Gjør som tusenvis av andre bokelskere
Abonner på vårt nyhetsbrev og få rabatter og inspirasjon til din neste leseopplevelse.
Ved å abonnere godtar du vår personvernerklæring.Du kan når som helst melde deg av våre nyhetsbrev.
In recent decades crime fiction has enjoyed a creative boom. Although, as Alison Young argues in her book Imagining Crime (1996), crime stories remain strongly identified with specific locations, the genre has acquired a global reach, illuminating different corners of the world for the delectation of international audiences. The recent fashion for Nordic noir has highlighted the process by which the crime story may be franchised, as it is transposed from one culture to another. Crime fiction has thus become a vehicle for cultural exchange in the broadest of senses; not only does it move with apparent ease from one country to the next, and in and out of different languages, but it is also reproduced through various cultural media. What is involved in these processes of transference? Do stories lose or gain value? Or are they transformed into something else altogether? How does the crime story that originates in a specific society or culture come to articulate aspects of very different societies and cultures? And what are the repercussions of this cultural permeability?
An exciting novel that pushes temporal, spatial and literary boundaries.
Barry Hill is a multi-award winning writer of poetry, essays, biography, history, criticism, novels, short stories, libretti and reportage. His major works include Sitting In (1992), a landmark memoir in Labour History; Broken Song: TGH Strehlow and Aboriginal Possession (2002), a literary biography and essay in Aboriginal and frontier poetics; and Peacemongers (2014), a pilgrimage book set in India and Japan, and a meditation on 'peace thinking' by the likes of Rabindranath Tagore and Mahatma Gandhi in the years leading up to the atomic bombing of Hiroshima and Nagasaki. Each book has been groundbreaking in different ways: deeply, originally researched, crossing genres, multi-disciplinary, combining the personal with the generically philosophical. As a writer Hills voice is informed by his Australian working-class and militant union background, which has been distilled by his higher education in history and philosophy at the Universities of Melbourne and London. After a decade working as a teacher, educational psychologist and a journalist in Melbourne and London, he has been writing full-time since 1976mainly based in Queenscliff, Victoria, but with stints at the Australia Council flat in Rome, where he finished poetic/dramatic works on Lucian Freud and Antonio Gramsci, and returns to Central Australia. In recent decades he has deepened his studies In Chinese and Japanese, which is in keeping with his long-term interest in Buddhism. Hills voice is unique, and his insight both profoundly important and capable of taking the reader to places not glimpsed before or imagined visible. This collection of essays, reviews and reportage amply demonstrates the quality and enduring importance of Hills contribution, in these genres, to Australian literary and intellectual life.
After researching the life of a British Special Operation Executive agent, Oliver Churchill, who operated over the summer of 1944, Andrea Cominini found that his brother, Peter, had also been an SOE agent operating in France during WWII. Peter carried out four missions, spending 225 days in enemy territory.
Abonner på vårt nyhetsbrev og få rabatter og inspirasjon til din neste leseopplevelse.
Ved å abonnere godtar du vår personvernerklæring.