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A translator of Flaubert and Gautier, Lafcadio Hearn was the master of a gaudy and sometimes self-consciously decadent literary style, but he was also a tough-minded and keenly observant reporter, with an eye for the offbeat, the sensual, and occasionally the gruesome. The writings of his American years collected in this Library of America volume-on subjects as wide ranging as comparative folklore, the history of musical instruments, French literary avant-gardes, and New Orleans voodoo-reveal an omnivorous curiosity and an always eclectic sensibility.Some Chinese Ghosts (1887), a stylized retelling of ancient legends, foreshadows Hearn's later fascination with Asian themes. The exquisitely crafted novels Chita (1889), about the devastation wrought by a Louisiana hurricane, and Youma (1890), about a slave rebellion in Martinique, epitomize his writing at its most luxuriantly romantic, alert to the interactions of diverse cultures and suffused with imagistic splendor. His extraordinary travel book Two Years in the French West Indies (1890), presented here with the many illustrations from its first edition, provides a richly impressionistic account of his long stay on Martinique and other Caribbean islands.More than two dozen examples of Hearn's journalism from the 1870s and 1880s are also included here, evoking vanished worlds with incomparable vividness: a raucous African-American nightclub on the Cincinnati waterfront; an execution; scenes of Mardi Gras and the New Orleans French Quarter; an uncharted village of Filipino fishermen in a remote Louisiana bayou. The volume is rounded out with a revealing selection of Hearn's impassioned letters, many published here for the first time in unexpurgated form.LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation's literary heritage by publishing, and keeping permanently in print, America's best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.

John Steinbeck was never content to repeat himself, and his restless search for new forms and fresh subject matter is fully evident in the books of his later years. This volume collects four novels that exhibit the full range of his gift, along with a travel book that has become one of his most enduringly popular works.In The Wayward Bus (1947), Steinbeck leads a group of ill-matched passengers representing a spectrum of social types and classes, stranded by a washed-out bridge, on a circuitous journey that exposes cruelties, self-deceptions, and unsuspected moral strengths. The tone ranges from boisterous comedy to trenchant satirical observation of postwar America. Burning Bright (1950), an allegory set against shifting backgrounds (circus, sea, farm) and revolving around the fear of sterility and the desire for self-perpetuation, marks Steinbeck's involvement with the drama in its fusion of the forms of novel and play.Sweet Thursday (1954) marks Steinbeck's return, in a mood of sometimes frothy comedy, to the characters and milieu of his earlier Cannery Row. A love story set against the background of the local brothel, the Bear Flag, Sweet Thursday is for all its intimations of melancholy one of the most lighthearted of Steinbeck's books. It was subsequently adapted by Rodgers and Hammerstein into their musical Pipe Dream. Steinbeck's final novel, The Winter of Our Discontent (1961) is set in an old Long Island whaling town modeled on Sag Harbor, where he had been spending time since 1953. The book breaks new ground in its depiction of the crass commercialism of contemporary America, and its impact on a protagonist with traditionalist values who is appalled but finally tempted by the encroaching sleaziness.Travels with Charley in Search of America (1962) was Steinbeck's last published book. A record of his experiences and observations as he drove around America in a pickup truck, accompanied by his standard poodle Charley, it is filled with engaging, often humorous description and comes to a powerful climax in an encounter with racist demonstrators in New Orleans.LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation's literary heritage by publishing, and keeping permanently in print, America's best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.

One of the truly legendary figures of American history, the soldier, explorer, and colonist Captain John Smith was a vivid and prolific chronicler of the beginnings of English settlement in the New World. This Library of America volume brings together seven of his works, along with sixteeen additional narratives by other writers, that recount firsthand the tragic, harrowing, and dramatic events of the settlement of Roanoke and Jamestown.A founder of Jamestown in 1607, Smith exhibited the courage, determination, and leadership that all proved crucial to its survival. A True Relation tells of the colony's perilous first year, while The Proceedings and The Generall Historie continue the story of its struggle to survive and prosper. A Description of New England and New Englands Trials describes Smith's exploration of the northern coast and the prospects for its settlement. In The True Travels Smith recalls his adventures as a soldier in Eastern Europe and his amazing escape from Turkish slavery. Advertisements for the Unexperienced Planters, his last book, is a critical examination of the successes and failures of the English colonial enterprise. Written in a consistently lively style, Smith's works are filled with suspense, astonishment, and keen observations of American Indian cultures and New World landscapes.The 16 additional narratives include accounts of the "Lost Colony" of Roanoke, the horrific "starving time" at Jamestown, and a shipwreck off Bermuda. Amplifying and sometimes challenging Smith's version of events, these narratives capture the fear and fascination of early encounters with the Indians; the brutality, desperation, and ingenuity of settlers facing extreme hardship; the complex interplay of feuds and rivalries, both between the English and the Powhatan Indians and within the colony itself; and the enduring story of Pocahontas, who came to occupy a unique place between two cultures. Included in the volume are forty-four pages of contemporary drawings, fifteen of them full-color illustrations by John White.LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation's literary heritage by publishing, and keeping permanently in print, America's best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.

