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  • av CLAIRE BOYLE
    406,-

    McSweeney's 65: Plundered spans the American continent, from a bone-strewn Peruvian desert to inland South Texas to the streets of Mexico City, and considers the violence that shaped it. In fifteen bracing stories, the collection delves into extraction, exploitation, and defiance. How does a community, an individual, resist the plundering of land and peoples? Guest-edited by Valeria Luiselli with Heather Cleary, McSweeney's 65 brings together stories of stolen artifacts and endless job searches, of nationality-themed amusement parks and cultish banana plantations. With contributors from Brazil, Cuba, Bolivia, Mexico, Argentina, Ecuador, the United States, and elsewhere, Plundered is a sweeping portrait of a hemisphere on fire. -- summary from book jacket.

  • av CLAIRE BOYLE
    406,-

    "Just in time for the holidays, the sixty-ninth issue of our National Magazine Award-winning McSweeney's Quarterly is a gift to adventurous readers. Featuring an irresistible mix of original fiction from daring new voices and beloved favorites, this issue is certain to delight one and all. Often hilarious and always surprising, these are tales of contemporary life flipped and twisted, skewed and skewered. "--Publisher's website.

  • av Dave Eggers
    455,-

    Featuring Stephen Graham Jones's Lover's Lane, reprinted in the The Best Horror of the Year. Our first-ever issue-length foray into horror, and featuring one of our biggest lineups in some time, our seventy-first issue is one for the ages. Guest edited by Brian Evenson, McSweeney's 71: The Monstrous and the Terrible is a hair-raising collection of fiction that will challenge the notion of what horror has been, and suggest what twenty-first-century horror is and can be. And it's all packaged in a mind-bending, nesting-doll-like series of interlocking slipcases that must be seen to be believed. There's Stephen Graham Jones's eerie take on the alien abduction story, Mariana Enríquez's haunting tale of childhood hijinks gone awry, and Jeffrey Ford on a writer who loses control of his characters. Nick Antosca (cocreator of the award-winning TV series The Act) spins out a novelette about the hidden horrors of wine country. There's Kristine Ong Muslim exploring environmental horror in the Philippines; a sharp-edged folk tale by Gabino Iglesias, and Diné writer Natanya Ann Pulley reimagining sci-fi horror from an indigenous perspective. Hungarian writer Attila Veres proffers a dark take on the not-so-hidden sociopathy of multi-level marketing. And Erika T. Wurth explores the dark gaps leading to other worlds. If that weren't enough: an excerpt from a new novel by Brandon Hobson; a chilling allegorical horror story by Senaa Ahmad; a Lovecraftian bildungsroman by Lincoln Michel; unsettling dream cities from Nick Mamatas; M. T. Anderson's exceptionally weird take on babysitting; and, improbably, much more.

  • av Dave Eggers
    406,-

    McSweeney's three-time National Magazine Award-winning quarterly returns with a subjective and selective group of manifestos, all from the twentieth century and onward, all roaring with outrage and plans for a better world. Featuring life- and history-changing works from André Breton, Bertrand Russell, Valerie Solanas, Huey Newton, John Lee Clark, Dadaists, Futurists, Communists, Personists, and many more past and future -ists, plus brand-new work from brilliant radical thinkers Eileen Myles and James Hannaham. Let this incendiary collection light your whole world on fire. From the introduction: We need manifestos. They are often strange, ill-considered, and regrettable. They are just as often brilliant and pivotal in changing government, art, and the direction of the human animal. But always manifestos are passionate, always they command attention and use language for perhaps its most urgent purposes--the rattling of complacent minds. Featuring: The Manifesto of Futurism (1909) by Filippo Tommaso MarinettiDada Manifesto (1918) by Tristan TzaraDadaism in Life and Art (1918) by Richard HuelsenbeckManifesto of Surrealism (1924) by André BretonManifesto (1952) by John CageThe Russell-Einstein Manifesto (1955) by Bertrand RussellPersonism: A Manifesto (1959) by Frank O'HaraSecond Declaration of Havana (1962) by Fidel CastroPlan of Delano (1966) by United Farm WorkersThe Ten-Point Program (1966) by Huey NewtonS.C.U.M. Manifesto (1967) by Valerie SolanasPrinciples of the Asian American Political Alliance (1968) by Asian American Political AllianceRedstockings Manifesto (1969) by RedstockingsDouble Jeopardy: To Be Black and Female (1969) by Frances M. BealThe Gay Manifesto (1970) by Carl WittmanThe Combahee River Collective Statement (1977) by Combahee River CollectiveWhy Cheap Art? (1984) by Peter SchumannThe Advantages of Being a Woman Artist (1988) by Guerrilla GirlsI want a president (1988) by Zoe LeonardCreate Dangerously: The Immigrant Artist at Work (2010) by Edwidge DanticatThe First Manifesto of the Museum of Everyday Life (2011) by Clare DolanNo Stage (2015) by John Lee ClarkManifesto for World Revolution (2023) by Kalle LasnPress Conference for a Tree (2023) by Eileen MylesDestroy All Manifestos (2023) by James Hannaham

  • av James Yeh
    406,-

    McSweeney's National Magazine Award-winning Quarterly Concern celebrates our first quarter century of being an occasionally actually quarterly publication as so many mid-twentysomethings do (drenching ourselves in a sea of nostalgia for our misbegotten youth and looking forward into the promise of the future) with one of our most dazzling issues to date! Coming to you housed inside a deluxe tin lunchbox illustrated by the legendary Art Spiegelman, McSweeney's 74 features a portfolio of pareidolia art by Spiegelman himself, wherein he teases out images from random watercolor inkblots; original pieces by Lydia Davis, Catherine Lacey, and David Horvitz printed onto pencils and whose meaning is designed to change throughout the pencil's lifespan; and three packs of collectible author cards, packaged in real tear-away baseball-card packaging and featuring some of the finest writers of our time, including Sheila Heti, Hanif Abdurraqib, George Saunders, Sarah Vowell, Michael Chabon, Eileen Myles, and many more. Find all this plus the official McSweeney's Anthology of Contemporary Literature a book composed of some of the greatest works of McSweeney's past decade, with a new introduction by longtime editor Claire Boyle. Here you'll find award-winning, shortlisted, anthologized, and otherwise feted and beloved stories from Lesley Nneka Arimah, T.C. Boyle, Mimi Lok, Kevin Moffett, Adrienne Celt, Bryan Washington, Samanta Schweblin, C Pam Zhang, Eskor David Johnson, Julia Dixon Evans, and more! Dive in with us, readers, as we bathe in the warmth of the past, and get ready for our next quarter century of always thrilling and unexpected literary work. Ever changing, each issue of the quarterly is completely redesigned (there have been hardcovers and paperbacks, an issue with two spines, an issue with a magnetic binding, an issue that looked like a bundle of junk mail, and an issue that looked like a sweaty human head), but always brings you the very best in new literary fiction.

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