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This debut collection explores the vestiges of war and the effects those can have on a family. Carlson excavates the personal experience of violence and abuse that follows a traumatized soldier home and also reveals veins of redemption.
Walking Uphill at Noon showcases Yenser's mastery of prosody and love of play. Including free verse as well as established and newly invented forms, Yenser's collection is organized into four parts that each explore the author's life and interests: part 1 focuses on neighborhood observations; part 2 delves into travel at home and abroad; part 3 consists of a "e;walking log"e; that muses on current events; and part 4 explores magic, mysteries, and sleights of hand. Ultimately, Yenser urges readers to consider that everyday situations can be made extraordinary if they keep their love of play and wonder close to their hearts.
Caton Garcia's poems layer sound and image to offer a tangible point of access into the complex and often contradictory ideas contained within the work. Love, loss, memory, and the hidden lives of a range of speakers and characters become the interwoven themes of this book, each presented in raw and unflinching narrative and metaphor.
Draws on a number of styles - persona, ekphrastic, lyrical, formal - to create a collection that explores the promises of love and loss. From pleasure to pain to hope of new love, this collection draws readers into the everyday magic of the world.
Told from the point of view of a public servant trying his best to work with people at various levels of brokenness, these poems are compassionate, heartbreaking, and even sometimes brutal while the voice is gentle, outraged, and naive in turns.
Ray Gonzalez traces his love of reading, philosophy, and learning with poems constantly in conversation - with each other, with texts by other writers and the writers themselves, with world history and his personal history and people he has encountered.
Takes readers into what it means to be a rookie trail-crew leader guiding a motley collection of at-risk teens for five months of backbreaking work in the Pacific Northwest. In this memoir-in-poems, Prentiss shares a music most of us will never experience, set to tools swung and sharpened, backdropped by rain and snow and sun.
Explores the paradoxical nature of bereavement as both a universal human experience and an intensely personal one. The poems interrogate and dismiss common notions of loss and recovery through a series of letter-poems.
Explores the ways images, performances, and memories shape and inform LGBTQ identity. Golden-age Hollywood cinema - in particular the career of fiercely independent actress Barbara Stanwyck - provides the screen on which James Cihlar projects characters and stories bravely, even defiantly, performed.
The geography of After Party includes married life and fatherhood, a childhood survived if not fully understood, the transition from youth to an adulthood filled with responsibilities, and the dangers of our current world and culture-on a personal and global scale - that can distract and disrupt life and our idea of home.
Showcases the work of a gifted poet who employs language at its richest. Yenser captures lyrics and blues, ballads and villanelles, and even a crown of sonnets. Sonically rich and filled with detail, these poems constantly find ways to explore the inner and outer worlds in ways at once understated and wise.
In Morales's newest collection, an imagined zombie apocalypse intertwines with personal narrative. From zombie dating to the sin of popcorn ceilings, these poems investigate the nature of impermanence while celebrating the complexities of life.
This debut collection reads like an elegy, not just for the author's brother Lou, stricken with schizophrenia, but for all families affected by mental illness. Through multiple personae and a variety of styles, Seluja offers a gritty authenticity and empathy to the subjects and themes. These poems grieve for a world of the lost while extending solace to those who remain and remember.
Bauer's newest collection is an exploration of time: how we perceive it and its passing, how we use language to describe the lived experience that time informs, and the transformations we undergo during its passing.
Chronicles the Albuquerque Slam Poetry scene's growth and success at the 2005 National Poetry Slam competition, which it hosted and won. This collection of poems and personal memories explores Slam from the voices of the poets who began developing the Albuquerque scene in 1990 to poets who witnessed and celebrated the 2005 hometown victory.
Winner of the Kenyon Review Earthworks Prize for Indigenous Poetry, Midge deftly weaves Plains Indian myths into the present day and seeks to define love, the nature of desire, and identity in the twenty-first century.
Constructed as a series of reports to the Department of the Interior, these poems of grief, anger, defiance, and resistance focus on the oppressive educational system adopted by Indian boarding schools and the struggle Native Americans experienced to retain and honour traditional ways of life and culture.
With her characteristic music and precision, Dubrow's prose poems delve unflinchingly into a mother's story of trauma and captivity. The poet proves that truth telling and vision can give meaning to the gravest situations, allowing women to create a future on their own terms.
Pays homage to the rivers that taught the poet - the Rio Grande and the Chicago and Illinois Rivers. Sharp-eyed and empathetic, Golden serves as a witness, documenting place, history, and people, especially those left voiceless due to violence or discrimination.
Full of sensory detail and written with astute observation, to cleave searches for and lays bare the mythic moments one finds even in the most ordinary life. In this stunning collection Rockman explores the themes of aging; our relationships to our bodies; marriage; and the surprises, griefs, and joys of motherhood.
With technical mastery and remarkable empathy, Canaday introduces readers to the people involved in the creation and testing of the first atomic bomb, from initial theoretical conversations to the secretive work at Los Alamos. Critical Assembly also includes brief biographies, notes, and a bibliography for further exploration about this critical event in world history.
"The clipped jumpy rhythm of these poems with their sudden bursts of syntax prove repeatedly that Kate Gale possesses a poetic tone and pace all her own. She is also refreshingly out of step with today's poetry of self-absorption, for she is fascinated less by her ego than by the strange variety of the world around us." - Billy Collins, former US Poet Laureate
Long's work begs to be read aloud in order to savour the rich language and rhythm she instils in each poem. She explores the beauty of specific bridges while employing them as a metaphor for crossings to death (a sister's suicide), eros, and art. Part elegy, the book also explores living, remembering, and celebrating.
In this dynamic debut collection, Fernando Perez employs lyric and nonce forms to interrogate identity politics and piece together a complex family history. The book embodies fragmentation in form and story, exploring how migration affects relationships between people of different generations. Perez invites readers on the journey as his family story unfolds over time and distance.
Part fun-house hall of mirrors in its distorted and dizzying central narrative, part spaghetti western, and part prayer, Self-Portrait with Spurs and Sulfur is an exploration into the possibilities of storytelling. Through persona poems and odes, the collection argues that the muddier the narrative, the closer the story gets to truth.
In this innovative debut collection, Tacey M. Atsitty employs traditional, lyric, and experimental verse to create an intricate landscape she invites readers to explore. Presented in three sections, Tseyi', Gorge Dweller, and Tohee', the poems negotiate between belief and doubt, self and family, and interior and exterior landscapes.
A collection of poems, many of which explore what C G Jung referred to as the 'shadow,' that dark, usually hidden part of each of us individually, and perhaps the troubled vortex of most group identities as well.
Written while the author was earning a living as a reporter, columnist, editor, and teacher, this work features poems that explore the great learning experiences of his life, his attraction to New Mexico and Chaco Canyon, and his struggle to make sense of the modern world. It also mirrors the poets self-education.
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