Statesman, scientist, philosopher, printer, and civic leader, Benjamin Franklin was also the most powerful writer of his time. From his first appearance in print, in the guise of the eccentric, opinionated, voluble "Silence Dogood" (1722), to his last published article, a searing satire against slavery (1790), he covered every aspect of "the question of America" with radiant clarity, wit, and penetration.This Library of America collection begins with items written by Franklin during his early years in Boston and London (1722-1726), including the complete "Silence Dogood" essay series. The volume also includes the famous "Busy-Body" essays (1728-1729); many of the news articles and essays he penned after he purchased the failing Pennsylvania Gazette (which eventually became the most widely read newspaper in the colonies); and various political satires, pamphlets, and personal correspondence written while he lived in Philadelphia from 1726 to 1757. The book concludes with material he published while a diplomat in London from 1757 to 1775 (including letters to the press, satires, and pamphlets).Controversial in his own time, and the subject of vigorous debate ever since-to Matthew Arnold he exemplified "victorious good sense," while to D. H. Lawrence he was "the first dummy American"-Franklin emerges in this collection as a figure of extraordinary complexity for readers to discover, consider, and appreciate anew.LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation's literary heritage by publishing, and keeping permanently in print, America's best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.

America's first internationally acclaimed author, Washington Irving established his fame with tales of the Hudson Valley in the days of Dutch rule, and then spent seventeen years in Europe mining the Old World for stories. When he finally returned to the United States, he embarked on a trilogy of books on the American West that would prove decisive in molding his compatriots' conception of the Great Plains, the Rocky Mountains, and the Pacific Northwest. The Library of America presents this Western trilogy in its third volume of Irving's work.Irving's own encounter with the West came in 1832 when he accompanied the Commissioner of Indian Affairs on a month-long journey to what is now eastern Oklahoma. His account of that trip, A Tour on the Prairies (1835), described wild landscape, rugged inhabitants, and dramatic chases and hunts with an eye for romantic sublimity and a keen appreciation of the frontiersman's "secret of personal freedom."After the success of his first western book, Irving undertook to write the history of John Jacob Astor's ultimately failed attempt to establish a fur-trading empire in the Northwest. In Astoria (1836), he created a sweeping epic of exploration, commercial enterprise, and "contest for dominion on the shores of the Pacific," drawing on Astor's rich archive of materials and enlivening it with his flair for vigorous storytelling.In The Adventures of Captain Bonneville (1837), Irving focused on a single memorable figure-an army officer and fur trader who may also have been an American spy tracking British ambitions in the far country-to reveal the flavor of frontier life in the Rockies and beyond. LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation's literary heritage by publishing, and keeping permanently in print, America's best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.

James Weldon Johnson's career was one of extraordinary range, spanning the worlds of diplomacy (as U.S. consul in Venezuela and Nicaragua), politics (as Secretary of the NAACP), journalism (as founder of one newspaper and longtime editor of another), musical theater (as lyricist for the Broadway songwriting team of Cole and Johnson Brothers), and literature (as novelist, poet, and anthologist). At the dawning of what would become the modern civil rights movement, he forged a record of accomplishment that defied the odds. The Library of America now presents a collection of his writings that displays the many facets of a complex and impassioned writer.The Autobiography of an Ex-Colored Man (1912), Johnson's first book, is a novel that on its original anonymous publication was taken by many for an actual memoir. A groundbreaking work of modern fiction, it powerfully describes the inner development of a gifted, socially alienated man as he tries to come to terms with the constraints of racism.Along This Way (1933) is Johnson's genial and enthralling account of his fantastically busy life, with a cast of characters including W.E.B. Du Bois, Paul Robeson, Clarence Darrow, Booker T. Washington, Theodore Roosevelt, Carl Van Vechten, and many others.A selection of shorter prose-editorials from The New York Age, political essays, literary prefaces, an excerpt from the historical study Black Manhattan-confirms the variety of Johnson's interests, as he comments on figures and topics including Jack Johnson, Marcus Garvey, Woodrow Wilson, lynching, anti-Japanese discrimination in California, American involvement in Haiti, changing trends in theater and poetry, and the significance of spirituals.Johnson's poetry is represented by the full text of God's Trombones (1927), his stirring homage to African-American preaching, and shorter works including "O Black and Unknown Bards," lyrics from Johnson's Broadway songwriting days, and "Lift Every Voice and Sing," the hymn often referred to as the "Negro National Anthem."LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation's literary heritage by publishing, and keeping permanently in print, America's best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.

