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The two volumes of Reviewing Dante's Theology bring together work by a range of internationally prominent Dante scholars to assess current research on Dante's theology and to suggest future directions for research. Volume 1 considers some of the key theological influences on Dante.

The two volumes of Reviewing Dante's Theology bring together work by a range of internationally prominent Dante scholars to assess current research on Dante's theology and to suggest future directions for research. Volume 2 considers some of the broader social, cultural and intellectual contexts for Dante's theological engagement.

Dante's unfinished work Il Convivio is often overlooked. In this volume, it is reconsidered in a different light, as Dante's first attempt to reassemble and reshape the remains of his Florentine past in order to construct a new way of defining himself as a writer after his exile in 1302.

This book proposes a radically new interpretation of the Divine Comedy's encyclopedism by focusing on Dante's work in light of the medieval imago mundi tradition. By bringing attention to Latin Platonism and twelfth-century authors, the work provides compelling new readings and provocative insights into key figures (e.g. Ulysses).

Medieval liturgical practice had a deep and far-reaching influence on thought and experience of the time. This book argues that Dante's engagement with liturgy is central to the daring and highly original poetic project of the Commedia, shaping its treatment of time, its engagement with theology, and its portrayal of the soul's awakening.