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This volume investigates the question of how both Assyria and Judah could remember the war of 701 BCE as their respective victory. Whilst surveying available evidences for historical reconstructions, Paul S. Evans compares the Sennacherib's Third Campaign with the War of 1812 between Canada and the USA as an example of disputed victory from military history. Evans examines Assyrian and biblical texts to evaluate the conflict and argues that rather than being intentionally deceptive in their accounts of the events, both sides had reasons to perceive the war as a victory. This examination of military narratives also illustrates how the fluctuating support for wartime leaders in 1812 is analogous to positive and negative oracles regarding Jerusalem's leadership during the war years. With differing opinions regarding the success of the Sennacherib's Third Campaign, this book presents an interesting discussion of the events and demonstrates how our understanding of the war between Assyria and Judah can be illuminated by military history.

This is a detailed investigation into the nature of Nebuchadnezzar's animalising affliction in Daniel 4 and the degree to which he is depicted as actually becoming an animal. PeterAtkins examines two predominant lines of interpretation: either Nebuchadnezzar undergoes a physical metamorphosis of some kind into an animal form; or diverse other readings that specifically preclude or deny an animal transformation of the king. By providing an extensive study of these interpretative opinions, alongside innovative assessments of ancient Mesopotamian divine-human-animal boundaries, Atkins ultimately demonstrates how neither of these traditional interpretations best reflect the narrative events. While there have been numerous metamorphic interpretations of Daniel 4, these are largely reliant upon later developments within the textual tradition and are not present in the earliest edition of Nebuchadnezzar's animalising affliction. Atkins' study displays that when Daniel 4 is read in the context of Mesopotamian texts, which appear to conceive of the human-animal boundary as being indicated primarily in relation to possession or lack of the divine characteristic of wisdom, the affliction represents a far more significant categorical change from human to animal than has hitherto been identified.

In contrast to previous scholarship which has approached loanwords from etymological and lexicographic perspectives, Jonathan Thambyrajah considers them not only as data but as rhetorical elements of the literary texts of which they are a part. In the book, he explains why certain biblical texts strongly prefer to use loanwords whereas others have few. In order to explore this, he studies the loanwords of Esther, Daniel, Ezra and Exodus, considering their impact on audiences and readers. He also analyzes and evaluates the many proposed loan hypotheses in Biblical Hebrew and proposes further or different hypotheses.Loanwords have the potential to carry associations with its culture of origin, and as such are ideal rhetorical tools for shaping a text's audience's view of the nations around them and their own nation. Thambyrajah also focuses on this phenomenon, looking at the court tales in Esther and Daniel, the correspondence in the Hebrew and Aramaic sections of Ezra 1-7, and the accounts of building the tabernacle in Exodus, and paying close attention to how these texts present ethnicity.

This volume presents a range of methodologically innovative treatments on ritual action in the Hebrew Bible. They treat a diverse range of ritual phenomena, including space, blessings and oath-taking, from the world of ancient Israel and Judah.The introduction engages with the dominant scholarly models drawn from ritual theory, and the volume explores their applicability to ancient textual material such as the Hebrew Bible. The chapters reflect high-level specialized engagement with specific ritual phenomena through the lens of appropriate theoretical and methodological approaches.

Stephen J. Smith enters the lively field of editorial-criticism of the Hebrew Psalter or Psalterexegese with this detailed investigation into the final form of Psalms 73-83. In the book, he engages scholarly disagreements over this collection's structure, the degree and nature of its literary unity, and the primary theological message(s) it communicates. Smith argues that the sequence of Psalms 73-82 - and possibly 83 - has a deliberate design that reflects a sustained focus on addressing, and resolving, a multidimensional collision between "faith" (i.e., core Israelite beliefs about God) and "experience" (i.e., the individual/community's lived experience of God) that was precipitated by God's prolonged absence in the Temple's destruction (c. 586/587 BCE). Parting ways with previous scholarship, Smith contends that a recursive organizing principle rooted in biblical parallelism structures the collection. Over the book's nine chapters, he makes the case that the editor(s) grouped its psalms into two major blocks (74-78; 79-82) of two sub-groupings each (74-76, 77-78; 79/82, 80-81) in order to develop a single topic in multiple dimensions: the severe threat that God's prolonged absence in the temple's destruction posed to the ongoing viability of various core Israelite beliefs about God, most fundamentally God's goodness. Smith makes the case that the collection is shaped to resolve this crisis by bolstering the reader's confidence in, and commitment to, these beliefs in the face of their apparent failure.