The breathtaking art of John James Audubon's Birds of America has been celebrated throughout the world since it first appeared over 150 years ago. Less well known is Audubon's literary legacy: the magnificent volumes of natural history he published during his lifetime, as well as the remarkable journals, memoirs, and letters left behind at his death. In this unprecedented collection from The Library of America, Audubon the great nature writer takes his rightful place alongside Audubon the artist.Here is the most comprehensive selection of Audubon's writings ever published, along with a spectacular portfolio of his drawings. The "Mississippi River Journal," the foremost record of an American artist's progress, details Audubon's first wilderness bird hunts; it is as fresh in its perceptions of the scenes and characters of the old South as of the forest and its creatures. Selections from his "1826 Journal" follow Audubon to Europe, where after years of relative obscurity and financial distress his abilities were finally recognized. Audubon's masterwork, the five-volume Ornithological Biography, is represented here by forty-five entries. Charming, haunting, and violent by turns, these vivid intimate portraits of the habits and habitats of American birds changed American nature writing forever.In the "Missouri River Journals," Audubon evokes the vanishing American Indian and the hardships of frontier life. An extensive selection of letters charting twenty years of Audubon's artistic development, along with two essays on artistic technique and a brief memoir, round out the volume. Whenever possible, texts have been painstakingly prepared from original sources, without censorship or modernizing revision, constituting a major contribution to Audubon scholarship. Detailed general and ornithological indexes aid the reader in the field as well as in the study.Sixty-four full-color plates and several manuscript sketches, some never before published, offer a unique perspective on Audubon's art. Including original watercolors, aquatint engravings and lithographs, they reveal the evolution of his compositions and the effects of his collaborations with his publishers in ways never before seen.LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation's literary heritage by publishing, and keeping permanently in print, America's best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.

Known as the "Father of the National Parks," John Muir wrote about the American West with unmatched passion and eloquence-as seen in this stunning, one-volume collectionIn a lifetime of exploration, writing, and passionate political activism, John Muir became America's most eloquent spokesman for the mystery and majesty of the wilderness. A crucial figure in the creation of our national parks system and a far-seeing prophet of environmental awareness who founded the Sierra Club in 1892, he was also a master of natural description who evoked with unique power and intimacy the untrammeled landscapes of the American West. Nature Writings collects Muir's most significant and best-loved works in a single volume, including: The Story of My Boyhood and Youth (1913), My First Summer in the Sierra (1911), The Mountains of California (1894) and Stickeen (1909). Rounding out the volume is a rich selection of essays-including "Yosemite Glaciers," "God's First Temples," "Snow-Storm on Mount Shasta," "The American Forests," and "Save the Redwoods"-that highlight various aspects of his career: his exploration of the Grand Canyon and of what became Yosemite and Yellowstone national parks, his successful crusades to preserve the wilderness, his early walking tour to Florida, and the Alaska journey of 1879.LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation's literary heritage by publishing, and keeping permanently in print, America's best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.

One of the greatest histories ever written in English, Henry Adams's History of the United States is remarkable for its fullness of detail, its penetrating insight, and above all its strong, lively, and ironic style. First published in nine volumes from 1889 to 1891, this classic work was out of print for several decades until The Library of America reissued it in two volumes: the first volume on the years of Thomas Jefferson's presidency and the second devoted to those of James Madison.With a cast of characters including Aaron Burr, Napoleon Bonaparte, Albert Gallatin, John Randolph, Toussaint L'Ouverture, and the complex, brilliantly delineated character of Thomas Jefferson, the first volume is unrivaled in its handling of diplomatic intrigue and political factionalism. Upon assuming office, Jefferson discovers that his optimistic laissez-faire principles-designed to prevent American government from becoming a militaristic European "tyranny"-clash with the realities of European war and American security. The party of small government presides over the Louisiana Purchase, the most extensive use of executive power the country has yet seen. Jefferson's embargo-a high-minded effort at peaceable coercion-breeds corruption and smuggling, and the former defender of states' rights is forced to use federal power to suppress them. The passion for peace and liberty pushes the country toward war.In the center of these ironic reversals, played out in a Washington full of diplomatic intrigue, is the complex figure of Jefferson himself, part tragic visionary, part comic mock-hero. Like his contemporary Napoleon Bonaparte, he is swept into power by the rising tide of democratic nationalism; unlike Bonaparte, he tries to avert the consequences of the wolfish struggle for power among nation-states.The grandson of one president and the great-grandson of another, Adams gained access to hitherto secret archives in Europe. The diplomatic documents that lace the history lend a novelistic intimacy to scenes such as Jefferson's conscientious introduction of democratic table manners into stuffily aristocratic state dinner parties. Written in a strong, lively style pointed with Adams's wit, the History chronicles the consolidation of American character, and poses questions about the future course of democracy.LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation's literary heritage by publishing, and keeping permanently in print, America's best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.

