home to some 20,000 people, their houses, farms, townships and ancestral history. Residents were subjected to three waves of forced relocation to make way for Kentucky Lake in the 1930s, Lake Barkley in the 1950s, and Land Between The Lakes National Recreation Area in the 1960s.Renowned poet T. Crunk intersperses narrative prose and vivid lyric verse to explore the devastation one family experienced in this often overlooked episode in Kentucky history. The voices of a grandmother and grandson speak to each other over time, evoking the relentless advance of irrevocable forces that changed the land, forever.

In this critically acclaimed short story collection, Crystal Wilkinson peels back the intricate layers that form the fabric of this community and its inhabitants - revealing emotionally raw, multifaceted tales of race, class, gender, mental illness, and interpersonal relationships.

The stories in this award-winning collection are terse and transient, like snippets taken from random dreams, thoughts, or conversations.

Mary Ann Taylor-Hall's highly acclaimed first novel, Come and Go, Molly Snow, introduces us to Carrie Marie Mullins, a gifted Kentucky bluegrass fiddler and singer in the Hawktown Road band. After moving to Lexington to develop her talents, Carrie becomes infatuated with the band's leader, Cap Dunlap.

In his sixth novel, The Cave (1959), Robert Penn Warren tells the story of a young man trapped in a cave in fictional Johntown, Tennessee.

In Sourwood, the mountain is both a keeper of secrets and an imposing, isolating presence, shaping the lives of all who live in its shadow. Strong in both the voice and sensibilities of Appalachia, the stories in Miss America Kissed Caleb are at turns heartbreaking and hilarious.