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Suspended between likeness and strangeness, portraiture can identify an individual only at the moment of its advancementand withdrawal. Examining 36 portraits across two millennia, Nancy shows how, despite photograph's ubiquity, the forms of appearing that define the portraitcontinue to mark the bodies and representations that dominate our world.

This book examines the affinity between the notions of "theory" and "deconstruction" that developed in the American academy in the 1970s by way of a semi-fictional collective, the "Yale Critics": Harold Bloom, Paul de Man, Geoffrey Hartman, and J. Hillis Miller, in association with the French philosopher Jacques Derrida.

Working from the Bible to contemporary art, Shibboleth surveys the politics of border crossings, the policing of identities, and the linguistic performances on which such actions depend.