Antonios Finitsis and contributors continue their examination of dress and clothing in the Hebrew Bible in this collection of illuminating essays. Straddling the divide between the material and the ideological, this book lends shape and texture to topics including social standing, agency, and the motif of cloth and clothing in Esther. Essays also explore the function of dress metaphors in imprecatory Psalms, the symbolic function of headdresses, and the divine clothing of Adam and Eve and the hermeneutics of trauma recovery. Together, the contributors continue to shape scholarly discourse on a growing body of scholarship on dress in the Bible.By turning their analytical gaze to this primary evidence, the contributors are able to reveal the social, psychological, aesthetic, ideological and symbolic meanings of dress in the Hebrew Bible, thereby producing insights into the literature and cultural world of the ancient Near East.

Looking at the Book of Esther through the lens of intertextuality, this collection considers its connections with each division of the Hebrew Bible, along with texts throughout history. Through its exploration, it provides and invites further study into the relationship between Esther and its intertexts, many which are under explored. Topics covered in the book include considerations of Esther alongside the Torah and the prophetic books, as well as in dialogue with the Qumran community.As an edited collection, the book draws together scholars with expertise in the wide variety of texts that are intertextually connected with Esther, offering the reader a more nuanced and informed discussion. By including some reflection on the nature of intertextuality as a 'method', it also enables the reader to appreciate the varying intertextual approaches currently employed in biblical studies. In applying these to a focused analysis of Esther, this collection will facilitate greater insight on both the book of Esther and current methodological research.

This study is designed as a commentary with a difference, where the reading of the prophet's travails is explored in the context of two wider themes: (1) the overt and highly sophisticated intertwining of Jonah's story with an impressively wide range of other biblical texts, often deployed in surprising ways; and (2) the clearly contrarian relationship between God and Jonah which has both vexed and intrigued scholars and lay readers alike for millennia.Underpinning this reading is a twofold thesis: firstly, an argument that many of the puzzles inherent in the book of Jonah can be illuminated in the light of the idea that Nineveh was from the beginning a cipher for the Jerusalem of the author's time; and secondly, that this would have been evident to Jonah's first readers: the class of elite literati amongst the ruling cadre of late Persian or early Hellenistic Judaea.

What did violence against women and children mean for ancient audiences and how do modern audiences hear and process the meaning of violence in the texts of the Hebrew Bible? The rape of Tamar, the sacrifice of Jephthah's daughter, babes ripped from the womb during war-texts such as these are hardly fodder for Sunday School classes; yet we are left with the reality that the Bible is a violent text full of war, murder, genocide, and destruction, often carried out at the behest of God. The essays in this volume explore ways in which the Hebrew Bible uses and abuses women and children to make indelible points concerning the people of Israel, the lived realities of the Israelite society, and God's relationship to His people. Where other works turn to the study of the violence itself, or to the divine nature of violence, this volume focuses in on the human component. As a result, these studies are reminders that women and children born out of trauma are at once vulnerable and valuable, fragile and resilient.

Natalie Mylonas uses Ezekiel 16 as a case study in order to reveal the critical relationship between space, emotion, and identity politics in the Hebrew Bible. Drawing on interdisciplinary research that emphasises how space and emotions are inextricably linked in human experience, Mylonas explores the portrayal of Yhwh's wife, Jerusalem, in Ezekiel 16 as a personified city who feels emotion. She foregrounds purity and gender issues, as well as debates on emotions in the Hebrew Bible, emphasising that spatiality is a key component of how these issues are conceptualised in ancient Israel.This book argues that the power struggle between Jerusalem and Yhwh in Ezekiel 16 is a struggle over the contested space of Jerusalem's body and the city space. Jerusalem's emotions are in a dynamic relationship with the spaces in the text - they are signified by these spaces, shift as the constitution of the spaces shifts, and are shaped by Jerusalem's use of space. Her desire, pride, and shamelessness are communicated spatially through her use of city space, while her representation as disgusting is underscored by her "uncontrollable" female body. Mylonas concludes by showing how Ezekiel's vision of the new Jerusalem in Ezekiel 40-48 re-establishes sacred space through the erasure of the feminine city metaphor coupled with strict boundary policing, which is a far cry from the assault on Jerusalem's boundaries described in Ezekiel 16.