Henry James, renowned as one of the world's great novelists, was also one of the most illuminating, audacious, and masterly critics of modern times. This Library of America volume and its companion are a fitting testimony to his unprecedented achievement. They offer the only comprehensive collection of his critical writings ever assembled, more than one-third of which have never appeared in book form.This first volume focuses especially on his responses to American and English writers; the second volume contains his essays on European literature and the Prefaces to the New York Edition of his fiction.From 1864 until virtually the end of his life, James displayed an astonishing range and catholicity of critical interests, touching on nearly every facet of literature in America, England, and Europe. Here are his most important theoretical essays, including his witty and daring declarations of the novelist's freedom in "The Art of Fiction," "The Future of the Novel," and "The Science of Criticism"-a gently ironic title from a writer who regarded criticism as a form of art.Appreciations of Ralph Waldo Emerson ("I knew he was great, greater than any of our friends"), pungent comments (which he later regretted) on Walt Whitman's "Drum-Taps," and assessments of Louisa May Alcott, Edgar Allan Poe, his friend and admirer William Dean Howells, Harriet Beecher Stowe, Francis Parkman, and scores of other American writers are joined, in revealing proximity, to commentaries on nearly every important English writer of fiction (and some poets, such as the Brownings) during the late nineteenth and early twentieth centuries.These reviews of English writers include James's stunning essay on Charles Dickens's Our Mutual Friend, his provocative discussions of George Eliot, and his tough but appreciative estimates of Anthony Trollope, Matthew Arnold, Benjamin Disraeli, Elizabeth Gaskell, Rudyard Kipling, Thomas Hardy, William Morris, Rupert Brooke, Ouida, Algernon Charles Swinburne, and Robert Louis Stevenson. Also included here is his great essay on Shakespeare's The Tempest. All of these pieces are gathered under the author considered, so that James's supple changes in attitude can be followed across the years.Of particular interest, both critically and biographically, are James's commentaries on Nathaniel Hawthorne, including his still-controversial book-length study of 1879. His estimates of his predecessor's work remain highly debatable, but are perhaps more interesting as evidence of his own feelings about being an American writer of a later and, as he assumed, more complex time.Finally, this volume includes two invaluable collections: his "American Letters" and "London Notes," wherein, with unsurpassed tact and grandeur of mind, he introduces readers of his native and of his adopted country to each other.LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation's literary heritage by publishing, and keeping permanently in print, America's best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.

"Undoubtedly, the single finest collection of Wallace Stevens ever produced." - Library JournalWallace Stevens's unique voice combined meditative speculation and what he called "the essential gaudiness of poetry" in a body of work of astonishing profusion and exuberance, poems that have remained an inspiration and influence for generations of poets and readers. Now, for the first time, the works of America's supreme poet of the imagination are collected in one authoritative Library of America volume.Here are all of Stevens's published books of poetry, side-by-side for the first time with the haunting lyrics of his later years and early work that traces the development of his art. From the rococo inventiveness of Harmonium, his first volume (including such classics as "Sunday Morning" and "Thirteen Ways of Looking at a Blackbird"), through "Notes Toward a Supreme Fiction," "Esthétique du Mal," "The Auroras of Autumn," and the other large-scale masterpieces of his middle years, to the austere final poems of "The Rock," Stevens's poetry explores with unrelenting intensity the relation between the world and the human imagination, between nature as found and nature as invented, and the ways poetry mediates between them. The volume presents over ninety poems uncollected by Stevens, including early versions of often-discussed works like "The Comedian as the Letter C" and "Owl's Clover."Also here is the most comprehensive selection of Stevens's prose writings. The Necessary Angel (1951), his distinguished book of essays, joins nearly fifty shorter pieces, many previously uncollected: reviews, speeches, short stories, criticism, philosophical writings, and responses to the work of T. S. Eliot, Marianne Moore, William Carlos Williams, and other poets. The often-dazzling aphorisms Stevens gathered over the years are included, as are his plays and selections from his poetic notebooks. Rounding out the volume is a fifty-year span of journal entries and letters, newly edited from manuscript sources, which provide fascinating glimpses of Stevens's thoughts on poetry and the creative process.The volume also contains explanatory notes, a detailed chronology of Stevens' life, and an essay on textual selection.LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation's literary heritage by publishing, and keeping permanently in print, America's best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.