Bøker i McGill-Queen's/Beaverbrook Canadian Foundation Studies in Art History-serien

Tracing the global reach of early photography and the camera's part in cultural encounters across three continents.

The first scholarly book dedicated to this Canadian landmark, Casa Loma brings to light a wealth of hitherto unpublished archival images and documentation of the house's visual and material culture, weaving together a textured account of the design, use, and life of this unique building over the course of the twentieth century.

Photographic innovators at home in nineteenth-century Quebec and abroad, Charles and John Smeaton have flown beneath the radar in studies of the history of photography in Canada. Out of the Studio is the first comprehensive biographical study detailing the innovation and imagination of the Smeaton brothers' legacy of images in Canada and Europe.

Through a series of interconnected case studies, Out of School explores the long history of information art connected with the Toronto School of Communication. Examining the works of artists inspired by the speculations of Marshall McLuhan and colleagues, Adam Lauder offers an essential reassessment of the School's legacies.

Photographic objects are embedded in urban contestation, aesthetically charged by artists, reinserted into social histories, and mobilized to imagine a future city. Photogenic Montreal takes a question initially posed by heritage debates - what does photography preserve? - and creates a rich conversation about the agency of the human actors before and behind the camera, and of the medium itself.

"For immigrants making the transoceanic journey from Europe or Asia to North America, the experience of a new country began when they disembarked. In Canada the federal government built a network of buildings that provided newcomers with shelter, services, and state support. "Immigration sheds" such as Pier 21 in Halifax - where ocean liners would dock and global migrants arrived and were processed - had many counterparts across the country: new arrivals were accommodated or incarcerated at reception halls, quarantine stations, and immigrant detention hospitals. For the Temporary Accommodation of Settlers reconstructs the experiences of people in these spaces - both immigrants and government agents - to pose a question at the heart of architectural thinking: how is meaning produced in the built environments that we encounter? David Monteyne interprets official governmental intentions and policy goals embodied by the architecture of immigration but foregrounds the unofficial, informal practices of people who negotiated these spaces to satisfy basic needs, ensure the safety of their families, learn about land and job opportunities, and ultimately arrive at their destinations. The extent of this Canadian network, which peaked in the early twentieth century at over sixty different sites, and the range of building types that comprised it are unique among immigrant-receiving nations in this period. In our era of pandemic quarantine and migrant detention facilities, For the Temporary Accommodation of Settlers offers new ways of seeing and thinking about the historical processes of immigration, challenging readers to consider government architecture and the experience of migrants across global networks."--

For Mary Riter Hamilton, capturing the emotional landscape of battlefields and graveyards in the months after the Great War's armistice became an artistic calling and defined her work. This book recovers a body of work that stands as a unique and enduring portrait of the effects of the Great War.

Emphasizes the transformative power of museum controversy and analyses shifting ideas about art, authenticity, and power in the modern museum

An indispensable and richly illustrated collection of essays by Melvin Charney, with interpretations by established scholars.

What can photography tell us about a world transformed by nuclear catastrophe?

Graphic satire in Canada - from rebellious colony to independent nation preparing for war.

Is there an alternative to paradigms of identity in women's art history?

How have photographs contributed to visualizing the "imagined community" of Canada? In what ways does the dissemination of photographs in the media and through exhibitions shape our understanding of the past? How have photographs been used to reanimate the past through memory work?

The architecture of Newfoundland typically evokes images of spare but colourful houses and outbuildings by the sea. Newfoundland Modern reveals another dimension that challenges this impression.

Florence Carlyle (1864-1923), born in Galt, Ontario, emerged as one of the most successful Canadian artists of her time. This book draws on letters and family memoirs to recount Carlyle's personal and professional life. It explores Carlyle's artistic influences, and her relationships with artist colleagues.