The contributors provide fresh insight into the context surrounding the composition and reception of the Psalms, the relationships between the Psalms, and of early audiences who engaged with the material. Close attention is also paid to specific interpretative problems which emerge in the Psalms, both linguistic and theological. Consequently, there is the creation of a more sophisticated historical reconstruction of how the Psalms were used originally and in subsequent periods, opening up challenges and possibilities for scholars through emphasizing the need in critical Psalms scholarship for vitality and imagination.

Winner of the 2023 ANZATS Award for the Best Monograph by an Emerging ScholarWhat can explain the persistence of gender inequality throughout history? Do narratives such as the Eden story explain that dissymmetry or contribute to it? This book suggests that the Hebrew Bible began and has sustained a rich conversation about sex and gender throughout its life. A literary study of the Garden of Eden story reveals a focus on the human partnership as integral to the divine creation project. Texts from other Hebrew Bible genres build a picture of robust and flexible partnerships within a patriarchal framework.In popular culture, Eve still carries the stench of guilt while Adam, seemingly unscathed by Eden events, remains a positive symbol of manhood. This book helps explain why they have had such different histories. The book also charts the subversive alternate streams of interpretation of women's writings and rabbinic texts.The story of Adam and Eve demonstrates how conceptions of gender in both ancient and modern worlds reflect larger philosophical schemes. Far from existing as timeless verities, female and male relations are constructed according to cultural imperatives of the day. Understanding the different ways that Adam and Eve have been conceived gives us perspective on our own twenty-first century gender architecture.

Vita Daphna Arbel uses critical theories of gender to offer an alternative reading of the multilayered conceptualization of the Song of Song's feminine protagonist: "the most beautiful woman". Arbel treats "the most beautiful woman" as a culturally constructed and performed representation of "woman," and situates this representation within the cultural-­discursive contexts in which the Song partly emerged. She examines the gender norms and cultural ideologies it both reflects and constructs, and considers the manner in which this complex representation disrupts rigid, ahistorical notions of femininity, and how it consequently indirectly characterizes "womanhood" as dynamic and diverse.Finally, Arbel examines the reception and impact of these ideas on later conceptualizations of the Song of Songs' female protagonist with a heuristic examination of Mark Chagall's Song of Songs painting cycle, Le Cantique des Cantiques. These compositions-selected for their diverse depictions of the Song's protagonist, their impact on European art, and their vast popularity and bearing in the broader cultural imagination-illustrate a fascinating dialogue between the present and the past about the "most beautiful woman" and about multiple femininities.

Examines the dilemma of whether ancient Near Eastern images - while providing unique aspects of the world-views of the cultures from which the Bible arose - can be interpreted in a way that traceably relates them to the biblical text. To avoid the danger of using images merely as illustrations for concepts found in the Bible, one first needs to behold the image with its own right to been seen. The essays within this volume describe the methods developed by Othmar Keel for bringing imagery into a dialogue with texts from the ancient Orient and their own interpretation, including previously unpublished material from Keel. The contributions begin with an overview of the scholarly work of Keel and the development of his aims and methods, including a revision of an article dealing with semiology in the interpretation of art. The book proceeds to address the research history of iconology in art history, presenting the methodology of Erwin Panofsky and one of his influential predecessors, Charles Clermont-Ganneau, in contrast with Keel's three methodological steps leading from iconographic analysis to iconology. Contributors then present two case studies of how Keel's method can be applied to interpret Egyptian and Mesopotamian images, allowing insights into the worldview of an ancient culture and the aim of iconology. The book concludes with a report about how iconographic analysis and iconology is taught on University level.

John Day investigates disputed points of interpretation within Genesis 1-11, expanding on his earlier book From Creation to Babel with 11 stimulating essays. Day considers the texts within their Near Eastern contexts, and pays particular attention to the later history of interpretation and reception history.Topics covered include the meaning of the Bible's first verse and what immediately follows, as well as what it means that humanity is made in the image of God. Further chapters examine the Garden of Eden, the background and role of the serpent and the ambiguous role of Wisdom; the many problems of interpretation in the Cain and Abel story, as well as what gave rise to this story; how the Covenant with Noah and the Noachic commandments, though originally separate, became conflated in some later Jewish thought; and the location of 'Ur of the Chaldaeans', Abraham's alleged place of origin, and how this was later misinterpreted by Jewish, Christian and Islamic sources as referring to a 'fiery furnace of the Chaldaeans'. These chapters, which illuminate the meaning, background and subsequent interpretation of the Book of Genesis, pave the way for Day's forthcoming ICC commentary on Genesis 1-11.