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George Garrett (1896-1966) was a Merchant Seaman, writer, playwright and radical activist. His autobiographical work Ten Years On The Parish, written in the late 1930s, is published here together with a series of letters between Garrett and New Writing editor John Lehmann, which reveal a unique insight into the relationship between a working-class writer and his editor.
In the 1880s and 1890s, Walter Besant was one of Britain's most lionized living novelists. Today he is comparatively unknown. Bringing together literary critics and book historians, as well as social and cultural historians, this volume provides a major reassessment of Besant.
The first comprehensive account of the relationship between Byron and John Murray, the man who published his poetry for over ten years.
With the dawn of modern medicine there emerged a complex range of languages and methodologies for portraying the male body as prone to illness, injury and dysfunction. Using a variety of historical and literary approaches, this collection explores how medicine has interacted with key moments in literature and culture.
Drawing on literary, historical and cultural studies perspectives, this book examines the phenomenon of the "Returned Yank" in the cultural imagination. Taking as its point of departure The Quiet Man (1952), it provides a cultural history that charts the ways in which the Returned Yank indexes a set of recurring anxieties in Ireland from 1952 to the present.
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