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  • av Travis Alabanza
    165,-

    Tate Britain: Look Again: the National Collection of British Art reimagined for today. Gender is a polyphonic portrait of the representation of gender in art, from acclaimed playwright and artist, Travis Alabanza.

  • av Bernardine Evaristo
    165,-

    Tate Britain: Look Again: the National Collection of British Art reimagined for today. Feminism is a powerful new interpretation of British art from an intersectional feminist perspective, from one of Britain's greatest writers.

  • av Nathalie Olah
    165,-

    Tate Britain: Look Again: the National Collection of British Art reimagined for today. Class is an incisive exploration of the relationship between social class and art by an extraordinarily gifted young writer.

  • av Afua Hirsch
    165,-

    Tate Britain: Look Again: the National Collection of British Art reimagined for today. Empire is a vital exploration of how Britain's colonial legacy has shaped its art, by one of the UK's most influential voices on the subject.

  • av Jay Bernard
    165,-

    "Take a six-mile walk across London with critically acclaimed poet Jay Bernard, exploring some of the secrets of the statues and monuments of the city they love...Bookended by visits to Henry Tate's mausoleum and the tomb of Lord Mayor Henry Tulse, in this book, the author of the critically acclaimed poetry collection Surge goes for a six-mile walk across London--'this city I love'--to think about the meaning of complicity. We live in the legacy of colonialism. It permeates the very fabric of the social structures in which we exist. It visibly haunts the streets of London, anchored by statues and monuments that commemorate a violent imperial past. What does it mean, then, to love this city that was once the heart of an empire? Punctuated by works in Britain's national collection of art, Complicity is an insightful meditation on how art can help us reckon with a dark history and an uncertain future." --

  • av Philip Hoare
    159,-

    Look Again is a new series of short books from Tate Publishing, opening up the conversation about British art over the last 500 years, and exploring what art has to tell us about our lives today. Written by leading voices from the worlds of literature, art and culture, each book sheds new light on some of the most well-known, best-loved and thought-provoking artworks in the national collection, and asks us to look again. Author Philip Hoare takes us on an exploration of the sea and the way it has provided a deep source of inspiration for artists featured in the Tate collection, from William Blake to Maggi Hambling. Artists have always seen the sea as a mirror of their anxieties and desires; an endless resource for their creativity and their dreams. Under our human sway, the sea has shifted in meaning, from creation myth to economic wealth, from mystic wonder to modern exploitation. Look Again: The Sea dives into the breadth of historical and contemporary works in Britain's national collection of art, as well as the beloved literature they have inspired. By reframing them within a social and political perspective rather than a chronological or art-historical one, prize-winning author Philip Hoare shows how art has continually borne witness to the power and allure of the sea.

  • av Johny Pitts
    165,-

    Look Again is a new series of short books from Tate Publishing, opening up the conversation about British art over the last 500 years, and exploring what art has to tell us about our lives today. Written by leading voices from the worlds of literature, art and culture, each book sheds new light on some of the most well-known, best-loved and thought-provoking artworks in the national collection, and asks us to look again. Author, photographer and broadcaster Johny Pitts examines the notion of 'visibility' in Tate's galleries, asking who gets to be seen - and why. The well-known faces of our best-loved paintings hang visible on the walls of Tate - but look beyond and you will also see the 'invisible' figures in the background whose stories have been obscured by history, hidden in plain sight. And yet, these stories belong to those on whom the galleries depend the most: standing guard in the corners, serving in our cafes and cleaning in the early mornings. Featuring original sketches by Tate staff that respond to works from Britain's national collection of art, Look Again: Visibility asks us to bear witness to figures who have long been overlooked by a system that profits from their labour while simultaneously dismissing it as 'unskilled' - and suggests that perhaps the way to reach a fuller understanding of our history is to start looking at it through new eyes.

  • av Shahidha Bari
    165,-

    "How we dress can be a deeply personal matter. But can dress also be the object of deeper artistic enquiry? And can it tell us something more about the societies in which we live? These are the questions at the heart of Fashion. From Piet Mondrian and Yves Saint Laurent to Louis Vuitton and Yayoi Kusama, there is a long-standing relationship between art and the high fashion world: artists can influence designers, and avant-garde fashion can also inspire avant-garde art. But what about the everyday dress that features in so many of the works in Britain's national collection of art? What can we learn by inspecting the turban on the head of a footman, the fabric gathered in the lap of a seamstress, or the pleats of a dress swirling around the neck of a girl walking on her hands on a beach? In Fashion, esteemed academic and broadcaster Shahidha Bari guides us through the surprising insights that come of these questions and reveals that thinking about dress can take us into the heart of society, culture, and politics."--Blurb.

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